A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.

A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.

A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.

A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.

A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.

Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years. She wrote some 98 novels, fifty or more short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. This is the most ambitious critical edition of her work. This volume includes her 1883 novel The Ladies Lindores with editorial notes by Josie Billington including a new introduction and headnote, giving key information about the book and its publication history.

Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years. She wrote some 98 novels, fifty or more short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. This is the most ambitious critical edition of her work.

This is the most ambitious scholarly critical edition of Oliphant's work ever undertaken. The sheer scale of her output has meant that selection is essential, but the edition aims to convey the range and variety of her work in both fiction and non-fictional genres. It will bring together for the first time her critical writing and other journalism for Blackwood's Edinburgh Magazine, the Spectator, the St James's Gazette, as well as her articles in the Contemporary Review, the Edinburgh, and Macmillan's Magazine. Much of her fiction, including full length novels, short stories and novellas, was first published in periodicals: in Blackwood's, the Cornhill, Longman's Magazine, Macmillan's, and Good Words. Few of her manuscripts survive, but substantive textual work remains to be done on the editorial changes made between periodical serialization and first appearance in volume form. The edition will place particular emphasis on her shorter fiction, much of which will be reprinted for the first time, and on her work as a biographer, historian, and literary historian.

A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.

A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.

A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.

A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.

A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.

This book brings together into one edited volume the most compelling rationales for literary reading and health, the best current practices in this area and state of the art research methodologies. It consolidates the findings and insights of this burgeoning field of enquiry across diverse disciplines and groups: psychologists, neurologists, and social scientists; literary scholars, writers and philosophers; medical researchers and practitioners; reading charities and arts organisations. Following introductory chapters on the literary-historical background to reading and health, the book is divided into four key sections. The first part focuses on Practices, showcasing reading interventions and cultures in clinical and community mental health care and in secure settings. This is followed by Research Methodologies, featuring innovative qualitative and quantitative approaches, and by a section covering Theory, with chapters from eminent thinkers in psychiatry, psychology and psychoanalysis. The final part is concerned with Implementation, incorporating perspectives from health professionals, commissioners and reading practitioners. This innovate work explains why reading matters in health and wellbeing, and offers a foundational text to future scholars in the field and to health professionals and policy-makers in relation to the embedding of reading practices in professional health care.

This book brings together into one edited volume the most compelling rationales for literary reading and health, the best current practices in this area and state of the art research methodologies. It consolidates the findings and insights of this burgeoning field of enquiry across diverse disciplines and groups: psychologists, neurologists, and social scientists; literary scholars, writers and philosophers; medical researchers and practitioners; reading charities and arts organisations. Following introductory chapters on the literary-historical background to reading and health, the book is divided into four key sections. The first part focuses on Practices, showcasing reading interventions and cultures in clinical and community mental health care and in secure settings. This is followed by Research Methodologies, featuring innovative qualitative and quantitative approaches, and by a section covering Theory, with chapters from eminent thinkers in psychiatry, psychology and psychoanalysis. The final part is concerned with Implementation, incorporating perspectives from health professionals, commissioners and reading practitioners. This innovate work explains why reading matters in health and wellbeing, and offers a foundational text to future scholars in the field and to health professionals and policy-makers in relation to the embedding of reading practices in professional health care.

When Middlemarch was first published in 1872, it was recognised as an unprecedented achievement and as marking a new era in the development of the novel. Edith Simcox, later a close friend and personal champion of George Eliot, wrote that Middlemarch "marks an epoch in the history of fiction in so far as its incidents are taken from the inner life". One of her shrewdest early reviewers, R.H. Hutton, compared her work to that of her popular contemporary, Anthony Trollope, saying: "He scours a greater surface of modern life but rarely or never the emotions which lie concealed behind. His characters are carved out of the materials of ordinary society; George Eliot's include many which make ordinary society seem a sort of satire on the life behind." Today, for fans and detractors alike, says Josie Billington in her succinct but comprehensive and highly entertaining guide, Middlemarch is synonymous with what we mean by the terms "novel", "realism" and "Victorian", and its power to move modern audiences was demonstrated by the powerful appeal of the BBC dramatisation in 1994. So what makes this novel great even for those who feel cheated or saddened by it? For the novel's passionate admirers, Henry James among them, "that supreme sense of the vastness and variety of human life... which it belongs only to the greatest novels to produce" offers its own rich consolations. Perhaps that sentiment is best summed up by the 20th-century novelist Stanley Middleton, who said, if we have no God, we do at least have Middlemarch.

Jane Eyre, published on 16th October 1847, was an instant popular success. More than 150 years later, it still powerfully affects its readers with all the charge of a new-minted work. It is easy to forget, now, how shocking it was to its mid-19th century readers. Virtually every early reviewer felt obliged either to condemn or defend its impropriety. As Josie Billington reminds us in this compelling guide, the most savage reviews denounced the "coarseness" of language, the "unfeminine" laxity of moral tone, and the "dereliction of decorum" which made its hero cruel, brutal, yet attractively interesting, while permitting its plain, poor, single heroine to live under same roof as the man she loved. What caused most outrage, perhaps, was the demonstrable rebellious anger in the heroine's "unregenerate and undisciplined spirit", her being a passionate law unto herself. "Never was there a better hater. Every page burns with moral Jacobinism," wrote an early critic. As the poet Matthew Arnold was to say of Bronte's "disagreeable" final novel, Villette, "the writer's mind contains nothing but hunger, rebellion and rage". In this book Josie Billington looks at the passion and indeed rage which filled Bronte, and shows us that, though sometimes criticised for melodrama, this is a novel of great intellectual seriousness, moral integrity and depth of feeling. She quotes George Henry Lewis: "It is soul speaking to soul; it is an utterance from the depths of a struggling, suffering, much-enduring spirit.

For most of the twentieth century the exuberantfluency of Elizabeth Barrett Browning's art was not regarded as worthy ofserious attention. Even the evidence for the swiftness of her wit, thought andcomposition remains more impressionistic and anecdotal than firmly proven.Through close attention to original manuscript material, Josie Billingtonargues that Barrett Browning's fast, fine and excitedly vigorous and agileimaginative intelligence is Shakespearean, both in its power, and in thecreative drive and dynamic to which it gives rise. Billington contends that for Barrett Browning, asfor Shakespeare, writing was demonstrably a creative event not a second-orderrecord of experience, and that Barrett Browning's characteristic habits ofcomposition, and her creative procedure, resemble in significant ways those ofthe poet she valued most highly. A fascinating study of both writers' analogouscreative dispositions, minds and modes.>

"Middlemarch" is one of the great classic novels of the Victorian age and has also been seen as a key turning point in the history of the genre. George Eliot's novel is widely studied and this guide will provide an introduction to its context, language, themes, criticism and afterlife, leading students to a more sophisticated understanding of the text.It is the ideal guide to reading and studying the novel, setting "Middlemarch" in its historical, intellectual and cultural contexts, offering analyses of its themes, style and structure, providing exemplary close readings, presenting an up-to-date account of its critical reception. It also discusses the cultural afterlife including film and TV adaptations. It includes points for discussion, suggestions for further study and an annotated guide to relevant reading."Continuum" Reader's Guides are clear, concise and accessible introductions to key texts in literature and philosophy. Each book explores the themes, context, criticism and influence of key works, providing a practical introduction to close reading, guiding students towards a thorough understanding of the text. They provide an essential, up-to-date resource, ideal for undergraduate students.

This is the ideal guide to reading and studying this complex and challenging novel."Middlemarch" is one of the great classic novels of the Victorian age and has also been seen as a key turning point in the history of the genre. George Eliot's novel is widely studied and this guide will provide an introduction to its context, language, themes, criticism and afterlife, leading students to a more sophisticated understanding of the text.It is the ideal guide to reading and studying the novel, setting "Middlemarch" in its historical, intellectual and cultural contexts, offering analyses of its themes, style and structure, providing exemplary close readings, presenting an up-to-date account of its critical reception. It also discusses the cultural afterlife including film and TV adaptations. It includes points for discussion, suggestions for further study and an annotated guide to relevant reading."Continuum" Reader's Guides are clear, concise and accessible introductions to key texts in literature and philosophy. Each book explores the themes, context, criticism and influence of key works, providing a practical introduction to close reading, guiding students towards a thorough understanding of the text. They provide an essential, up-to-date resource, ideal for undergraduate students.

"There never was a wilder story imagined," wrote one reviewer on the first publication of Frankenstein in 1818: "we do not well see why it should have been written." The admiring Sir Walter Scott felt that Frankenstein's "unexpected and fearful events... shook a little even our firm nerves". The prophetic power of novel's imagery in reflecting the dehumanising effects of science, technology, empire, business and the mass media has never abated. Writing in 2002, Jay Clayton said: "As a cautionary tale, Frankenstein has had an illustrious career; virtually every catastrophe of the last two centuries - revolution, rampant industrialism, epidemics, famines, World War 1, Nazism, nuclear holocaust, clone, replicants and robots - has been symbolized by Shelley's monster. Perhaps more than any other novel, Frankenstein has been interpreted as a warning impeding events." For some readers these warnings have produced a monstrous creation in place of Mary Shelley's own. "Frankenstein is a product of criticism, not a work of literature," argues Fred Botting. Yet if the metaphorical interpretations of the novel appear to exceed the adolescent fantasy which gave rise to them, this is in itself a tribute to the original work, concludes Levine: "The book is larger and richer than any of its progeny and too complex to serve as mere background... The novel has qualities that allow it to exfoliate as creatively and endlessly as any important myth." In this book, Josie Billington looks at the story and its legacy, and sifts the vast repertoire of critical opinion to give us the most interesting verdicts on the novel.

This volume in the 21st Century Oxford Authors series offers students and readers a comprehensive selection of the work of the poet Elizabeth Barrett Browning (1806-1861). Accompanied by full scholarly apparatus, this authoritative edition enables students to study Barrett Browning's work within the rich context of her life and writing career. The revaluation of Elizabeth Barrett Browning's work by feminist scholars has made her an established author in university syllabuses in Britain and in America. Yet the reception of Barrett Browning as a writer within an explicitly female tradition has tended to limit the appreciation of her wider contribution to English literary culture in the nineteenth century, just as her popular image as a ringleted romantic heroine served sentimentally to eclipse her role as a literary pioneer. This edition complements or corrects these emphases by being the first edition dedicated to witnessing the progress and growth of the poet's creative direction-from her juvenilia through to her major achievements and beyond. The selection of works presented here appear in the order in which they were originally published, enabling students and readers to experience the contours of Barrett Browning's poetic career. Thus, following selections from published juvenilia, The Battle of Marathon (1820) and 'An Essay on Mind' and Other Poems (1826) and from 'Prometheus Bound' and Miscellaneous Poems (1833), there are more extensive selections from 'The Seraphim' and Other Poems (1838), from Poems 1844 and from Poems 1850 including the full text of Sonnets from the Portuguese. Substantial excerpts from Casa Guidi Windows (1851) is followed by the full text of Aurora Leigh (1857) and by selections from the posthumous Last Poems (1862). These individual sections are supplemented by careful selections (also chronologically ordered) from the correspondence, including the courtship letters with Robert Browning, and, where applicable, from poetry unpublished in the nineteenth century. Explanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Barrett Browning, and a Chronology.

'the only true knowledge of our fellow-man is that which enables us to feel with him' George Eliot's first published work consisted of three short novellas: 'The Sad Fortunes of the Reverend Amos Barton', 'Mr Gilfil's Love-Story', and 'Janet's Repentance'. Their depiction of the lives of ordinary men and women in a provincial Midlands town initiated a new era of nineteenth-century literary realism. The tales concern rural members of the clergy and the gossip and factions that a small town generates around them. Amos Barton only realizes how much he depends upon his wife's selfless love when she dies prematurely; Mr Gilfil's devotion to a girl who loves another is only fleetingly rewarded; and Janet Dempster suffers years of domestic abuse before the influence of an Evangelical minister turns her life around. These stories are remarkable for the tenderness with which Eliot portrays a bygone time of religious belief in a newly secular age, giving literary fiction an alternative language to religion and philosophy for the observation and understanding of human experience. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Literary Agenda is a series of short polemical monographs about the importance of literature and of reading in the wider world and about the state of literary education inside schools and universities. The category of 'the literary' has always been contentious. What is clear, however, is how increasingly it is dismissed or is unrecognised as a way of thinking or an arena for thought. It is sceptically challenged from within, for example, by the sometimes rival claims of cultural history, contextualized explanation, or media studies. It is shaken from without by even greater pressures: by economic exigency and the severe social attitudes that can follow from it; by technological change that may leave the traditional forms of serious human communication looking merely antiquated. For just these reasons this is the right time for renewal, to start reinvigorated work into the meaning and value of literary reading. Medical Humanities comprises disciplines as diverse as literature, the visual and performing arts, the history of medicine, bioethics. It claims a vast range of philosophical and political agendas, goals and purposes, including the education of medical students in areas of clinical empathy, critical thinking, ethical awareness, gender and race issues and cross-cultural medicine. Josie Billington argues that in so far as literature is offered as adding value to medical education in health training and practice, that defence tends to become instrumental in nature, whether consciously and explicitly, or otherwise. This book is interested, more widely, in the power of the arts as a remedial force. Following an introduction surveying the idea of the Medical Humanities, its history, and its development, the book's four chapters will look at illness and health as defined in medical terms and as complicated within the field of imaginative literature; at narrative and storytelling within the therapeutic meeting of medical and literary approaches; at reading groups and private reading, considering contemporary models of literary reading as a template for redefining literature's place and power not only within the discipline of Medical Humanities but within the wider world in relation to concerns of mental wellbeing that affect us all.

The Barret Browning volume in the 21st Century Oxford Authors series offers a comprehensive selection of the works of one of the nineteenth-century's most famous poets. The revaluation of Elizabeth Barrett Browning's work by feminist scholars has made her an established (indeed standard) author in university syllabuses in Britain and in America. Yet the emphasis upon her contribution to a female tradition has tended to rigidify Barrett Browning's contribution to English literary culture in the nineteenth century, just as her popular image as ringleted-invalid-turned-romantic-heroine served sentimentally to eclipse her role as a literary pioneer. This edition complements or corrects these emphases by being the first edition dedicated to witnessing the progress and growth of the poet's creative direction - from her juvenilia through to her major achievements and beyond. In keeping with the aims of the series, the selection honours the original sequencing of the published works as the best means of indicating the contours of Barrett Browning's poetic career. Thus, following fairly limited selections from published juvenilia, The Battle of Marathon (1820) and 'An Essay on Mind' and Other Poems (1826) and from 'Prometheus Bound' and Miscellaneous Poems (1833), there are more extensive selections from 'The Seraphim' and Other Poems (1838), from Poems 1844 and from Poems 1850 including the full text of Sonnets from the Portuguese. Substantial excerpts from Casa Guidi Windows (1851) is followed by the full text of Aurora Leigh (1857) and by selections from the posthumous Last Poems (1862). These individual sections are supplemented by careful selections (also chronologically ordered) from the correspondence, including the courtship letters with Robert Browning, and, where applicable, from poetry unpublished in the nineteenth century. The edition comes with full scholarly apparatus (introduction, chronology, explanatory notes), though it follows the series policy of recording only significant variants between editions.