As disciplines, psychology and history share a primary concern with the human condition. Yet historically, the relationship between the two fields has been uneasy, marked by a long-standing climate of mutual suspicion. This book engages with the history of this relationship and possibilities for its future intellectual and empirical development. Bringing together internationally renowned psychologists and historians, it explores the ways in which the two disciplines could benefit from a closer dialogue. Thirteen chapters span a broad range of topics, including social memory, prejudice, stereotyping, affect and emotion, cognition, personality, gender and the self. Contributors draw on examples from different cultural contexts - from eighteenth-century Britain, to apartheid South Africa, to conflict-torn Yugoslavia - to offer fresh impetus to interdisciplinary scholarship. Generating new ideas, research questions and problems, this book encourages researchers to engage in genuine dialogue and place their own explorations in new intellectual contexts.

Examines the rehabilitation over the past two decades of Bishop Nikolaj Velimirović (1881-1956), the controversial Serbian Orthodox Christian philosopher. Having been vilified by the former Yugoslav Communist authorities as a traitor, antisemite and a fascist, Velimirović has come to be regarded in Serbian society as a saintly figure and the most important religious person since medieval times. Byford charts the posthumous passage of Velimirović from 'traitor' to 'saint' and examines the complementary dynamics of repression and denial that were used to divert public attention from the controversies surrounding his life. Presents the first detailed examination of the way in which an Eastern Orthodox Church manages controversy surrounding the presence of anti-Semitism within its ranks and considers the implications of the continuing reverence of Nikolaj Velimirović for the persistence of antisemitism in Serbian Orthodox culture and Serbian society as a whole. The study is based on a detailed examination of the changing representations of Velimirović in the Serbian media and in commemorative discourse, as well as interviews with a number of prominent public figures who have been actively involved in the bishop's rehabilitation over the past two decades.

This book examines the rehabilitation over the past two decades of Bishop Nikolaj Velimirovic (1881-1956), the controversial Serbian Orthodox Christian philosopher, written fifty years after his death. Having been vilified by the former Yugoslav Communist authorities as a traitor, antisemite and a fascist, Velimirovic has come to be regarded in Serbian society as a saintly figure and the most important religious person since medieval times. This book charts the posthumous passage of Velimirovic from 'traitor' to 'saint' and examines the complementary dynamics of repression and denial that were used to divert public attention from the controversies surrounding his life. This book presents the first detailed examination of the way in which an Eastern Orthodox Church manages controversy surrounding the presence of anti-Semitism within its ranks and considers the implications of the continuing reverence of Nikolaj Velimirovic for the persistence of antisemitism in Serbian Orthodox culture and Serbian society as a whole. This study is based on a detailed examination of the changing representations of Velimirovic in the Serbian media and in commemorative discourse, as well as interviews with a number of prominent public figures who have been actively involved in the bishop's rehabilitation over the past two decades.

Picturing Genocide in the Independent State of Croatia examines the role which atrocity photographs played, and continue to play, in shaping the public memory of the Second World War in the countries of the former Yugoslavia. Focusing on visual representations of one of the most controversial and politically divisive episodes of the war -- genocidal violence perpetrated against Serbs, Jews, and Roma by the pro-Nazi Ustasha regime in the Independent State of Croatia (1941-1945) -- the book examines the origins, history and legacy of violent images. Notably, this book pays special attention to the politics of the atrocity photograph. It explores how images were strategically and selectively mobilized at different times, and by different memory communities and stakeholders, to do different things: justify retribution against political opponents in the immediate aftermath of the war, sustain the discourses of national unity on which socialist Yugoslavia was founded, or, in the post-communist era, prop-up different nationalist agendas, and 'frame' the Yugoslav wars of the 1990s. In exploring this hitherto neglected aspect of Yugoslav history and visual culture, Jovan Byford sheds important light on the intricate nexus of political, cultural and psychological factors which account for the enduring power of atrocity images to shape the collective memory of mass violence.

As disciplines, psychology and history share a primary concern with the human condition. Yet historically, the relationship between the two fields has been uneasy, marked by a long-standing climate of mutual suspicion. This book engages with the history of this relationship and possibilities for its future intellectual and empirical development. Bringing together internationally renowned psychologists and historians, it explores the ways in which the two disciplines could benefit from a closer dialogue. Thirteen chapters span a broad range of topics, including social memory, prejudice, stereotyping, affect and emotion, cognition, personality, gender and the self. Contributors draw on examples from different cultural contexts - from eighteenth-century Britain, to apartheid South Africa, to conflict-torn Yugoslavia - to offer fresh impetus to interdisciplinary scholarship. Generating new ideas, research questions and problems, this book encourages researchers to engage in genuine dialogue and place their own explorations in new intellectual contexts.

Picturing Genocide in the Independent State of Croatia examines the role which atrocity photographs played, and continue to play, in shaping the public memory of the Second World War in the countries of the former Yugoslavia. Focusing on visual representations of one of the most controversial and politically divisive episodes of the war -- genocidal violence perpetrated against Serbs, Jews, and Roma by the pro-Nazi Ustasha regime in the Independent State of Croatia (1941-1945) -- the book examines the origins, history and legacy of violent images. Notably, this book pays special attention to the politics of the atrocity photograph. It explores how images were strategically and selectively mobilized at different times, and by different memory communities and stakeholders, to do different things: justify retribution against political opponents in the immediate aftermath of the war, sustain the discourses of national unity on which socialist Yugoslavia was founded, or, in the post-communist era, prop-up different nationalist agendas, and 'frame' the Yugoslav wars of the 1990s. In exploring this hitherto neglected aspect of Yugoslav history and visual culture, Jovan Byford sheds important light on the intricate nexus of political, cultural and psychological factors which account for the enduring power of atrocity images to shape the collective memory of mass violence.