A nineteenth-century utopia becomes a powder keg of political intrigue and betrayal in an enthralling historical novel-inspired by actual events-by the author of Flight Risk. Key West, 1886. The booming cigar industry makes it the most prosperous city in Florida. As a rebel base for the anticolonial insurgency in Cuba, it's also a tinderbox for six young friends with ambitious dreams. They all brim with secrets: Zenaida, the daughter of an assassinated Havana journalist; power-hungry Sofia, who plots a fast track to success; Chaveta, Zenaida's loyal comrade in arms who fearlessly flouts tradition; Feliciano, a charismatic Spanish anarchist; Libano, the cafetero, silent and watchful; and Maceo, a daring guerrilla soldier who fights a brutal undertow. As lives intertwine, revolution smolders, and passions ignite, the bustling coral island is set to explode. Against the backdrop of the Great Fire of Key West, One Brilliant Flame explores the luminous fates of consuming passion and encroaching peril in the face of insurrection, sacrifice, and inextinguishable hope.

What is "identity" when you're a girl adopted as an infant by a Cuban American family of Jehovah's Witnesses? The answer isn't easy. You won't find it in books. And you certainly won't find it in the neighborhood. This is just the beginning of Joy Castro's unmoored life of searching and striving that she's turned to account with literary alchemy in "Island of Bones."

In personal essays that plumb the depths of not-belonging, Castro takes the all-too-raw materials of her adolescence and young adulthood and views them through the prism of time. The result is an exquisitely rendered, richly detailed perspective on a uniquely troubled young life that reflects on the larger questions each of us faces in a world where diversity and singularity are forever at odds. In the experiences of her past--hunger and abuse, flight as a fourteen-year-old runaway, single motherhood, the revelations of her "true" ethnic identity, the suicide of her father--Castro finds the "jagged, smashed place of edges and fragments" that she pieces together to create an island all her own. Hers is a complicated but very real depiction of what it is to "jump class," to not belong but to find one's voice in the interstices of identity.

Nola Cespedes, an ambitious young reporter at the "Times-Picayune," finally catches a break: an assignment to write her first full-length feature. While investigating her story, she also becomes fixated on the search for a missing tourist in the French Quarter. As Nola's work leads her into a violent criminal underworld, she's forced to face disturbing truths from her own past and is confronted with the question: In the aftermath of devastation, who is responsible for rebuilding what's been broken?
Vividly rendered in razor-sharp prose, this haunting thriller is a riveting journey of trust betrayed--and the courageous struggle to rebuild. Fast-paced, atmospheric, and with a knockout twist, "Hell or High Water" features an unforgettable heroine as fascinating and multilayered as New Orleans itself.

In The Art of Touch: Prose and Poetry from the Pandemic and Beyond, the unique voices of 39 of some of the most creative thinkers of our times have been brought together to consider the impact of one of our six main senses: touch. Psychologists, healers, massage therapists, academics, creative writers and others reflect on or tell personal stories about what it means to be able to touch, or to have to go without it—as so many did and still do because of the pandemic; how transmissions such as texting may impede opportunities for touch while those like Zoom may make it possible for people who otherwise might be left behind to be "in touch." From the experience of touching beloved animals, to the lifechanging ways in which books and performances can touch us, virtually all aspects of touch are acknowledged in these pages.

A woman is forced to face her past in a heartbreaking and triumphant novel of old wounds and family secrets by award-winning author Joy Castro. Isabel Morales is a successful Chicago sculptor hiding a brutal family history-one not even her husband knows. After decades of turning her back on her past, she's forced to return to Appalachia when she receives news of her estranged mother's death. But going back means revisiting the traumatic childhood she escaped-and the family that cast her out when she needed them most. Back on the land she has inherited, she's flooded with memories of the forest where she once roamed free, of her beloved lost brother, and of the old house in the West Virginia hills where she grew up. Her mother has left her another legacy, too, which reveals secrets that Isabel is only beginning to understand. As forces bear down and threaten to take what she has left, it's time for Isabel to step into her power, reclaim her roots, and finally confront the painful memories that have kept her from the life she truly wants.

Irene gives the wealthy businessmen what they want, diving headfirst into the filthy river, thinking only of providing for her baby daughter, Marisa, as the men salivate over her soaked body emerging onto the bank. A young boy tries to befriend the reticent younger sister of the town's cruelest bully, only to discover the family betrayal behind her quiet countenance. Josefa, a young bride, is executed for murdering the man who raped her. Joy Castro's How Winter Began traces these and other characters as they seek compassion from each other and themselves. Thematically linked by the lives of women, especially Latinas, and their experiences of poverty and violence in a white-dominated, wealth-obsessed culture, How Winter Began is a delicately wrought collection of stories. The question at the heart of this riveting book is how or whether to trust one another after the rupture of betrayal.

Whenever a memoirist gives a reading, someone in the audience is sure to ask: How did your family react? Revisiting our pasts and exploring our experiences, we often reveal more of our nearest and dearest than they might prefer. This volume navigates the emotional and literary minefields that any writer of family stories or secrets must travel when depicting private lives for public consumption.

Essays by twenty-five memoirists, including Faith Adiele, Alison Bechdel, Jill Christman, Judith Ortiz Cofer, Rigoberto Gonzalez, Robin Hemley, Dinty W. Moore, Bich Minh Nguyen, and Mimi Schwartz, explore the fraught territory of family history told from one perspective, which, from another angle in the family drama, might appear quite different indeed. In her introduction to this book, Joy Castro, herself a memoirist, explores the ethical dilemmas of writing about family and offers practical strategies for this tricky but necessary subject.

A sustained and eminently readable lesson in the craft of memoir, "Family Trouble" serves as a practical guide for writers to find their own version of the truth while still respecting family boundaries.

Adopted as a baby and raised by a devout Jehovah's Witness family, Joy Castro is constantly reminded to tell the truth no matter what the consequences. Nevertheless, Castro finds this tenet to be the most violated. Here, in her very own Truth Book, Castro bears witness to a childhood lost but a life regained. Castro's parents divorce after her father is excommunicated for smoking. She is twelve when her mother marries a "brother" in the church who, though exhibiting an impeccable public persona, is violent and controlling at home. For two years, Joy does not grow at all; in fact, she loses sixteen pounds in response to the physical, emotional, psychological, and sexual abuse she suffers at his hands. Her battered mother does nothing to protect her, nor does her church. She is sustained by humor, books, and her protective love for her younger brother until their daring escape. This courageous personal account looks freshly at the disturbing effects of religious hypocrisy and the resilience of the human spirit.

What particular form of liberal education should a college or university institute? Reform in general liberal education is an inevitable reality for faculty and the administration. Core texts are at the heart of that reform debate. Establishing an institution's core texts requires extensive research and discussion. At the 2002 Association for Core Texts and Courses conference over 100 institutions explored the relevance and role of the core texts to a 21st century education. This collection of essays captures the excitement of this debate and allows serious thinkers and practitioners of liberal arts education to see what other colleagues and institutions are developing.