During the goddess Gangamma s festival in the town of Tirupati, lower-caste men take guises of the goddess, and the streets are filled with men wearing saris, braids, and female jewelry. By contrast, women participate by intensifying the rituals they perform for Gangamma throughout the year, such as cooking and offering food. Joyce Burkhalter Flueckiger argues that within the festival ultimate reality is imagined as female and women identify with the goddess, whose power they share. Vivid accounts by male and female participants offer new insights into Gangamma s traditions and the nature of Hindu village goddesses."

" I]t is extremely salubrious to see the ways Islam works in the lives of ordinary people who are not politicized in their religious lives.... No other book on South Asia has material like this." Ann Grodzins Gold

In Amma s Healing Room is a compelling study of the life and thought of a female Muslim spiritual healer in Hyderabad, South India. Joyce Burkhalter Flueckiger describes Amma s practice as a form of vernacular Islam arising in a particular locality, one in which the boundaries between Islam, Hinduism, and Christianity are fluid. In the "healing room," Amma meets a diverse clientele that includes men and women, Muslim, Hindu, and Christian, of varied social backgrounds, who bring a wide range of physical, social, and psychological afflictions. Flueckiger collaborated closely with Amma and relates to her at different moments as daughter, disciple, and researcher. The result is a work of insight and compassion that challenges widely held views of religion and gender in India and reveals the creativity of a tradition often portrayed by Muslims and non-Muslims alike as singular and monolithic."

In Gender and Genre in the Folklore of Middle India, Joyce Burkhalter Flueckiger analyzes six representative Indian folklore genres from a single regional repertoire to show the influence of their intertextual relations on the composition and interpretation of artistic performance. Placing special emphasis on women's rituals, she looks at the relationship between the framework and organization of indigenous genres and the reception of folklore performance. The regional repertoire under examination presents a strikingly female-centered world. Female performers and characters are active, articulate, and frequently challenge or defy expectations of gender. Men also confound traditional gender roles. Flueckiger includes the translations of two full performance texts of narratives sung by female and male storytellers respectively.

This ambitious collection of work at the intersection of cultural studies and contemporary political theory brings together leading thinkers from both traditions. Challenging the terms that have shaped the last 20 years of culture wars, the essays in Cultural Studies and Political Theory reject the accusations of the right that everything is political and of the left that politics is everything. They respond with an alternative, with an exploration of processes of politicization and culturalization that asks, "what does it mean for something to be political?"

In affirming that there are different answers to this question, the contributors to Cultural Studies and Political Theory expand definitions of politics in light of transformations in globally networked, consumer-driven, mediated technoculture. Comprehending the production of the political is crucial at a time when the political and the cultural can no longer be decoupled and when we cannot know in advance who "we" are. By gathering the work of theorists who are redefining approaches to politics and culture, Jodi Dean establishes a set of directives for theoretical work at a new crossroads.