Essays demonstrating how the careful study of individual words can shed immense light on texts more broadly. Dedicated to honoring the remarkable achievements of Dr Antonette di Paolo Healey, the architect and lexicographer of the Old English Concordance, the Dictionary of Old English Web Corpus, and the Dictionary of Old English, the essays in this volume reflect firsthand the research made possible by Dr. Healey's landmark contributions to her field. Each chapter highlights how the careful consideration and study of words can lead to greater insights, from an understanding of early medieval English concepts of time and identity, to reconceptualizations of canonical Old English poems, reappraisals of early medieval English authors and their works, greater understanding of the semantic fields of Old English words and manuscript traditions, and the solving of lexical puzzles. MAREN CLEGG HYER is Professor of English at Valdosta State University; HARUKO MOMMA is Professor of English at NewYork University; SAMANTHA ZACHER is Professor of English and Medieval Studies at Cornell University. Contributors: Brianna Daigneault, Damian Fleming, Roberta Frank, Robert Getz, Joyce Hill, Joan Holland, Maren Clegg Hyer, Christopher A. Jones, R.M. Liuzza, Haruko Momma, Katherine O'Brien O'Keeffe, Andy Orchard, Stephen Pelle, Christine Rauer, Terri Sanderson, Donald Scragg, Paul Szarmach, M. J. Toswell, Audrey Walton, Samantha Zacher.

Conservation of Easel Paintings, Second Edition provides a much-anticipated update to the previous edition, which has come to be known internationally as an invaluable and comprehensive text on the history, philosophy and methods of the treatment of easel paintings. Including 49 chapters written by more than 90 respected authors from around the world, this volume offers the necessary background knowledge in technical art history, artists' materials and scientific methods of examination and documentation. Later sections of the book provide information about the varying approaches and methods for treatment and issues of preventive conservation, as well as valuable reflections on storage, shipping, and exhibition. Including exciting developments that have taken place since the last edition was published, the book also covers new techniques of examination, especially MacroXRF scanning and Reflectance Transmission Imagery. Drawing on research presented at recent professional conferences, information about innovative methods for cleaning modern and contemporary paintings and insights into modern oil paints is also included. Incorporating the latest regulations and understanding of health and safety practices and integrating theory with practice throughout, Conservation of Easel Paintings, Second Edition will continue to be an indispensable reference for practicing conservators. It will also be an essential resource for students taking conservation courses around the world.

Studies and editions of Anglo-Saxon apocryphal materials, filling a gap in literature available on the boundaries between apocryphal and orthodox in the period. Apocrypha and apocryphal traditions in Anglo-Saxon England have been often referred to but little studied. This collection fills a gap in the study of pre-Conquest England by considering what were the boundaries between apocryphaland orthodox in the period and what uses the Anglo-Saxons made of apocryphal materials. The contributors include some of the most well-known and respected scholars in the field. The introduction - written by Frederick M. Biggs, one of the principal editors of Sources of Anglo-Saxon Literary Culture - expertly situates the essays within the field of apocrypha studies. The essays themselves cover a broad range of topics: both vernacular and Latin texts, those available in Anglo-Saxon England and those actually written there, and the uses of apocrypha in art as well as literature. Additionally, the book includes a number of completely new editions of apocryphal texts which were previously unpublished or difficult to access. By presenting these new texts along with the accompanying range of essays, the collection aims to retrieve these apocryphal traditions from the margins of scholarship and restore tothem some of the importance they held for the Anglo-Saxons. Contributors: DANIEL ANLEZARK, FREDERICK M. BIGGS, ELIZABETH COATSWORTH, THOMAS N. HALL, JOYCE HILL, CATHERINE KARKOV, PATRIZIA LENDINARA, AIDEEN O'LEARY, CHARLES D. WRIGHT.

New research into the liturgy of Anglo-Saxon history, with important implications for church history in general. The essays in this volume offer the fruits of new research into the liturgical rituals of later Anglo-Saxon England. They include studies of individual rites, the production, adaptation and transmission of texts, vernacular gospeltranslations, liturgical drama and the influence of the liturgy on medical remedies, poetry and architecture; also covered are the tenth-century Benedictine Reforms and the growth of pastoral care. It will be valuable for anyoneinterested in later Anglo-Saxon England as well as medieval liturgy and church history.

Essays bring out the important and complex roles played by Anglo-Saxon churchmen, including Bede and lesser-known figures. Both episcopal and abbatial authority were of fundamental importance to the development of the Christian church in Anglo-Saxon England. Bishops and heads of monastic houses were invested with a variety of types of power and influence. Their actions, decisions, and writings could change not only their own institutions, but also the national church, while their interaction with the king and his court affected wider contemporary society. Theories of ecclesiastical leadership were expounded in contemporary texts and documents. But how far did image or ideal reflect reality? How much room was there for individuals to use their office to promote new ideas? The papers in this volumeillustrate the important roles played by individual leading ecclesiastics in England, both within the church and in the wider political sphere, from the late seventh to the mid eleventh century. The undeniable authority of Bede and Bishop AEthelwold is demonstrated but also the influence of less-familiar figures such as Bishop Wulfsige of Sherborne, Archbishop Ecgberht of York and St Leoba. The book draws on both textual and material evidence to show the influence (by both deed and reputation) of powerful personalities not only on the developing institutions of the English church but also on the secular politics of their time. Contributors: Alexander R. Rumble, Nicholas J.Higham, Martyn J. Ryan, Cassandra Rhodes, Allan Scott McKinley, Dominik Wassenhoven, Gale R. Owen-Crocker, Debby Banham, Joyce Hill.

Wide-ranging and current research into the Anglo-Norman and Angevin worlds. This volume of the Haskins Society Journal brings together a rich and interdisciplinary collection of articles. Topics range from the politics and military organization of northern worlds of the Anglo-Normans and Angevins in the twelfth and thirteenth centuries, to the economic activity of women in Catalonia and political unrest in thirteenth-century Tripoli. Martin Millett's chapter on the significance of rural life in Roman Britain for the early Middle Ages continues the Journal's commitment to archaeological approaches to medieval history, while contributions on AElfric's complex use of sources in his homilies, Byrhtferth of Ramsey's reinterpretation of the Alfredian past, and the little known History of Alfred of Beverly engage with crucial questions of sources and historiographical production within Anglo-Saxon and Anglo-Norman England. Pieces on the political meaning of the EmpressHelena and Constantine I for Angevin political ambitions and the role of relics such as the Holy Lance in strategies of political legitimation in Anglo-Saxon England and Ottonian Germany in the tenth century complete the volume. Contributors: David Bachrach, Mark Blincoe, Katherine Cross, Sarah Ifft Decker, Joyce Hill, Katherine Hodges-Kluck, Jesse Izzo, Martin Millett, John Patrick Slevin, Oliver Stoutner, Laura Wangerin.

Essays centred round the representation of weaving, both real and imagined, in the early middle ages. The triple themes of textile, text, and intertext, three powerful and evocative subjects within both Anglo-Saxon studies and Old English literature itself, run through the essays collected here. Chapters evoke the semantic complexities of textile references and images drawn from the Bayeux Tapestry, examine parallels in word-woven poetics, riddling texts, and interwoven homiletic and historical prose, and identify iconographical textures in medieval art. The volume thus considers the images and creative strategies of textiles, texts, and intertexts, generating a complex and fascinating view of the material culture and metaphorical landscape of the Anglo-Saxon peoples. It is therefore a particularly fitting tribute to Professor Gale R. Owen-Crocker, whose career and lengthy list of scholarly works have centred on her interests in the meaning and cultural importance of textiles, manuscripts and text, and intertextual relationships between text and textile. MAREN CLEGG HYER is Associate Professor and Graduate Coordinator in the Department of English at Valdosta State University; JILL FREDERICK is Professor of English at Minnesota State University Moorhead. Contributors: Marilina Cesario, Elizabeth Coatsworth, Martin Foys, Jill Frederick, Joyce Hill, Maren Clegg Hyer, Catherine E. Karkov, Christina Lee, Michael Lewis, Robin Netherton, Carol Neuman de Vegvar, Donald Scragg, Louise Sylvester, Paul Szarmach, Elaine Treharne.

Bilingual editions of the Scandinavian versions of the Tristan legend, themselves derived from Old French originals. This three-volume set of editions and translations celebrates the literary and cultural connections between the Nordic countries and France that helped to bring Tristan and the Arthurian romances northward... thus the entire set of texts can be read as a study in Norse literary patronage, of literary renewal and transformation... A major contribution, not only to the Old Norse field, but to the broader world of medieval literature and culture. Norse Romance will endure for years to come. SPECULUM Norse Romances comprises a three-volume set, making available for the first time critical editions and translations of important medieval Arthurian texts from Iceland, Norway and Sweden, under the general editorship of Marianne Kalinke. This volume is devoted to the Tristan legend. It contains Geitarlauf and Janual, Old Norse translations of the French lais Lanval and Chevrefeuil; Tristrams saga ok Isoendar, Brother Thomas's Old Norse translationof Thomas's Tristan, dated 1226 and commissioned by King Hakon Hakonarson the Old of Norway; "Tristrams kvaedi", a fourteenth-century Icelandic "Tristan" ballad; and the Saga af Tristram ok Isodd, a fourteenth-century Icelandic version of the Old Norse Tristrams saga ok Isoendar. The translators are: ROBERT COOK, PETER JORGENSEN, JOYCE HILL, MARIANNE E. KALINKE. Professor MARIANNE KALINKE teaches in the Department of Germanic Languages and Literatures at the University of Illinois at Urbana-Champaign.

Andrew Wyeth is one of the best loved and most widely recognized artists in American history, yet for much of his career he was reviled by the art world's critical elite. Rethinking Andrew Wyeth reevaluates Wyeth and his place in American art, trying to reconcile these two opposing images of the man and his work. In addition to surveying the American critical reception of Wyeth's art over the seven decades of his career, David Cateforis brings together a collection of essays featuring new critical and scholarly responses to the artist. Donald Kuspit's compelling psycho-philosophical interpretation of Wyeth exemplifies the possibility of new approaches to understanding his work that move beyond the Wyeth "curse," as do those of the other contributors to this volume - from the close analysis of Wyeth's technical means offered by Joyce Hill Stoner, to the adventuresome interpretive readings of individual Wyeth paintings advanced by Alexander Nemerov and Randall C. Griffin, the considerations of Wyeth's critical reception in historical context offered by Wanda M. Corn and Katie Robinson Edwards, and the connections of Wyeth to other canonical artists such as Francine Weiss' comparison of him to Robert Frost and Patricia Junker's linkage of Wyeth and Marcel Duchamp. Rethinking Andrew Wyeth includes an appendix with data from visitor surveys conducted at the Wyeth retrospectives in San Francisco in 1973 and Philadelphia in 2006. Illustrated throughout with both iconic and lesser-known examples of Wyeth's work, this book will appeal to academic, museum, and popular audiences seeking a deeper understanding and appreciation of Andrew Wyeth's art through its critical reception and interpretation. Edited by David Cateforis, with essays by David Cateforis, Wanda M. Corn, Katie Robinson Edwards, Randall C. Griffin, Patricia Junker, Donald Kuspit, Alexander Nemerov, Joyce Hill Stoner, and Francine Weiss. This volume's release coincides with an exhibition at the National Gallery of Art in Washington, D.C. in 2014, Andrew Wyeth: Looking Out, Looking In.

Significant Anglo-Saxon papers, with postscripts, illustrate advances in knowledge of life and culture of pre-Conquest England. Thomas Northcote Toller, of the Bosworth-Toller Anglo-Saxon Dictionary, is one of the most influential but least known Anglo-Saxon scholars of the early twentieth century. The Centre for Anglo-Saxon Studies at Manchester, where Toller was the first professor of English Language, has an annual Toller lecture, delivered by an expert in the field of Anglo-Saxon Studies; this volume offers a selection from these lectures, brought together for the firsttime, and with supplementary material added by the authors to bring them up to date. They are complemented by the 2002 Toller Lecture, Peter Baker's study of Toller, commissioned specially for this book; and by new examinations ofToller's life and work, and his influence on the development of Old English lexicography. The volume is therefore both an epitome of the best scholarship in Anglo-Saxon studies of the last decade and a half, and a guide for the modern reader through the major advances in our knowledge of the life and culture of pre-Conquest England. , Contributors: RICHARD BAILEY, PETER BAKER, DABNEY ANDERSON BANKERT, JANET BATELY, GEORGE BROWN, ROBERTA FRANK, HELMUT GNEUSS, JOYCE HILL, DAVID A. HINTON, MICHAEL LAPIDGE, AUDREY MEANEY, KATHERINE O'BRIEN O'KEEFFE, JOANA PROUD, ALEXANDER RUMBLE.

A school assignment to look for an old penny opens up a world of adventure and living history for a group of students. Join them as they search for old pennies, hold them in their hands and wonder: Who held them when they were new? What was this country like? With each penny found, more history comes alive. The pennies lead back to the wave of immigration in the early 1900s, through the Influenza epidemic and The Great War, on to the Harlem Renaissance, the Depression and World War II. All this is seen through the eyes of young people the same age as the students. The powerful ending demonstrates how a simple penny can tie people together and carry a strong message of hope and the American spirit. The book includes discussion questions intended to stimulate thought-provoking conversation and creativity. The book is suited for the home, classroom, library or homeschool bookshelf.
The book is also available in hardcover (ISBN 978-0-9795818-0-9)

A school assignment to look for an old penny opens up a world of adventure and living history for a group of students. Join them as they search for old pennies, hold them in their hands and wonder: Who held them when they were new?What was this country like? With each penny found, more history comes alive. The pennies lead back to the wave of immigration in the early 1900s, through the Influenza epidemic and The Great War, on to the Harlem Renaissance, the Depression and World War II. All this is seen through the eyes of young people the same age as the students. The powerful ending demonstrates how a simple penny can tie people together and carry a strong message of hope and the American spirit. The book includes discussion questions intended to stimulate thought-provoking conversation and creativity. It is ideally suited for the home, classroom, library or homeschool bookshelf.
The book is also available in paperback (ISBN 978-0-9795818-1-6)

Text with facing translation of the Scandinavian versions of the Tristan legend. This is the first in a set of three volumes making available for the first time critical editions and translations of important medieval Arthurian texts from Iceland, Norway and Sweden. Devoted to the Tristan legend. It contains Geitarlauf and Janual, Old Norse translations of the French lais Lanval and Chevrefeuil; Tristrams saga ok Isoendar, Brother Thomas's Old Norse translation of Thomas's Tristan, dated 1226 and commissioned by King Hakon Hakonarson the Old of Norway; "Tristrams kvaedi", a fourteenth-century Icelandic "Tristan" ballad; and the Saga af Tristram ok Isodd, a fourteenth-century Icelandic version of the Old Norse Tristrams saga ok Isoendar. The translators are: ROBERT COOK, PETER JORGENSEN, JOYCE HILL, MARIANNE E. KALINKE. Professor MARIANNE KALINKE teaches in the Department of Germanic Languages and Literatures at the University of Illinois at Urbana-Champaign.