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After the end of World War II when many Southeast Asian nations
gained national independence, and up until the Asian Financial
Crisis, film industries here had distinctive and colourful
histories shaped by unique national and domestic conditions.
Southeast Asia on Screen: From Independence to Financial Crisis
(1945-1998) addresses the similar themes, histories, trends,
technologies and sociopolitical events that have moulded the art
and industry of film in this region, identifying the unique
characteristics that continue to shape cinema, spectatorship and
Southeast Asian filmmaking in the present and the future. Bringing
together scholars across the region, chapters explore the
conditions that have given rise to today's burgeoning Southeast
Asian cinemas as well as the gaps that manifest as temporal
belatedness and historical disjunctures in the more established
regional industries.
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