Voted a Best Poetry Book of the Year by Library Journal Included in Publishers Weekly's Top 10 Poetry Books of the Year One of LitHub's most Anticipated Books of the Year! A State of the Union from the nation's first Latino Poet Laureate. Trenchant, compassionate, and filled with hope. "Many poets since the 1960s have dreamed of a new hybrid art, part oral, part written, part English, part something else: an art grounded in ethnic identity, fueled by collective pride, yet irreducibly individual too. Many poets have tried to create such an art: Herrera is one of the first to succeed."-New York Times "Herrera has the unusual capacity to write convincing political poems that are as personally felt as poems can be."-NPR "Juan Felipe Herrera's magnificent new poems in Every Day We Get More Illegal testify to the deepest parts of the American dream-the streets and parking lots, the stores and restaurants and futures that belong to all-from the times when hope was bright, more like an intimate song than any anthem stirring the blood."-Naomi Shihab Nye, The New York Times Magazine "From Basho to Mandela, Every Day We Get More Illegal takes us on an international tour for a lesson in the history of resistance from a poet who declares, 'I had to learn . . . to take care of myself . . . the courage to listen to my self.' You hold in your hands evidence of who we really are."-Jericho Brown, author of The Tradition "These poems talk directly to America, to migrant people, and to working people. Herrera has created a chorus to remind us we are alive and beautiful and powerful."-Jose Olivarez, Author of Citizen Illegal "The poet comes to his country with a book of songs, and asks: America, are you listening? We better listen. There is wisdom in this book, there is a choral voice that teaches us 'to gain, pebble by pebble, seashell by seashell, the courage.' The courage to find more grace, to find flames."-Ilya Kaminsky, author of Deaf Republic In this collection of poems, written during and immediately after two years on the road as United States Poet Laureate, Juan Felipe Herrera reports back on his travels through contemporary America. Poems written in the heat of witness, and later, in quiet moments of reflection, coalesce into an urgent, trenchant, and yet hope-filled portrait. The struggle and pain of those pushed to the edges, the shootings and assaults and injustices of our streets, the lethal border game that separates and divides, and then: a shift of register, a leap for peace and a view onto the possibility of unity. Every Day We Get More Illegal is a jolt to the conscience-filled with the multiple powers of the many voices and many textures of every day in America. "Former Poet Laureate Juan Felipe Herrera should also be Laureate of our Millennium-a messenger who nimbly traverses the transcendental liminalities of the United States . . ."-Carmen Gimenez Smith, author of Be Recorder

From U.S. Poet Laureate Juan Felipe Herrera, here are stirring poems that read like music. Awarded the Pura Belpre Honor for this book, Herrera writes in both Spanish and English about the joy and laughter and sometimes the confusion of growing up in an upside-down, jumbled-up world-between two cultures, two homes. With a crazy maraca beat, Herrera creates poetry as rich and vibrant as mole de ole and pineapple tamales ...an aroma of papaya ...a clear soup with strong garlic, so you will grow & not disappear. Herrera's words are hot & peppery, good for you. They show us what it means to laugh out loud until it feels like flying.

From U.S. Poet Laureate Juan Felipe Herrera comes the powerful journey of Chicano teen Lucky Z. A former skateboarder who's anything but lucky, he finds triumph and power through his voice. Raw, cool, real-this novel in verse is a shout-out to teens to find the extraordinary in the ordinary, to raise their voice and find strength in the sheer and simple power of expression. Lucky Z has always lived on the edge-he loved to skateboard, to drag race, to feel alive. But things have taken a turn-he's living with new foster parents and a tragic past. An accident changed everything. And only his voice will set him free. As you feel Lucky breathe in life again, you will want to shout out with him.

The Books We Love in 2016 - The New Yorker Best Poetry Collections of 2015 - The Washington Post Best Books 2015: Poetry - Library Journal Best Books of 2015 - NPR Books 16 Best Poetry Books of 2015 - BuzzFeed Books Juan Felipe Herrera, the first Latino Poet Laureate of the United States and son of Mexican immigrants, grew up in the migrant fields of California. Exuberant and socially engaged, reflective and healing, this collection of new work from the nation's first Latino Poet Laureate is brimming with the wide-open vision and hard-won wisdom of a poet whose life and creative arc have spanned chasms of culture in an endless crossing, dreaming and back again. "[This year] Juan Felipe Herrera's Notes on the Assemblage has been a ladder of hope ..."--Ada Limon, The New Yorker "Juan Felipe Herrera's family has gone from migrant worker to poet laureate of the United States in one generation. One generation. I am an adamant objector to the Horatio Alger myth of pulling oneself up by the bootstraps, but Herrera's story is one of epic American proportions. The heads carved into my own Mount Rushmas would be Cesar Chavez, Dolores Huerta, Frida Kahlo, El Chapulin Colorado, Selena, and Juan Felipe Herrera. Notes from the Assemblage further carves out Herrera's place in American letters."--David Tomas Martinez "At home with field workers, wage slaves, the homeless, little children, old folks, artists, traditionalists, the avant-garde, students, scholars and prisoners, the bilingual Juan Felipe Herrera is the real thing: a populist treasure. He will fulfill his appointment as U.S. Poet Laureate with the same high energy, savvy, passion, compassion, commitment and playfulness that his art and life's have always embodied. Bravo! Bravo!"--Al Young "While reporters can give you the what, when, and where of a war, a poet with the enormous gifts of Juan Herrera can give you its soul."--Ishmael Reed "I am proud that Juan Felipe Herrera has been appointed U.S. Poet Laureate, bringing his truthful, beautiful voice to all of us universally. As the first Chicano Laureate, he will empower all diverse cultures."--Janice Mirikitani "Herrera is ...a sometimes hermetic, wildly inventive, always unpredictable poet, whose work commands attention for its style alone . ..Many poets since the 1960s have dreamed of a new hybrid art, part oral, part written, part English, part something else: an art grounded in ethnic identity, fueled by collective pride, yet irreducibly individual too. Many poets have tried to create such an art: Herrera is one of the first to succeed."--The New York Times "Herrera has the unusual capacity to write convincing political poems that are as personally felt as poems can be."--National Public Radio

Latinx Poetics: Essays on the Art of Poetry collects personal and academic writing from Latino, Latin American, Latinx, and Luso poets about the nature of poetry and its practice. At the heart of this anthology lies the intersection of history, language, and the human experience. The collection explores the ways in which a people's history and language are vital to the development of a poet's imagination and insists that the meaning and value of poetry are necessary to understand the history and future of a people. The Latinx community is not a monolith, and accordingly the poets assembled here vary in style, language, and nationality. The pieces selected expose the depth of existing verse and scholarship by poets and scholars including Brenda Cardenas, Daniel Borzutzky, Orlando Menes, and more than a dozen more. The essays not only expand the poetic landscape but extend Latinx and Latin American linguistic and geographical boundaries. Writers, educators, and students will find awareness, purpose, and inspiration in this one-of-a-kind anthology.

The Upside Down Boy is award-winning poet Juan Felipe Herrera's engaging memoir of the year his migrant family settled down so that he could go to school for the first time. Juanito is bewildered by the new school, and he misses the warmth of country life. Everything he does feels upside down. He eats lunch when it's recess; he goes out to play when it's time for lunch; and his tongue feels like a rock when he tries to speak English. But a sensitive teacher and loving family help him to find his voice and make a place for himself in this new world through poetry, art, and music. Juan Felipe Herrera's playful language and the colorful, magical art of Elizabeth G mez capture the universal experience of children entering a new school feeling like strangers in a world that seems upside down-at first.