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Javier F. Leon and Helena Simonett curate a collection of essential writings from the last twenty-five years of Latin American music studies. Chosen as representative, outstanding, and influential in the field, each article appears in English translation. A detailed new introduction by Leon and Simonett both surveys and contextualizes the history of Latin American ethnomusicology, opening the door for readers energized by the musical forms brought and nurtured by immigrants from throughout Latin America. Contributors include Marina Alonso Bolanos, Gonzalo Camacho Diaz, Jose Jorge de Carvalho, Claudio F. Diaz, Rodrigo Cantos Savelli Gomes, Juan Pablo Gonzalez, Ruben Lopez-Cano, Angela Luhning, Jorge Martinez Ulloa, Maria Ignez Cruz Mello, Julio Mendivil, Carlos Minana Blasco, Raul R. Romero, Inigo Sanchez Fuarros, Carlos Sandroni, Carolina Santamaria-Delgado, Rodrigo Torres Alvarado, and Alejandro Vera.

Javier F. Leon and Helena Simonett curate a collection of essential writings from the last twenty-five years of Latin American music studies. Chosen as representative, outstanding, and influential in the field, each article appears in English translation. A detailed new introduction by Leon and Simonett both surveys and contextualizes the history of Latin American ethnomusicology, opening the door for readers energized by the musical forms brought and nurtured by immigrants from throughout Latin America. Contributors include Marina Alonso Bolanos, Gonzalo Camacho Diaz, Jose Jorge de Carvalho, Claudio F. Diaz, Rodrigo Cantos Savelli Gomes, Juan Pablo Gonzalez, Ruben Lopez-Cano, Angela Luhning, Jorge Martinez Ulloa, Maria Ignez Cruz Mello, Julio Mendivil, Carlos Minana Blasco, Raul R. Romero, Inigo Sanchez Fuarros, Carlos Sandroni, Carolina Santamaria-Delgado, Rodrigo Torres Alvarado, and Alejandro Vera.

Sound, Image, and National Imaginary in the Construction of Latin/o American Identities addresses a gap in the many narratives discussing the cultural histories of Latin American nations, particularly in terms of the birth, configuration, and perpetuation of national identities. It argues that these processes were not as gradual or constrained as traditionally conceived. The actual circumstances dictating the adoption of particular technologies for the representation of national ideas shifted and varied according to many factors including local circumstances, political singularities, economic disparities, and highly individualized cultural transitions. This book proposes a model of chronology that is valid not only for nations that underwent strong processes of nationalism during the early or mid-twentieth century, but also for those that experienced highly idiosyncratic cultural, economic, and political development into the early twenty-first century.

Tracing musicology in Latin American during the twentieth century, this book presents case studies to illustrate how Latin American music has interacted with social and global processes. The book addresses such topics as popular music, post-colonialism, women in Latin American music, tradition and modernity, musical counterculture, globalization, and identity construction through music. It contributes to the development of paradigms of cultural analysis that originated outside of Latin America by testing them in the Latin American musical context, while also exploring how specifically Latin American models can contribute to broader cultural analysis.