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Collecting two very different albums by the late Cuban trombonist Juan Pablo Torres, this twofer begins with a 1975 exploration of stylized romanticism recorded with the Cuban state orchestra. String-laden and sultry, it's greatly enhanced by the contribution of the pianist Pedro Coton, who lends focus to the after-hours feel. The final eight tracks are characterized by Torres's freewheeling experimentalism, whether fusing Cuban and Andalucian rhythms on "Malaguena" or combining "Para Vigo Me Voy," "Frenesi," and "El Bodeguero" in a feast of Afro-Cuban jazz.
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