Medicine is changing at a speed never witnessed before in history. With each passing year, medical technology achieves the capacity to provide cures and improve treatments that even a short time before were difficult to con ceptualize and impossible to provide. Reproductive technology personifies this concept perhaps better than any other field of medicine. The 1990s have seen an explosion in endoscopic and ambulatory procedures, the application of molecular biology to clinical conditions, and the refinement of assisted reproduction to allow third parties (donors and surrogates) into the process of family building. More than ever before, comprehensive medical care requires a team approach. However, the team comprises not only medical and scientific personnel, but also mental health professionals, lawyers, and ethicists. This integrated and multidisciplinary approach to medical care will become even more necessary as medical capabilities continue to develop faster than society can respond. This book reflects such an approach. It is based on a Harvard Postgraduate Course in June 1990 entitled Infertility in the 1990s: Technological Advances and Their Psychosocial Implications that was sponsored by the Faulkner Centre for Reproductive Medicine. The first half of the course was directed by Drs. M. Seibel, A. Kiessling, and C. Richards. The second half of the course was directed by Dr. M. Seibel, J. Bernstein, R. N. and S. Levin, LICSW."

"Wylie fearlessly tackles the thorniest topics head-on, committing her thoughts and questions about politics, religion, fame, love, history, money and nature to canvas." - Charlotte Brook, Harper's Bazaar Inspired by film, pop culture, and the history of fashion as she experienced personally, Wylie harnesses a union of high and low culture with a bold technique of mark making. Her unique practice of material overlay and erasure creates fantastic compositions. Creating conceptual tensions between formal and informal aesthetics, Wylie employs the visual elements of text as formal details in her paintings. With a beautiful swiss binding, this monograph compiles the work of four exhibitions at David Zwirner offering a full breadth of Wylie's most recent work to date. Giving insight and compassion to Wylie's feminist and rebellious impulses, Judith Bernstein writes an accompanying text on how she relates to Wylie's ambitious and playful energy. With a foreword by Nicholas Serota, this publication also features new essays by Barry Schwabsky and David Salle and an enlightening interview between the artist and Hans Ulrich Obrist.