This volume explores the intersections of diaspora and gender within the diasporic and Indian imagination. It investigates the ways in which race, class, caste, gender, and sexuality intersect with concepts of home, belonging, displacement and the reinvention of the nation and of self. Positioning itself as a companion to Kala Pani Crossings: Revisiting 19th century Migrations from India’s Perspective (Routledge, 2021), the present book examines whether indentureship and diasporic locations marginalised women and men or empowered them; how negotiations or resistances have been determined by race, class, caste, or ethnicity; how traditional standards of Indianness and gender relations have been reshaped; how ideas of home, self and the nation have been impacted in the diaspora and in India after the 19th and early 20th century indentureship migration; and what 21st century Indians stand to gain by theorizing the legacy of 19th century indenture through a gender framework. To understand how fiction and non-fiction writers have negotiated the legacy of indentureship to create spaces where normative practices can be interrogated and challenged, the book gives pride of place to interviews with writers such as Cyril Dabydeen, Ananda Devi, Ramabai Espinet, Davina Ittoo, Brij Lal, Peggy Mohan, Shani Mootoo, and Khal Torabully. Thus rooted in critical analyses but also in subjective and creative perspectives, this volume is a major intervention in understanding Indian indenture and its legacy in the diaspora and in India. It will be of great interest to scholars and researchers of literature, history, Indian Ocean studies, migration and South Asian studies.

The volume: • Approaches global labour history from a South Asian perspective • will be of great interest to scholars and researchers of global history, especially labour history, literature, culture studies, sociology and social anthropology

This companion is the first study of caste and its representation in Indian cinema. It unravels the multiple layers of caste that feature directly and indirectly in Indian movies, to examine not only the many ways caste pervades Indian society and culture but also how the struggle against it adopts multiple strategies. The companion: • Critiques Indian cinema production through the lens of anti-caste discourse; • Traces the history of films beginning from the early twentieth century, focusing on caste representations across India, including Hindi, Malayalam, Kannada, Marathi, Bengali, Punjabi, Tamil as well as silent films; • Makes a foray into OTT media; • Includes analysis of popular films such as Padmaavat, Masaan, Fandry, Sairat, Sujata, Article 15, Chomana Dudi, Lagaan, Court, Ee.Ma.Yau, Kaala, Pariyerum Perumal, Perariyathavar, among many others, to critique and problematise the idea of caste. A major intervention, this book alters traditional approaches to ‘caste’ in Indian cinemas and society and explores new political strategies implemented through cinematic creation and aesthetics. It will be indispensable for scholars and researchers of film studies, social discrimination and exclusion studies, human rights, popular culture, and South Asian studies. It will also be of interest to enthusiasts of Indian cinematic history.

The volume: * Approaches global labour history from a South Asian perspective * will be of great interest to scholars and researchers of global history, especially labour history, literature, culture studies, sociology and social anthropology

This book breaks new ground in the study of Dalit literature, including in its corpus a range of genres such as novels, autobiographies, pamphlets, poetry, short stories and graphic novels. With contributions from major scholars in the field, alongside budding ones, the book critically examines Dalit literary production and theory. It also initiates a dialogue between Dalit writing and Western literary theory. This second edition includes a new Introduction which takes stock of developments since 2015. It discusses how Dalit writing has come to play a major role in asserting marginal identities in contemporary Indian politics while moving towards establishing a more radical voice of dissent and protest. Lucid, accessible yet rigorous in its analysis, this book will be indispensable for scholars and researchers of Dalit studies, social exclusion studies, Indian writing, literature and literary theory, politics, sociology, social anthropology and cultural studies.

This book breaks new ground in the study of Dalit literature, including in its corpus a range of genres such as novels, autobiographies, pamphlets, poetry, short stories and graphic novels. With contributions from major scholars in the field, alongside budding ones, the book critically examines Dalit literary production and theory. It also initiates a dialogue between Dalit writing and Western literary theory. This second edition includes a new Introduction which takes stock of developments since 2015. It discusses how Dalit writing has come to play a major role in asserting marginal identities in contemporary Indian politics while moving towards establishing a more radical voice of dissent and protest. Lucid, accessible yet rigorous in its analysis, this book will be indispensable for scholars and researchers of Dalit studies, social exclusion studies, Indian writing, literature and literary theory, politics, sociology, social anthropology and cultural studies.

This book, companion to the much-acclaimed Dalit Literatures in India, examines questions of aesthetics and literary representation in a wide range of Dalit literary texts. It looks at how Dalit literature, born from the struggle against social and political injustice, invokes the rich and complex legacy of oral, folk and performative traditions of marginalised voices. The essays and interviews systematically explore a range of literary forms, from autobiographies, memoirs and other testimonial narratives, to poems, novels or short stories, foregrounding the diversity of Dalit creation. Showcasing the interplay between the aesthetic and political for a genre of writing that has 'change' as its goal, the volume aims to make Dalit writing more accessible to a wider public, for the Dalit voices to be heard and understood. The volume also shows how the genre has revolutionised the concept of what literature is supposed to mean and define. Effervescent first-person accounts, socially militant activism and sharp critiques of a little-explored literary terrain make this essential reading for scholars and researchers of social exclusion and discrimination studies, literature (especially comparative literature), translation studies, politics, human rights and culture studies.

This book, companion to the much-acclaimed Dalit Literatures in India, examines questions of aesthetics and literary representation in a wide range of Dalit literary texts. It looks at how Dalit literature, born from the struggle against social and political injustice, invokes the rich and complex legacy of oral, folk and performative traditions of marginalised voices. The essays and interviews systematically explore a range of literary forms, from autobiographies, memoirs and other testimonial narratives, to poems, novels or short stories, foregrounding the diversity of Dalit creation. Showcasing the interplay between the aesthetic and political for a genre of writing that has 'change' as its goal, the volume aims to make Dalit writing more accessible to a wider public, for the Dalit voices to be heard and understood. The volume also shows how the genre has revolutionised the concept of what literature is supposed to mean and define. Effervescent first-person accounts, socially militant activism and sharp critiques of a little-explored literary terrain make this essential reading for scholars and researchers of social exclusion and discrimination studies, literature (especially comparative literature), translation studies, politics, human rights and culture studies.