Until recently, the marquise Du Chatelet (1706-1749) was more remembered as the companion of Voltaire than as an intellectual in her own right. While much has been written about his extraordinary output during the years he spent in her company, her own work has often been overshadowed. This volume brings renewed attention to Du Chatelet's intellectual achievements, including her free translation of selections from Bernard Mandeville's Fable of the bees; her dissertation on the nature and propagation of fire for the 1738 prize competition of the Academie des sciences; the 1740 Institutions de physique and ensuing exchange with the perpetual secretary of the Academie, Dortous de Mairan; her two-volume exegesis of the Bible; the translation of and commentary on Isaac Newton's Principia; and her semi-autobiographical Discours sur le bonheur. It is a measure of the breadth of her interests that the contributions to this volume come from experts in a wide range of disciplines: comparative literature, art history, the history of mathematics and science, philosophy, the history of publishing and translation studies. Du Chatelet's partnership with Voltaire is reflected in a number of the essays; they borrowed from each other's writings, from the discussions they had together, and from their shared readings. Essays examine representations of her by her contemporaries and posterity that range from her inclusion in a German portrait gallery of learned men and women, to the scathing portrait in Francoise de Graffigny's correspondence, and nineteenth-century accounts coloured by conflicted views of the ancien regime. Other essays offer close readings of her work, and set her activities and writings in their intellectual and social contexts. Finally, they speculate on the ways in which she presented herself and what that might tell us about the challenges and possibilities facing an exceptional woman of rank and privilege in eighteenth-century society.

The American Historical Association's Committee on Women Historians commissioned some of the pioneering figures in women's history to prepare essays in their respective areas of expertise. These volumes, the second and third in a series of three, complete their collected efforts. The first volume of the series dealt with the broad themes necessary to understanding women's history around the world. As a counterpoint, volume 2 is concerned with issues that have shaped the history of women in particular places and during particular eras. It examines women in ancient civilizations; including women in China, Japan, and Korea; women and gender in South and South East Asia; Medieval women; women and gender in Colonial Latin America; and the history of women in the US to 1865. Authors included are Sarah Hughes and Brady Hughes, Susan Mann, Barbara N. Ramusack, Judith M. Bennett, Ann Twinam, and Kathleen Brown. As with volume 2, volume 3 also discusses current trends in gender and women's history from a regional perspective. It includes essays on sub-Saharan Africa, the Middle East, early and modern Europe, Russian and the Soviet Union, Latin American, and North America after 1865. Asuncion Lavrin, Ellen Dubois, and Judith P. Zinsser writing with Bonnie S. Anderson. Incorporating essays from top scholars ranging over an abundance of regions, dates, and methodologies, the three volumes of Women's History in Global Perspective constitute an invaluable resource for anyone interested in a comprehensive overview on the latest in feminist scholarship. Bonnie G. Smith is the Board of Governors Professor of History and director of the Institute for Research on Women at Rutgers University. She is the author of Confessions of a Concierge: Madame Lucie's History of Twentieth-Century France and many other books.

The captivating biography of the French aristocrat who balanced the demands of her society with passionate affairs of the heart and a brilliant life of the mind
Although today she is best known for her fifteen-year liaison with Voltaire, Gabrielle Emilie le Tonnelier de Breteuil, Marquise Du Ch?telet (1706-1749) was more than a great man's mistress. After marrying a marquis at the age of eighteen, she proceeded to fulfill the prescribed-and delightfully frivolous-role of a French noblewoman of her time. But she also challenged it, conducting a highly visible affair with a commoner, writing philosophical works, and translating Newton's "Principia" while pregnant by a younger lover. With the sweep of "Galileo's Daughter, Emilie Du Ch?telet "captures the charm, glamour, and brilliance of this magnetic woman.