This annotated bibliography of 19th-century literature by and about American textile factory workers examines 457 texts, including novels, short fiction, poetry, drama, narratives, and children's literature, and offers new insights into 19th-century working-class culture. The textile industry was the premier and largest 19th-century industry in the United States. The texts, drawn from a variety of publications, such as workers' periodicals, mainstream publishers' monographs, newspapers, magazines, story papers, dime novels, pulp publications, and Sunday-school tracts, reveal the variety and complexity of the factory literature and represent the largest body of American working-class women's literature. The literature explores a number of women's concerns, such as their roles as workers, sexual harassment, marriage, motherhood, and homosexual and heterosexual relationships, and treats the factory work experience of hundreds of thousands of 19th-century children. Annotations are divided among 14 topical chapters that highlight such key issues as women's independence, class bias, child labor, technology, and protest. Most entries include information on text availability, including microform reprints and U.S. library holdings for rare titles. Scholars of 19th-century women's literature and history will value the full picture of 19th-century factory women's lives that emerges through the synopses of the literature. This work includes the first literary depictions of and protest against child labor, the first anti-factory poem, and the first fictional depiction of a strike. The more than 50 annotated texts that treat child labor offer new source material for the study of child labor in19th-century America. Appendices furnish a chronological listing of titles, a selection of nonfiction texts, and a listing of unavailable texts.

In 1871 Jennie Collins became one of the first working-class American women to publish a volume of her own writings: "Nature's Aristocracy." Merging autobiography, social criticism, fictionalized vignettes, and feminist polemics, her book examines the perennial problem of class in America. Collins loosely structures her series of sketches around the argument that nineteenth-century U.S. society, by deviating dangerously from the ideals set forth in the Constitution and the Bill of Rights, had created a corrupt aristocracy and a gulf between the rich and the poor that the United States' founders had endeavored to prevent. Collins's text serves as a mouthpiece for the little-heard voices of nineteenth-century poor and laboring women, employing sarcasm, irony, and sentimentality in condemning the empty philanthropic gestures of aristocratic capitalists and calling for justice instead of charity as a means to elevate the poor from their destitution. She also explores the necessity of suffrage for female workers who, while expected to work alongside men as their equals in labor, were hampered by lower wages and lack of control by their exclusion from the voting process.