John Thelwall's The Daughter of Adoption: A Tale of Modern Times is a witty and wide-ranging work in which the picaresque and sentimental novel of the eighteenth century confronts the revolutionary ideas and forms of the Romantic period. Thelwall puts his two main characters, the conflicted English gentleman Henry Montfort and the Creole Seraphina Parkinson, through their paces in a slave rebellion in Haiti, where they barely escape with their lives, and in London society, where Henry almost loses his soul. Combining political analysis with melodrama and flat-out farce, Daughter expands the scope of the abolitionist novel, pushing the argument beyond the slave trade to challenge empire and racial superiority. Historical materials on Thelwall's life, the abolitionist movement, and eighteenth-century educational theories provide a detailed context for the novel.

Growing Up Silent in the 1950s likely will become the definitive social history of the Silent Generation. Whether you were a part of this generation or have no idea there was such a generation, here you will find the answer to the central question: Who are the Silent Generation and why were they not acknowledged? Those of the Silent Generation have been called deferential, well-mannered, and book smart conformists. They did what they were expected to do, putting responsibilities first, always postponing who they wanted to be. They were reared in a contradictory world, living their youth in the safest time in history, yet always worried about "the bomb." Curwensville Joint High School Class of 1955, already identified by researchers as the year most representative of the Silent Generation, serves as the archetype of what it really was like growing up during the 1950s with comments and recollections from twenty percent of the class members.

Reading letters, particularly love letters, is similar to reading a diary. We are interested and curious, but still hold a certain sense of being intrusive. However, letters are still considered the most personal way to understand the character and personality of an individual and of the zeitgeist in which the letters are written. Placing these particular letters in their historical context of The Roaring Twenties and The Great Depression is particularly poignant in that they are written mainly by those in their early twenties, young people who were on the cusp of the great adventure of life. In this collection most of the letters are written by gentlemen to one particular beauty Jessie Beverly Pifer, dashing, independent, fashionable, and always remembered as the stylish and vibrant Jebbie, Belle of the Class of 1924. The letters, many beautiful in their own right because of the handwriting, provide a first hand account of daily travails lived by the young nearly a century ago, expressing a parallel to modes of communication of then and now, displaying emotions familiar to all generations, and revealing the love and devotion of All the Gentlemen Callers who loved Jessie. We can t help but wonder how emails of today can ever connect the sender and the receiver through the carefully constructed, flowing reflection, and very personal expression found only in love letters written with a fountain pen. The Author, Dr. Judith Thompson Witmer (Director of the Capital Area Institute for Mathematics and Science at Penn State Harrisburg), holds a respect and passion for social history of small towns and the families who live there. The author of nearly a dozen books, ranging from biographies to educational administration and other trade books, her most recent publication (2011) is Jebbie: Vamp to Victim, the true story of Jessie Beverly Pifer, a beautiful young woman with many suitors who became entrapped in a web of deceit. All the Gentlemen Callers is a companion to Jebbie, focusing on the social interaction of young men who came calling on young women, a generation like no other in changing the social times and expectations of becoming adults in a time Studs Terkel called euphoric and F. Scott Fitzgerald termed The Jazz Age.

Jebbie: Vamp to Victim is the biography of Miss Jessie Beverly Pifer, belle of her class, beloved elementary teacher, doyenne of the community, and victim of elder abuse. Everything within the pages of this book is verifiable. Fifteen years in the research and writing, it has been edited from a manuscript nearly twice the current length. The book was written to let the world know by this account that even the most public members of a community can be robbed by unscrupulous persons of their resources, independence, and dignity.

Ministry, the authors contend, is a range of energies freely bestowed by the Spirit. Our task is to channel it mindfully and reflectively. Through the use of imaginative exercises based on scripture, focusing exercises directed at practical situations, and theological reflection that is rooted in the authors' own experience of ministry as Anglican priests, the following 'colours' of the ministerial rainbow are explored: * The Apostle: Mindful Representing, the Christlike shape of ministry. * The Holy One: Mindful Praying, the still centre of ministry. * The Pastor: Mindful Serving, the hard-working body of ministry. * The Teacher: Mindful Nurture, the wise soul of ministry * The Leader: Mindful Organising, the overseeing mind of ministry. * The Go-Between: Mindful Collaboration, Conviviality and Communication, the interlinking and encouraging hands of ministry. * The Herald of Good Tidings: Mindful Evangelism, the swift, urgent feet of ministry. * The Liberator: Mindful Subversion, the courageous heart of ministry.

Since it was first published, the SCM Studyguide to Theological Reflection has quickly gained a reputation for being a vital and accessible guide to the subject for all who embark on it for the first time. This studyguide offers newcomers a step by step introduction to understanding what theological reflection is and helps them to explore which of the methods introduced best suits them and their particular situation. It is practical in emphasis, providing students with a wide variety of worked examples and opportunities to carry out their own exercises. This 2nd edition will bring the content up to date, offering a revised and improved bibliography and updated and refreshed examples and exercises, including new sections on scriptural reasoning and contemplative theology.

This second edition provides expert guidance based on research and experience for women in and moving into educational administration. Moving Up! ranges in scope from determining whether you are interested in exploring a career in educational administration through all of the decisions administrators face-from where to sit in a meeting, to signing a contract, to dealing with difficult people, to decisions on the home front. It provides facts and choices for the reader, including real-life examples. Although the book addresses women, it is equally helpful to men who want to learn the ropes and know how women think and lead. A major point is that while women's leadership and collaborative styles are most appropriate to today's needs and that women possess the most effective characteristics for developing a cooperative, participatory management style, the best results come from merging the leadership strengths of both men and women. Well-written and readable, this book speaks to the reader in layman's terms while maintaining an academic purpose.

This innovative collection challenges the traditional focus on solitary genius by examining the rich diversity of literary couplings and collaborations from the early modern to the postmodern period. Literary Couplings explores some of the best-known literary partnerships--from the Sidneys to Boswell and Johnson to Sylvia Plath and Ted Hughes--and also includes lesser-known collaborators such as Daphne Marlatt and Betsy Warland. The essays place famous authors such as Samuel Coleridge, Oscar Wilde, and William Butler Yeats in new contexts; reassess overlooked members of writing partnerships; and throw new light on texts that have been marginalized due to their collaborative nature. By integrating historical studies with authorship theory, "Literary Couplings" goes beyond static notions of the writing "couple" to explore literary couplings created by readers, critics, historians, and publishers as well as by writers themselves, thus expanding our understanding of authorship.

In the course of an afternoon's reuinion between two long-estranged women, a buried memory, and two teenager's wild secret, slams into the present. "Thompson has the best ear of any playwright now writing in Canada."--Carole Corbeil, "The Globe & Mail"

This is the play that established a reputation for the playwright as a daring chronicler of the urban underclass, available here as a revised version.