The incredible and heart-breaking true stories of victims of a notorious adoption scandal - inspired by No.1 bestselling novel Before We Were Yours From the 1920s to 1950, Georgia Tann ran a corrupt baby business at the Tennessee Children's Home Society in Memphis. She offered up more than 5,000 orphans tailored to the wish lists of eager parents - hiding the fact that many weren't orphans at all, but stolen sons and daughters of poor families, desperate single mothers, and women told in maternity wards that their babies had died. In Before and After, many survivors set out to trace their roots and find their birth families. Before and AFter includes moving and shocking accounts of the ways in which adoptees were separated from their first families. Often raised as only children, many have joyfully reunited with siblings in the final decades of their lives. There are stories of first meetings that are all the sweeter and more intense for time missed, and of families from very different social backgrounds reaching out to embrace brothers, sisters, and cousins. WHAT READERS ARE SAYING ABOUT BEFORE AND AFTER 'What a truly amazing book' ***** 'Riveting' ***** 'Captivating and emotional' ***** 'A real tear-jerker' *****

Exploring thirty years of work by The Centre for Performance Research (CPR), A Performance Cosmology explores the future challenges of performance and theatre through a diverse and fascinating series of interviews, testimonies and perspectives from leading international theatre practitioners and academics.

Contributors include: Philip Auslander, Rustom Bharucha, Tim Etchells, Jane Goodall, Guillermo Gomez-Pena, Jon Mckenzie, Claire MacDonald, Susan Melrose, Alphonso Lingis, Richard Schechner, Rebecca Schneider, Edward Scheer, and Freddie Rokem.

A Performance Cosmology is structured as a travelogue through a matrix of strategic, imaginary, interdisciplinary field stations. This innovative framework enables readings which disrupt linearity and afford different forms of thematic engagement. The resulting volume opens entirely new vistas on the old, new, and as yet unimagined, worlds of performance.

The self-help books lied: fresh starts aren t nearly as glamorous as they appear. And love isn t any easier the second time around.

Avery Broussard was savoring her long-dormant optimism. It was the first anniversary of her husband s death, and she was finally going to buy the dress boutique from her former mother-in-law. After a year of saving, the deal was nearly done. Avery was about to get her life back.

But every deal in Samford, Louisiana, can change at the whim of a Broussard.

After being unceremoniously ejected from the very boutique she planned to buy the boutique she herself had rescued from ruin she becomes a woman without a future . . . suddenly at war with her late husband s family.

When carpenter T. J. Aillet begins working for the Broussards doing manual labor, he overhears enough to know that Avery is being victimized. Soon enough, T. J. is lassoed into the squabble by his family connections, his good heart . . . and the undeniable attraction he feels toward Avery.

But the Aillets are no strangers to Samford society and T. J. knows what happens when you cross the Broussards. Could these two misfits ever make a start together? Or will the pressures of Samford society pull them apart before they even get a chance to try?"