Describes and analyses the propaganda and violence of the four Cambodian parties to the 1991 Paris peace agreements. This volume explores Cambodia during the UNTAC period and sets the events within the larger context of Khmer politics, history and culture.

Describes and analyses the propaganda and violence of the four Cambodian parties to the 1991 Paris peace agreements. This volume explores Cambodia during the UNTAC period and sets the events within the larger context of Khmer politics, history and culture.

Inspired by David Chandler's groundbreaking work on Cambodian attempts to find order in the aftermath of turmoil, these essays explore Cambodian history using a rich variety of sources that cast light on Khmer perceptions of violence, wildness, and order, examining the "forest" and cultured space, and the fraught "edge" where they meet.

Inspired by David Chandler's groundbreaking work on Cambodian attempts to find order in the aftermath of turmoil, these essays explore Cambodian history using a rich variety of sources that cast light on Khmer perceptions of violence, wildness, and order, examining the "forest" and cultured space, and the fraught "edge" where they meet.

Since the civil war of the 1970s, Cambodia has suffered devastating upheavals that killed a million ' people and exiled hundreds of thousands. This book is the first to examine Cambodian culture after the ravages of the Pol Pot regime-and to bear witness to the transformation and persistence of tradition among contemporary Cambodians at home and abroad. Bringing together essays by Khmer and Western scholars in anthropology, linguistics, literature, and ethnomusicology, the volume documents the survival of a culture that many had believed lost. Individual chapters explore such topics as Buddhist belief and practice among refugees in the United States, distinctive features of modern Cambodian novels, the lessons taught by Khmer proverbs, some uses of metaphor by the Khmer Rouge regime, the state of traditional music, the recent revival of a form of traditional theater, the concept of pain in Khmer culture, changing conceptions of gender, and refugees' interpretation of American television. Together the essays map a contemporary Cambodian culture, which, for over two hundred thousand Khmers, is now firmly entwined in the social fabric of the urban West.