I first read Mikhail Bulgakov's The Master and Margarita on a balcony of the Hotel Metropole in Saigon on three summer evenings in 1971. The tropical air was heavy and full of the smells of cordite and motorcycle exhaust and rotting fish and wood-fire stoves, and the horizon flared ambiguously, perhaps from heat lightning, perhaps from bombs. Later each night, as was my custom, I would wander out into the steamy back alleys of the city, where no one ever seemed to sleep, and crouch in doorways with the people and listen to the stories of their culture and their ancestors and their ongoing lives. Bulgakov taught me to hear something in those stories that I had not yet clearly heard. One could call it, in terms that would soon thereafter gain wide currency, "magical realism." The deadpan mix of the fantastic and the realistic was at the heart of the Vietnamese mythos. It is at the heart of the present zeitgeist. And it was not invented by Gabriel Garcia Marquez, as wonderful as his One Hundred Years of Solitude is. Garcia Marquez's landmark work of magical realism was predated by nearly three decades by Bulgakov's brilliant masterpiece of a novel. That summer in Saigon a vodka-swilling, talking black cat, a coven of beautiful naked witches, Pontius Pilate, and a whole cast of benighted writers of Stalinist Moscow and Satan himself all took up permanent residence in my creative unconscious. Their presence, perhaps more than anything else from the realm of literature, has helped shape the work I am most proud of. I'm often asked for a list of favorite authors. Here is my advice. Read Bulgakov. Look around you at the new century. He will show you things you need to see.

*An Amazon Best Book of 2020 So Far* Everyone's favorite dog is back in the much-anticipated follow-up to Bark, George from celebrated author-illustrator Jules Feiffer. When George's mother asks her pup to add one plus one, two plus two, and three plus three, George would rather eat, go for a walk, and take a nap. But soon George finds himself in a colorful dream about...numbers! Can George count his way out? Featuring laugh-out-loud humor and expressive and bold illustrations from acclaimed author-illustrator and Pulitzer Prize-winning cartoonist Jules Feiffer, this imaginative follow-up to Bark, George is the perfect read-aloud for children ready to learn their numbers.

Illustrated in black-and-white. This ingenious fantasy centers around Milo, a bored ten-year-old who comes home to find a large toy tollbooth sitting in his room. Joining forces with a watchdog named Tock, Milo drives through the tollbooth's gates and begins a memorable journey. He meets such characters as the foolish, yet lovable Humbug, the Mathemagician, and the not-so-wicked "Which," Faintly Macabre, who gives Milo the "impossible" mission of returning two princesses to the Kingdom of Wisdom.

The legendary Jules Feiffer presents his first noir graphic novel. Spiced with the deft humour for which Feiffer is renowned, Kill My Mother centres on five formidable women linked fatefully and fatally by a has-been, hard-drinking private detective. Featuring a fighter turned tap dancer, a small-time thug who dreams of being a hit man, a name-dropping cab driver, a communist off-licence owner and a film star with a mind-boggling secret, this band of old enemies congregates on a Pacific island to settle scores. Combining Feiffer's skills to draw us into this seductively menacing world, bluesy, fast-moving and funny, Kill My Mother is a noir-graphic novel like the films they don't make anymore.

Cousin Joseph introduces Detective Sam Hannigan, head of the Bay City's Red Squad and patriarch of the Hannigan family featured in Kill My Mother. Our story opens in the Great Depression when Big Sam sees himself as a truth-seeking patriot defending the American way against left-wing unionism. At the same time, he makes secret trips on behalf of Cousin Joseph, a man he has never laid eyes on, to pay off Hollywood producers to ensure that they make only upbeat films. Step by step, the secret of his unseen mentor's duplicity is revealed to him. Feiffer builds on his conversion to cinematic noir, bowing to heroes Will Eisner and Milton Caniff but creating a masterpiece that illuminates Hollywood and its role in producing the bipolar nation America has become.

Jules Feiffer

Full Length, Black Comedy

Characters: 6 male, 2 female

Interior Set

Depressed New Yorker Alfred Chamberlain is engaged to perky, can-do Patsy Newquist. As their wedding day grows near, Alfred finds himself embroiled in an urban nightmare not the least of which is his fiance's family, the possiblity of marriage without Faith, muggings and a sniper's bullet.

"Jules Feiffer, a satirical sharpshooter with a deadly aim, stares balefully at the meaningless violence in American life, and opens fire on it in Little Murders. Devastatingly lethal in some of its coldly savage comic assaults."-New York Post

"Fantastically funny."-The New York Times

Jules Feiffer delivers the tour de force of his illustrious career in this epic finale. In The Ghost Script, he plunges us into the blowzy, boozy world of Blacklist Hollywood, circa 1953: witch hunts, Reds, pinkos, starlets and a mysterious, orchid-growing mastermind, the renamed "Cousin Joseph", running a back-channel clearing house for victims of the entertainment world's purge. Stumbling his way through this maze is private eye Archie Goldman, a tough-talking good guy, always a step or two behind, in this story of plots, counterplots and goon violence. In this satiric assault on America's past and present, Feiffer shows how the arc of history evolves from starry dreams to thwarted and sold-out dreams.

Illustrated in black-and-white. We're celebrating the thirty-fifth anniversary (1996) of this modern kids' classic with a special hardcover edition! This ingenious fantasy centeres around Milo, a bored ten-year-old who comes home to find a large toy tollbooth sitting in his room. Joining forces with a watchdog named Tock, Milo drives through the tollbooth's gates and begins a memorable journey. He meets such characters as the foolish, yet lovable Humbug, the Mathemagician, and the not-so-wicked "Which," Faintly Macabre, who gives Milo the "impossible" mission of returning two princesses to the Kingdom of Wisdom...  

Adding to a legendary career that includes a Pulitzer Prize, an Academy Award, Obie Awards, and Lifetime Achievement Awards from the National Cartoonist Society and the Writers Guild of America, Jules Feiffer now presents his first noir graphic novel. Kill My Mother is a loving homage to the pulp-inspired films and comic strips of his youth. Channeling Eisner's The Spirit, along with the likes of Hammett, Chandler, Cain, John Huston, and Billy Wilder, and spiced with the deft humor for which Feiffer is renowned, Kill My Mother centers on five formidable women from two unrelated families, linked fatefully and fatally by a has-been, hard-drinking private detective.

As our story begins, we meet Annie Hannigan, an out-of-control teenager, jitterbugging in the 1930s. Annie dreams of offing her mother, Elsie, whom she blames for abandoning her for a job soon after her husband, a cop, is shot and killed. Now, employed by her husband s best friend an over-the-hill and perpetually soused private eye Elsie finds herself covering up his missteps as she is drawn into a case of a mysterious client, who leads her into a decade-long drama of deception and dual identities sprawling from the Depression era to World War II Hollywood and the jungles of the South Pacific.

Along with three femme fatales, an obsessed daughter, and a loner heroine, Kill My Mother features a fighter turned tap dancer, a small-time thug who dreams of being a hit man, a name-dropping cab driver, a communist liquor store owner, and a hunky movie star with a mind-boggling secret. Culminating in a U.S.O. tour on a war-torn Pacific island, this disparate band of old enemies congregate to settle scores.

In a drawing style derived from Steve Canyon and The Spirit, Feiffer combines his long-honed skills as cartoonist, playwright, and screenwriter to draw us into this seductively menacing world where streets are black with soot and rain, and base motives and betrayal are served on the rocks in bars unsafe to enter. Bluesy, fast-moving, and funny, Kill My Mother is a trip to Hammett-Chandler-Cain Land: a noir-graphic novel like the movies they don t make anymore."

Editorial cartoonists are an endangered species, and even in their heyday they were rare birds—at the top ranks of print journalism, only a few hundred such jobs existed worldwide in the 20th century. Yet those who wielded the drawing pen had enormous influence and popularity as they caricatured news events and newsmakers into "ink-drenched bombshells" that often said more than the accompanying news stories. Bill Sanders, working in a liberal tradition that stretches back to Thomas Nast and in more recent times includes Herblock, Oliphant, Feiffer, and Trudeau, began his career in the Eisenhower era and is still drawing in the age of Trump. In Against the Grain, he shares the upbringing and experiences that prepared him to inflict his opinions on the readers of the three major newspapers he worked for, the 100-plus papers he was syndicated in, and now, an internet channel. Sanders's memoir is both personal and political. He reveals his small-town Southern roots, his athletic exploits and military service, his courtship and enduring marriage, and his life-long passion for music. These threads are woven into his main narrative, explaining how a cartoonist works and why: "The cartoon should be a vehicle for opinion and it should be polemical in nature—otherwise, it is a waste of time." Along the way he shares vignettes about people he encountered and events he witnessed, illustrated here with a few photos and scores of the cartoons he produced to meet daily newspaper deadlines. He notes that while a cartoon is a simple communication, it is based on reading and research, and only then comes the drawing. Finally, there is this: "While there may be—to varying degrees—two sides to some issues, don't bother looking for that posture on the following pages." While political cartoonist Bill Sanders’s book may be a memoir, it is primarily a chronicle of his brushes with history during the era that stretched from the presidency of John Kennedy to that of Barack Obama—and of his good fortune to have had personal contact with some of the major actors on the political and social stage. After briefly telling of his roots in Tennessee, Florida, and Kentucky and how he became a cartoonist, Sanders leads the reader on a guided tour—illustrated with photos and his cartoons—through the headlines of the last half of the 20th century and the beginning of the 21st. Following World War Two, the ""between"" generation entered the young adult world of the early 1950s. It was a time of panty raids, Levittown, Dixieland jazz, early rock and roll, and television’s coming of age. It was a time when ""war"" morphed into ""conflicts"" and Korea took some from this transitional generation to their graves, calling into question the United States’ role as a global power. As the era unfolded, the cold war and civil rights challenged Presidents Kennedy and Lyndon Johnson. Meanwhile, extremism found regional traction in the John Birch Society, the Minute Men, the bombast of Southern demagogues, and Barry Goldwater’s campaign. LBJ redeemed the national pledge on civil rights but was diverted into the swamp of Vietnam’s civil war where his political career perished. Richard Nixon then rose like Lazarus and eventually truncated the Vietnam War, but his personal demons led to the corruption of Watergate. Bookended by the Jimmy Carter and George Bush I interludes, the carefully constructed myth of Ronald Reagan closed the door to progressive taxation, caged the regulatory watchdogs, and flowed massive wealth to the 1%. Stained by Monicagate and hindered by the Blue Dogs, Bill Clinton did not reverse this course. Then came the age of preemptive war and torture after the Supreme Court elected George Bush II by a 5–4 vote. Dubya and his fellow neocon draft dodgers—aided by a new age of partisan TV pundits and internet bloggers and an arthritic print media—lied and deceived the American public into an unjustified war of aggression. On the other hand, a new era began with the election of Barack Obama, the hijacking of the Republican Party by a coalition of rich white men and Tea Party fanatics, and the Supreme Court’s awarding of ""personhood."" All in all, the era has been a cartoonist’s feast.

It's not under the bed, or on the chair, or beneath the couch, or behind the curtains. It's GONE!

What do you do when your favorite toy disappears, and you can't find it where you left it? What if your family is NO help at all? A determined little detective heads up the search, and discovers more than she ever expected!

00-01 Young Reader's Choice Award Program Masterlist

Comedy / 2m, 4f, 1f child / 2 Ints. An acerbic comedy by the famed cartoonist and author of KNOCK KNOCK and LITTLE MURDERS. It's about a middle-aged journalist who has, at last, grown up - only to find he's trapped in a world of emotional infants. "A laceratingly funny play about the strangest of human syndromes - the love that kills rather than comforts. Feiffer's vision seems merciless, but its mercy is the fierce comic clarity with which he exposes every conceivable permutation of smooth-tongued cruelty ...Feiffer constructs a fiendishly complex machine of reciprocal irritation in which Jake (the journalist), his parents, his wife and his sister carp, cavil, harass, hector and finally attack one another with relentless trivia and dedonate deeply buried resentments like emotional land mines ...This farce is Feiffer's exclusive specialty, and it's never been more harrowingly hilarious." - Newsweek. "Savagely funny." - N. Y. Times. "A compelling, devastating evening of theatre ...the first adult play of the season." - Women's Wear Daily.

"The Phantom Tollbooth" is a universally beloved childhood classic. In the 50 years since its original publication, millions of children have breathlessly followed Milo's adventures in the Lands Beyond.
Now Leonard Marcus, a nationally acclaimed writer on children's literature, has created a richly annotated edition of this perennial favorite. Marcus's expansive annotations include interviews with the author and illustrator, illuminating excerpts from Juster's notes and drafts, cultural and literary commentary, and Marcus's own insights on the book. "The Annotated Phantom Tollbooth" also includes an introduction that shares the fascinating background on the book's publication--Juster and Feiffer met as young neighbors in Brooklyn, New York, and thus began a fortuitious collaboration on a project that would become an instant classic--as well as its enduring place in the world of children's literature.
"The Annotated Phantom Tollbooth" is the perfect way to honor a classic and will be welcomed by young readers and fans of all ages.

Everyone knows a Feiffer illustration when they see one: His characters leap across the page, each line belying humor and psychological insight. Over Feiffer's prolific 70-year career, his nimble and singular imagination has given us new perspectives as well as biting satires on politics, love, marriage, and religion--alternating with stories imbued with the playful anarchy of a child. Feiffer's varied output includes children's books ("The Phantom Tollbooth "and "Bark, George"), plays ("Little Murders"), movies ("Carnal Knowledge" and "Popeye"), and comic strips (most notably in his Pulitzer Prize-winning "Village Voice" comic strip of 42 years). "Out of Line: The Art of Jules Feiffer" is the long-awaited illustrated retrospective of Feiffer's celebrated career, providing a revealing glimpse into his creative process and his role as America's foremost Renaissance man of the arts.

He's bad at sports and not much better at school, but Jimmy sure can draw terrific cartoons. And his dream, like that of his Uncle Lester, who writes flop Broadway musicals'is to be recognized for what he loves doing most.

1993 Books for Youth Editors' Choices (BL)
1993 Choices: The Year's Best Books (Publishers Weekly)
Children's Books of 1993 (Library of Congress)
1994 Books for the Teen Age (NY Public Library)
100 Books for Reading and Sharing 1993 (NY Public Library)