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It is entirely appropriate to ask, 'Why another work on women
artists?' More specifically, 'Why this North American Free Trade
Agreement, this NAFTA-like approach which embraces women artists
from Canada, Mexico, and the United States. As researchers, we have
been frustrated many times by being unable to locate basic
information about many of the artists included in this volume,
especially those working outside the United States. Another reason
for producing this particular kind of reference book, to try and
create a better understanding between and among the artists and art
audiences in these three countries.
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