Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

"The Double Binds of Ethics after the Holocaust" sheds new light on the ethical repercussions of the Nazi genocide against the Jews. Contributors focus on two key dilemmas: first, that the Holocaust did immense harm to ethics by undermining confidence in beliefs about the fundamental status of ethical values, including human rights. Second, the Holocaust and subsequent genocides have destroyed confidence that human beings will fulfill their moral obligations better "next time." Responding to these double binds, the contributors to this book explore what can be done in ethical theory and practice to respond effectively to the impact of the Holocaust and genocide. Its chapters not only assess the weakness of ethics in standing firmly and effectively against human-made destruction but also indicate steps of salvage and retrieval that need to be taken if ethics is to be a significant presence in a world still besieged by genocide and atrocity.

Franz Rosenzweig (1886-1929) is one of the most significant German Jewish philosophers of the twentieth century. Published in German in 1920 and now finally available in English for the first time, Hegel and the State is a major contribution to the understanding of Hegel's political and social thought and a profound analysis of the intellectual currents that shaped the German state in the late nineteenth and early twentieth centuries. Through careful readings of Hegel’s early handwritten manuscripts, Rosenzweig shows that Hegel was wrestling with the problem of how to reconcile the subjectivity and freedom of the individual within a community and ultimately the political state. According to Rosenzweig, the route out of this conundrum chosen by Hegel shaped his mature political philosophy, where he saw the relationship between the individual and the state as reciprocal. At a deeper level, the significance of Hegel and the State lies in the way that Rosenzweig explains the failure of Hegel's quasi-communitarian view of the state to emerge, due to the authoritarian direction of the newly-unified German state under Bismarck. Anticipating the political and moral disaster that was to follow, Rosenzweig concludes by questioning the very viability of any theory of the state that relies on the pillars of bureaucratic militarism and a government-supported capitalist business culture. With the inclusion of a Foreword by Myriam Bienenstock and a substantial Afterword by Axel Honneth, Hegel and the State is a ground-breaking work of early twentieth-century philosophical and political thought. It is essential reading for students of Hegel, German Idealism, Jewish philosophy, and the origins of critical theory. It will also be of interest to those in related subjects such as the history of sociology, and German and intellectual history.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Two German philosophers working during the Weimar Republic in Germany, between the two World Wars, produced seminal texts that continue to resonate almost 100 years later. Franz Rosenzweig and Martin Heidegger, a Jewish thinker and a philosopher who at one time was studying to become a Roman Catholic Priest, each in their own, particular way include in their writings powerful philosophies of art that, if approached phenomenologically and ethically, provide keys to understanding their radically divergent trajectories, both biographically and for their philosophical heritage. Simon provides a close reading of some of their essential texts. The Star of Redemption for Rosenzweig and Being and Time and The Origin of the Work of Art for HeideggerGAaoin order to draw attention to how their philosophies of art can be understood to provide significant ethical directives.

The Double Binds of Ethics after the Holocaust advances the idea that the Holocaust undermined confidence in basic beliefs about human rights and shows steps of salvage and retrieval that need to be taken if ethics is to be a significant presence in a world still besieged by genocide and atrocity.