Having learnt that a new railway in India has made it theoretically possible to travel all the way around the globe in no more than eighty days, Phileas Fogg, a wealthy and fastidious London gentleman, makes a wager of £20,000 with his Reform Club associates that he can achieve this hitherto unheard-of feat, and, accompanied by his French valet Jean Passepartout, boards a train for Dover the very same evening. Pursued on their epic journey by a Scotland Yard policeman who has mistaken Fogg for a bank robber, the intrepid voyagers face a race against time as they traverse a range of exotic and sometimes hazardous landscapes and make use of any and every mode of transport available to them – including elephants – in order to achieve their goal. A huge commercial success on first publication in 1872, Jules Verne’s classic adventure story has been adapted numerous times for the stage and the screen, as well as inspiring many real-life adventurers who have sought to emulate Fogg’s audacious odyssey. Now presented in a brand-new translation.

Travel worldwide in this illustrated chapter-book retelling of Around the World in Eighty Days, part of the bestselling Classic Starts® series that has sold more than 8 million copies! Whether it’s by foot, camel, boat, or train, Phileas Fogg is determined to travel across the world in 80 days. Will he win his race against the clock? And who is the man following in Fogg’s footsteps wherever he goes?  This retelling is the perfect way to introduce the joy of traveling to young readers. The book also includes discussion questions. 

Explore the mysterious underwater world in this illustrated chapter-book retelling of Twenty Thousand Leagues Under the Sea, part of the bestselling Classic Starts® series that has sold more than 8 million copies!  Professor Aronnax embarks on an underwater exploration, only to be captured by Captain Nemo, the head of a submarine with a mysterious backstory. As they travel through underwater forests filled with enormous sea creatures, Professor Aronnax can’t help but wonder: will he ever safely return to land?    This retelling is the perfect way to introduce young readers to what is arguably Jules Verne’s most popular sci-fi novel. The book also includes discussion questions.  

Accompanied by his nephew Harry and his guide Hans, Professor Von Hardwigg follows directions in a coded message left by sixteenth-century alchemist Arne Saknussemm to the crater of the volcano Sneffels. There they descend into a subterranean world that is home to marvels from the prehistoric past that could never exist in the world above ground. One of his styled "extraordinary voyages," Jules Verne's Journey to the Center of the Earth is a masterpiece of adventure that has never been out of print since it was first published in French in 1864. This edition of Verne's novel features more than 50 full-page illustrations by the distinguished artist Edouard Rio.

Jules Gabriel Verne 1828-1905) was a French Breton author who pioneered the science-fiction genre and is best known for Twenty Thousand Leagues Under the Sea, Journey to the Center of the Earth, and Around the World in Eighty Days. Two Years' Holiday tells the story of a group of schoolboys stranded on a deserted island in the South Pacific and their struggles to overcome adversity.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.