Chawton House Library: Women's Travel Writings are multi-volume editions with full texts reproduced in facsimile with new scholarly apparatus. The texts have been carefully selected to illustrate various themes in women's history.

Chawton House Library: Women's Travel Writings are multi-volume editions with full texts reproduced in facsimile with new scholarly apparatus. The texts have been carefully selected to illustrate various themes in women's history.

Chawton House Library: Women's Travel Writings are multi-volume editions with full texts reproduced in facsimile with new scholarly apparatus. The texts have been carefully selected to illustrate various themes in women's history.

Chawton House Library: Women's Travel Writings are multi-volume editions with full texts reproduced in facsimile with new scholarly apparatus. The texts have been carefully selected to illustrate various themes in women's history.

Chawton House Library: Women's Travel Writings are multi-volume editions with full texts reproduced in facsimile with new scholarly apparatus. The texts have been carefully selected to illustrate various themes in women's history.

Laurence Sterne’s A Sentimental Journey through France and Italy continues to be as widely read and admired as upon its first appearance. Deemed more accessible than Sterne’s Life and Opinions of Tristram Shandy, Gentleman, and often assigned as a college text, A Sentimental Journey has received its share of critical attention, but—unlike Tristram Shandy—to date it has not been the subject of a dedicated anthology of critical essays. This volume fills that gap with fresh perspectives on Sterne’s novel that will appeal to students and critics alike. Together with an introduction that situates each essay within A Sentimental Journey’s reception history, and a tailpiece detailing the culmination of Sterne’s career and his death, this volume presents a cohesive approach to this significant text that is simultaneously grounded and revelatory.

Laurence Sterne’s A Sentimental Journey through France and Italy continues to be as widely read and admired as upon its first appearance. Deemed more accessible than Sterne’s Life and Opinions of Tristram Shandy, Gentleman, and often assigned as a college text, A Sentimental Journey has received its share of critical attention, but—unlike Tristram Shandy—to date it has not been the subject of a dedicated anthology of critical essays. This volume fills that gap with fresh perspectives on Sterne’s novel that will appeal to students and critics alike. Together with an introduction that situates each essay within A Sentimental Journey’s reception history, and a tailpiece detailing the culmination of Sterne’s career and his death, this volume presents a cohesive approach to this significant text that is simultaneously grounded and revelatory.

This book investigates the figure of the military man in the long eighteenth century in order to explore how ideas about militarism served as vehicles for conceptualizations of masculinity. Bringing together representations of military men and accounts of court martial proceedings, this book examines eighteenth-century arguments about masculinity and those that appealed to the 'naturally' sexed body and construed masculinity as social construction and performance. Julia Banister's discussion draws on a range of printed materials, including canonical literary and philosophical texts by David Hume, Adam Smith, Horace Walpole and Jane Austen, and texts relating to the naval trials of, amongst others, Admiral John Byng. By mapping eighteenth-century ideas about militarism, including professionalism and heroism, alongside broader cultural concerns with politeness, sensibility, the Gothic past and celebrity, Julia Banister reveals how ideas about masculinity and militarism were shaped by and within eighteenth-century culture.

This book investigates the figure of the military man in the long eighteenth century in order to explore how ideas about militarism served as vehicles for conceptualizations of masculinity. Bringing together representations of military men and accounts of court martial proceedings, this book examines eighteenth-century arguments about masculinity and those that appealed to the 'naturally' sexed body and construed masculinity as social construction and performance. Julia Banister's discussion draws on a range of printed materials, including canonical literary and philosophical texts by David Hume, Adam Smith, Horace Walpole and Jane Austen, and texts relating to the naval trials of, amongst others, Admiral John Byng. By mapping eighteenth-century ideas about militarism, including professionalism and heroism, alongside broader cultural concerns with politeness, sensibility, the Gothic past and celebrity, Julia Banister reveals how ideas about masculinity and militarism were shaped by and within eighteenth-century culture.