Marie-Thérèse Walter was seventeen when she met Picasso. He was forty-six. These poems - as simple and direct as quick sketches - use her voice to tell the story of the relationship with Picasso and what it meant to her from its first beginnings, until the day on which she took her own life, three years after his death. The poems illuminate his love for a woman who was, as John Berger says, 'the sexually most important affair of his life'; they also, perhaps, make sense of Marie-Thérèse's love for him. Jeff Fisher's drawings animate the vivid voice of Marie-Thérèse, created with great immediacy by Julia Blackburn.

A spellbinding new book by the much-acclaimed writer, a journey to South Africa in search of the lost people called the /Xam - a haunting book about the brutality of colonial frontiers and the fate of those they dispossess. In spring 2020, Julia Blackburn travelled to the Karoo region of South Africa to see for herself the ancestral lands that had once belonged to an indigenous group called the /Xam. Throughout the nineteenth century the /Xam were persecuted and denied the right to live in their own territories. In the 1870s, facing cultural extinction, several /Xam individuals agreed to teach their intricate language to a German philologist and his indomitable English sister-in-law. The result was the Bleek-Lloyd Archive: 60,000 notebook pages in which their dreams, memories and beliefs, alongside the traumas of their more recent history, were meticulously recorded word for word. It is an extraordinary document which gives voice to a way of living in the world which we have all but lost. 'All things were once people', the /Xam said. Blackburn's journey to the Karoo was cut short by the outbreak of the global pandemic, but she had gathered enough from reading the archive, seeing the /Xam lands and from talking to anyone and everyone she met along the way, to be able to write this haunting and powerful book, while living her own precarious lockdown life. Dreaming the Karoo is a spellbinding new masterpiece by one of our greatest and most original non-fiction writers.

In 1792, when he was forty-seven, the Spanish painter Francisco de Goya contracted a serious illness which left him stone deaf. In this extraordinary book Julia Blackburn follows Goya through the remaining thirty-five years of his life. It was a time of political turmoil, of war, violence and confusion, and Goya transformed what he saw happening in the world around him into his visionary paintings, drawings and etchings. These were also years of tenderness for Goya, of intimate relationships with the Duchess of Alba and with Leocadia, his mistress, who was with him to the end.

Julia Blackburn writes of the elderly painter with the intimacy of an old friend, seeing through his eyes and sharing the silence in his head, capturing perfectly his ferocious energy, his passion and his genius.

SHORTLISTED FOR THE WAINWRIGHT PRIZE AND THE HESSELL-TILTMAN PRIZE A journey told through stories and songs into Doggerland, the ancient region that once joined the east coast of England to Holland Time Song tells of the creation, the existence and the loss of a country now called Doggerland, a huge and fertile area that once connected the entire east coast of England with mainland Europe, until it was finally submerged by rising sea levels around 5000 BC. Julia Blackburn mixes fragments from her own life with a series of eighteen 'songs' and all sorts of stories about the places and the people she meets in her quest to get closer to an understanding of this vanished land. She sees the footprints of early humans fossilised in the soft mud of an estuary alongside the scattered pockmarks made by rain falling eight thousand years ago. She visits a cave where the remnants of a Neanderthal meal have turned to stone. In Denmark she sits beside Tollund Man who, despite having lain in a peat bog since the start of the Bronze Age, seems to be about to wake from a dream... 'This book is a wonder' Adam Nicolson, Spectator 'A clairvoyant and poetic conversation with the past' Antony Gormley

Winner of the J. R. Ackerley Award This is the story of three people: Julia Blackburn, her father Thomas and her mother Rosalie. Thomas was a poet and an alcoholic, who for many years was addicted to barbiturates; Rosalie, a painter, was sociable and flirtatious. After her parents were divorced, Julia's mother took in lodgers, always men, on the understanding that each should become her lover. When one of the lodgers started an affair with Julia, Rosalie was devastated; when he later committed suicide the relationship between mother and daughter was shattered irrevocably. Or so it seemed until the spring of 1999, when Rosalie, diagnosed with leukaemia, came to live with Julia for the last month of her life.

A spellbinding new book by the much-acclaimed writer, a journey to South Africa in search of the lost people called the /Xam - a haunting book about the brutality of colonial frontiers and the fate of those they dispossess.

In spring 2020, Julia Blackburn travelled to the Karoo region of South Africa to see for herself the ancestral lands that had once belonged to an indigenous group called the /Xam.

Throughout the nineteenth century the /Xam were persecuted and denied the right to live in their own territories. In the 1870s, facing cultural extinction, several /Xam individuals agreed to teach their intricate language to a German philologist and his indomitable English sister-in-law. The result was the Bleek-Lloyd Archive: 60,000 notebook pages in which their dreams, memories and beliefs, alongside the traumas of their more recent history, were meticulously recorded word for word. It is an extraordinary document which gives voice to a way of living in the world which we have all but lost. 'All things were once people', the /Xam said.

Blackburn's journey to the Karoo was cut short by the outbreak of the global pandemic, but she had gathered enough from reading the archive, seeing the /Xam lands and from talking to anyone and everyone she met along the way, to be able to write this haunting and powerful book, while living her own precarious lockdown life. Dreaming the Karoo is a spellbinding new masterpiece by one of our greatest and most original non-fiction writers.

' A] tale of psychic terror . . . arresting . . . a poetical exploration of dark mind-scapes.' - "Times Literary Supplement"
' A] very well done novel. . . . Very highly recommended.' - "The Ladder"
'A delightful surprise for fans of the macabre. Simon Armstrong descends into a world of vampirism, lycanthropy, and more . . . Or, is it a more prosaic though no less terrifying descent into madness?' - John Pelan, editor of "The Century's Best Horror Fiction"
Simon and Laura Armstrong's marriage is on the rocks. His drinking and abuse of prescription drugs are getting worse and blackouts and violence are occurring with greater frequency. Laura believes things are going to get better: Simon has just been appointed to an important post in the university's English department, the couple are adopting a daughter, and Simon has almost finished work on an important new book, "The Cult of the Vampire." Knowing of Simon's vampire fixation, his friend Dr Charles Abbott introduces him to a patient of his, a beautiful and bewitching young woman named Stella Johnson, who is convinced she has been bitten by a vampire and can no longer see her reflection in a mirror. But Abbott cannot foresee the ultimate consequences of bringing Simon and Stella together, or the violence and tragedy that will ensue. . . .
The only novel by noted poet Thomas Blackburn (1916-1977), "The Feast of the Wolf" (1971) is a strange and unique take on the vampire myth. This edition, the first since the book's original publication, includes a new foreword by the author's daughter, Julia Blackburn, herself an acclaimed writer, who explains how the novel reflects in part her father's own struggles with mental illness and substance abuse.

In 1792, when he was forty-seven, the Spanish painter Francisco de Goya contracted an illness that left him stone deaf. Yet he continued to interact with the world and to create, spending the next thirty-five years in a world emptied of sound but bursting with images of pageantry, cruelty, and pathos.

In this brilliant, idiosyncratic book – a kaleidoscope of biography, memoir, history, and meditation – Julia Blackburn vividly imagines the artist’s world during this time. She recreates the artist’s friendships and love affairs and breathes life into the subjects of his paintings: an ethereally lovely duchess; the spoiled grotesques of the Bourbon court; the atrocities of the Napoleonic wars. Old Man Goya is a rare work of empathy and imagination, a stunning portrait of the mind and life of a great artist.

In this fascinatingly imaginative novel, Julia Blackburn has decimated all the rules, creating a magical tale that is part fable, part allegory, part present, part past, and wholly genuine and poetic.

The unnamed protagonist has recently lost someone she loved, and her solution is to abandon the present, and the overwhelming pain.  The seamless narrative lands her in a medieval seaside village where mermaids wash ashore, devils haunt in packs, a child is born with the head of a fish, and where one day, quite out of nowhere, there emerges a sage and wandering leper.  The leper leads a small group of the villagers, including the protagonist, on a journey to Jerusalem, a harrowing pilgrimage that compels all the travelers to confront their deepest selves.

Exquisite and lyrical, The Lepers Companions is a heart-rending tale by one of our most fiercely original storytellers.

In the late 19th century, an English missionary arrives on a remote island in the Indian Ocean, intent on wiping our fornication among the natives. Instead he incurs a curse that strikes first his dark-skinned wife, then his son and grandson. But is the curse supernatural--or a white man's guilty fascination with an alien new world? "A hypnotic, cryptic, haunting exploration of the power of memory."--Boston Globe.

In 1913, at the age of 54, Daisy Bates went to live in the deserts of South Australia. Brilliantly reviewed, astonishingly original, this "eloquent and illuminating portrait of an extraordinary woman" (New York Times Book Review) tells a fascinating, true story in the tradition of Isak Dinesen and Barry Lopez.

Shortlisted for the 2011 Costa Biography Award and the 2012 Royal Society of Literature Ondaatje Prize Julia Blackburn and her husband moved to a little house in the mountains of northern Italy in 1999. She arrived as a stranger but a series of events brought her close to the old people of the village and they began to tell her their stories. Of how their village had been trapped in an archaic feudal system and owned by a local padrone who demanded his share of all they had, of the eruption of the Second World War, of the conflict between the fascists and the partisans, of death and fear and hunger of how they hid like like foxes in the mountains. 'Write it down for us,' they said, 'because otherwise it will all be lost.' Thin Paths is a celebration of the songlines of one place that could be many places and a celebration of the humour and determination of the human spirit.

Winner of the East Anglian Book of the Year 2015 Winner of the New Angle Book Prize 2017 John Craske, a Norfok fisherman, was born in 1881 and in 1917, when he had just turned thirty-six, he fell seriously ill. For the rest of his life he kept moving in and out of what was described as 'a stuporous state'. In 1923 he started making paintings of the sea and boats and the coastline seen from the sea, and later, when he was too ill to stand and paint, he turned to embroidery, which he could do lying in bed. His embroideries were also the sea, including his masterpiece, a huge embroidery of The Evacuation of Dunkirk. Very few facts about Craske are known, and only a few scattered photographs have survived, together with accounts by the writer Sylvia Townsend Warner and her lover Valentine Ackland, who discovered Craske in 1937. So - as with all her books - Julia Blackburn's account of his life is far from a conventional biography. Instead it is a quest which takes her in many strange directions - to fishermen's cottages in Sheringham, a grand hotel fallen on hard times in Great Yarmouth and to the isolated Watch House far out in the Blakeney estuary; to Cromer and the bizarre story of Einstein's stay there, guarded by dashing young women in jodhpurs with shotguns. Threads is a book about life and death and the strange country between the two where John Craske seemed to live. It is also about life after death, as Julia's beloved husband Herman, a vivid presence in the early pages of the book, dies before it is finished. In a gentle meditation on art and fame; on the nature of time and the fact of mortality; and illustrated with Craske's paintings and embroideries, Threads shows, yet again, that Julia Blackburn can conjure a magic that is spellbinding and utterly her own.