Long regarded as the preserve of French scholars and Francophone audiences due to its significance to France's colonial empire, North Africa is increasingly recognized for its own singular importance as a crossover region. Situated where Islamic, Mediterranean, African, and European histories intersect, the Maghrib has long acted as a cultural conduit, mediator and broker. From the medieval era, when the oasis of Sijilmasa in the Moroccan wilderness funnelled caravan loads of gold into international networks, through the 16th century when two superpowers, the Ottomans and the Spanish Hapsburgs, battled for mastery of the Mediterranean along the North African frontier, and well into the 20th century which witnessed one of Africa's cruellest wars unfold in "French Algeria," the Maghrib has retained its uniqueness as a place where worlds meet.

Long regarded as the preserve of French scholars and Francophone audiences due to its significance to France's colonial empire, North Africa is increasingly recognized for its own singular importance as a crossover region. Situated where Islamic, Mediterranean, African, and European histories intersect, the Maghrib has long acted as a cultural conduit, mediator and broker. From the medieval era, when the oasis of Sijilmasa in the Moroccan wilderness funnelled caravan loads of gold into international networks, through the 16th century when two superpowers, the Ottomans and the Spanish Hapsburgs, battled for mastery of the Mediterranean along the North African frontier, and well into the 20th century which witnessed one of Africa's cruellest wars unfold in "French Algeria," the Maghrib has retained its uniqueness as a place where worlds meet.

In December 2010 an out-of-work Tunisian street vendor, Mohamed Bouazizi, set himself on fire and precipitated the Arab Spring. Popular interpretations of Bouazizi's self-immolation presented economic and political oppression by the Ben Ali regimes as the root causes of widespread social despair that triggered the Tunisian revolution. Yet as Julia Clancy-Smith points out, Tunisia's long history of organized political activism and protest movements suggests a far more complicated set of processes. Proposing a conceptual framework of "coastalization" vs. "interiorization," Clancy-Smith examines Tunisia's last two centuries and demonstrates how geographical and environmental and social factors also lie behind that country's modern political history. Within this framework Clancy-Smith explores how Tunisia's coast became a Mediterranean playground for transnational elites, a mecca of tourism, while its interior agrarian regions suffered increasing neglect and marginalization. This distinction has had a profound impact on the fate of Tunisia and has manifested itself in divisive debates over politics, the state, and religion as well as women's socio-legal status that have led to a series of mass civic actions culminating in revolution. Clancy-Smith proposes a fresh historical lens through which to view the relationship between spacial displacements, regionalization, and transnationalism. Georgetown Shorts-longer than an article, shorter than a book-deliver timely works of peer-reviewed scholarship in a fast-paced, agile environment. They present new ideas and original texts that are easily and widely available to students, scholars, libraries, and general readers.

Walls of Algiers examines the historical processes that transformed Ottoman Algiers, the "Bulwark of Islam," into "Alger la blanche," the colonial urban showpiece - and, after the outbreak of revolution in 1954 - counter-model of France's global empire. In this volume, the city of Algiers serves as a case study for the analysis of the proactive and reactive social, political, technical, and artistic forces that generate a city's form. Visual sources - prints, photographs, paintings, architectural drawings, urban designs, and film - are treated as primary evidence that complements and even challenges textual documents. The contributors' wide-ranging but intersecting essays span the disciplines of art history, social and cultural history, urban studies, and film history. Walls of Algiers presents a multifaceted look at the social use of urban space in a North African city. Its contributors' innovative methodologies allow important insights into often overlooked aspects of life in a city whose name even today conjures up enchantment as well as incomprehensible violence. Contributors include Julia Clancy-Smith, Omar Carlier, Frances Terpak, Zeynep Celik, Eric Breitbart, Isabelle Grangaud, and Patricia M. E. Lorcin.

The contributors of "Contesting Archives" challenge the assumption that an archive is a neutral, immutable, and a historical repository of information. Instead, these historians view it as a place where decisions are made about whose documents--and therefore whose history--is important. Finding that women's voices and their texts were often obscured or lost altogether, they have developed many new methodologies for creating unique archives and uncovering more evidence by reading documents "against the grain," weaving together many layers of information to reveal complexities and working collectively to reconstruct the lives of women in the past.

Global in scope, this volume demonstrates innovative research on diverse women from the sixteenth century to the present in Spain, Mexico, Tunisia, India, Iran, Poland, Mozambique, and the United States. Addressing gender, race, class, nationalism, transnationalism, and migration, these essays' subjects include indigenous women of colonial Mexico, Muslim slave women, African American women of the early twentieth century, Bengali women activists of pre-independence India, wives and daughters of Qajar rulers in Iran, women industrial workers in communist Poland and socialist Mozambique, and women club owners in modern Las Vegas. A foreword by Antoinette Burton adroitly synthesizes the disparate themes woven throughout the book.

Contributors are Janet Afary, Maryam Ameli-Rezai, Antoinette Burton, Nupur Chaudhuri, Julia Clancy-Smith, Mansoureh Ettehadieh, Malgorzata Fidelis, Joanne L. Goodwin, Kali Nicole Gross, Daniel S. Haworth, Sherry J. Katz, Elham Malekzadeh, Mary Elizabeth Perry, Kathleen Sheldon, Lisa Sousa, and Ula Y. Taylor.