In its wanton celebration of violence, the book of Nahum poses ethical challenges to the modern reader. O'Brien offers the first full-scale engagement with this dimension of the book, exploring the ways in which the artfulness of its poetry serves the book's violent ideology, highlighting how its rhetoric attempts to render the Other fit for annihilation. She then reads from feminist, intertextual and deconstructionist angles and uncovers the destabilizing function of the book's aesthetics. Finally, she demonstrates how mining Nahum's ambiguities and tensions can contribute to an ethical response to its violence. This is a reprint of the 2002 edition.

This volume brings gender studies to bear on Micah's powerful rhetoric, interpreting the book within its ancient and modern contexts. Julia M. O'Brien traces resonances of Micah's language within the Persian Period community in which the book was composed, evaluating recent study of the period and the dynamics of power reflected in ancient sources. Also sampling the book's reception by diverse readers in various time periods, she considers the real-life implications of Micah's gender constructs. By bringing the ancient and modern contexts of Micah into view, the volume encourages readers to reflect on the significance of Micah's construction of the world. Micah's perspective on sin, salvation, the human condition, and the nature of YHWH affects the way people live-in part by shaping their own thought and in part by shaping the power structures in which they live. O'Brien's engagement with Micah invites readers to discern in community their own hopes and dreams: What is justice? What should the future look like? What should we hope for? From the Wisdom Commentary series Feminist biblical interpretation has reached a level of maturity that now makes possible a commentary series on every book of the Bible. It is our hope that Wisdom Commentary, by making the best of current feminist biblical scholarship available in an accessible format to ministers, preachers, teachers, scholars, and students, will aid all readers in their advancement toward God's vision of dignity, equality, and justice for all. The aim of this commentary is to provide feminist interpretation of Scripture in serious, scholarly engagement with the whole text, not only those texts that explicitly mention women. A central concern is the world in front of the text, that is, how the text is heard and appropriated by women. At the same time, this commentary aims to be faithful to the ancient text, to explicate the world behind the text, where appropriate, and not impose contemporary questions onto the ancient texts. The commentary addresses not only issues of gender (which are primary in this project) but also those of power, authority, ethnicity, racism, and classism, which all intersect. Each volume incorporates diverse voices and differing interpretations from different parts of the world, showing the importance of social location in the process of interpretation and that there is no single definitive feminist interpretation of a text.

At the 2006 annual meeting of the Society of Biblical Literature, the Prophetic Texts in their Ancient Contexts section devoted a session to the theme "The Aesthetics of Violence." Participants were invited to explore multiple dimensions of prophetic texts and their violent rhetoric. The results were rich-- engaging discussion of violent images in ancient Near Eastern art and in modern film, as well as advancing our understanding of the poetic skill required for invoking terror through words. This volume collects those essays as well as others especially commissioned for its creation. As a collection, they address questions that are at once ancient and distressingly-modern: What do violent images do to us? Do they encourage violent behavior and/or provide an alternative to actual violence? How do depictions of violence define boundaries between and within communities? What readers can and should readers make of the disturbing rhetoric of violent prophets? Contributors include Corrine Carvahlo, Cynthia Chapman, Chris Franke, Bob Haak, Mary Mills, Julia O'Brien, Kathleen O'Connor, Carolyn Sharp, Yvonne Sherwood, and Daniel Smith-Christopher.

This volume explores multiple dimensions of prophetic texts and their violent rhetoric, providing a rich and engaging discussion of violent images not only in prophetic texts and in ancient Near Eastern art but also in modern film and receptions of prophetic texts. The volume addresses questions that are at once ancient and distressingly-modern: What do violent images do to us? Do they encourage violent behavior and/or provide an alternative to actual violence? How do depictions of violence define boundaries between and within communities? What readers can and should readers make of the disturbing rhetoric of violent prophets? Contributors include Corrine Carvahlo, Cynthia Chapman, Chris Franke, Bob Haak, Mary Mills, Julia O'Brien, Kathleen O'Connor, Carolyn Sharp, Yvonne Sherwood, and Daniel Smith-Christopher.

In its wanton celebration of violence, the book of Nahum poses ethical challenges to the modern reader. O'Brien offers the first full-scale engagement with this dimension of the book, exploring the ways in which the artfulness of its poetry serves the book's violent ideology, highlighting how its rhetoric attempts to render the Other fit for annihilation. She then reads from feminist, intertextual and deconstructionist angles and uncovers the destabilizing function of the book's aesthetics. Finally, she demonstrates how mining Nahum's ambiguities and tensions can contribute to an ethical response to its violence. This is a reprint of the 2002 edition.

The prophets of the Old Testament use a wide variety of metaphors to describe God and to portray people in relation to God. Some of these metaphors are familiar and soothing; others are unfamiliar and confusing. Still others portray God in ways that are difficult and uncomfortable--God as abusive husband, for instance, or as neglectful father. Julia O'Brien searches the prophetic books for these metaphors, looking for ways in which the different images intersect and build off each other. When confronted with disturbing metaphors, she deals with them unflinchingly, providing a sharp critique and evaluation of the interpretations of these metaphors for God. Giving particular attention to the possible uses of these metaphors in the church today--for good or ill--O'Brien listens to the fullness of the prophetic messages and points us toward new ways to read these theological metaphors for a just faith today.

The Abingdon Old Testament Commentaries provide compact, critical commentaries on the books of the Old Testament for the use of theological students and pastors. The commentaries are also useful for upper-level college or university students and for those responsible for teaching in congregational settings. In addition to providing basic information and insights into the Old Testament writings, these commentaries exemplify the tasks and procedures of careful interpretation, all to assist students of the Old Testament in coming to an informed and critical engagement with the biblical texts themselves.

The six books found at the close of the Minor Prophets (Nahum, Habakkuk, Zephaniah, Haggai, Zechariah, and Malachi) present distinctive understandings of God, humanity, and the future. This commentary engages those understandings, considers what the books may have meant in the past, and describes how they resonate with contemporary readers. With attention to issues of gender, violence, and inclusivity, O'Brien explores the ethical challenges of the books and asks how faithful readers can both acknowledge the problems these biblical books raise and appreciate their value for contemporary theological reflection.