Living Things follows four recent graduates – Munir, G, Ernesto and �lex – who travel from Madrid to the south of France to work the grape harvest. Except things don't go as planned: they end up working on an industrial chicken farm and living on a campsite, where a general sense of menace takes hold. What follows is a compelling and incisive examination of precarious employment, capitalism, immigration and the mass production of living things, all interwoven with the protagonist’s thoughts on literature and the nature of storytelling. Genre-bending and dystopian, Living Things is a literary eco-thriller, a punk-like blend of Roberto Bolaño's The Savage Detectives and Samanta Schweblin’s Fever Dream, and heralds an exciting new voice in international fiction. 

Permafrost's no-bullshit lesbian narrator is an uninhibited lover and a wickedly funny observer of modern life. Desperate to get out of Barcelona, she goes to Brussels, 'because a city whose symbol is a little boy pissing was a city I knew I would like'; as an au pair in Scotland, she develops a hatred of the colour green. And everywhere she goes, she tries to break out of the roles set for her by family and society, chasing escape wherever it can be found: love affairs, travel, thoughts of suicide. Full of powerful, physical imagery, this prize-winning debut novel by acclaimed Catalan poet Eva Baltasar was a word-of-mouth hit in its own language. It is a breathtakingly forthright call for women's freedom to embrace both pleasure and solitude, and speaks boldly of the body, of sex, and of the self.

The Plotters meets Abundance in this modern picaresque novel, a vivid satire on social mobility where the lives of two Brazilian supermarket stock clerks are upturned after their small-time marijuana business takes off. In the favelas of Porto Alegre, Brazil, marijuana is hard to come by. Supermarket stock clerks Pedro and Marques spend their days unloading trucks, restocking shelves, and dreaming of a better life, of breaking the cycle of poverty that has afflicted their families and their community. Well-acquainted with the drug dealers in their neighborhood and seeing an opportunity to earn a little extra cash, they decide to start a weed-dealing operation.  The economic hierarchies of Porto Alegre are turned upside down as, almost accidentally, the two men build a thriving enterprise and get rich, quickly. Distribution grows from dime bags to kilos, and Pedro and Marques begin to plan for a future where low-wage work will never again be a necessity for them and their families. All too soon however, their operation starts attracting outsider attention, and cracks in their carefully crafted and seemingly untouchable world begin to show, culminating in one final, lethal showdown.   A witty, voice-driven, and electrifying portrait of poverty and a canny examination of the ethics of drug dealing and low-wage labor in the underbelly of Brazil, Pedro and Marques Take Stock is a contemporary picaresque novel of class and crime.

From Venezuelan reporter Paula Ramón comes a powerful memoir about one woman’s complicated relationship with her family as her beloved homeland collapses into ruin. In the span of a generation, oil-rich Venezuela spiraled into a dire state of economic collapse. Reporter Paula Ramón experienced the crisis firsthand as her middle-class family saw their quality of life deteriorate. Public services no longer functioned. Money lost its value. Her mother couldn’t afford to buy food, which was increasingly scarce. The once-prosperous country fell into ruin. Like many others, Ramón’s family struggled to survive each day in their beloved city, Maracaibo—until, one by one, they each made the unbearable choice to leave the home they love. In the end, it was Ramón’s mother, a widow, who stayed behind, loyal to the only home she’d ever known. In this heartbreaking mix of lived experience, family chronicle, and journalistic essay, Paula Ramón explores the anguish of her own relationships set against the staggering collapse of a country. Motherland is a uniquely human account about the ties that bind—and the fragile concept of home.

Working as a cook on a merchant ship, a woman comes to know and love Samsa, a woman who gives her the nickname 'Boulder'. When Samsa gets a job in Reykjavik and the couple decides to move there together, Samsa decides that she wants to have a child. She is already forty and can't bear to let the opportunity pass her by. Boulder is less enthused, but doesn't know how to say no - and so finds herself dragged along on a journey that feels as thankless as it is alien. With motherhood changing Samsa into a stranger, Boulder must decide where her priorities lie, and whether her yearning for freedom can truly trump her yearning for love. Once again, Eva Baltasar demonstrates her pre-eminence as a chronicler of queer voices navigating a hostile world - and in prose as brittle and beautiful as an ancient saga.

"[A] firecracker of a debut . . . Abreu's novel, in Julia Sanches's sparkling translation, is a revelation, perfectly capturing a festering summer of meltdowns and shrinking horizons." —The New York Times My Brilliant Friend meets Blue is the Warmest Color in this lyrical debut novel set in a working-class neighborhood of the Canary Islands—a story about two girls coming of age in the early aughts and a friendship that simmers into erotic desire over the course of one hot summer. High near the volcano of northern Tenerife, an endless ceiling of cloud cover traps the working class in an abject, oppressive heat. Far away from the island’s posh resorts, two girls dream of hitching a ride down to the beach and escaping their horizonless town.  It’s summer, 2005, and our ten-year-old narrator is consumed by thoughts of her best friend Isora. Isora is rude and bossy, but she’s also vivacious and brave; grownups prefer her, and boys do, too. That's why sometimes she gets jealous of Isora, who already has hair on her vagina and soft, round breasts. But she's definitely not jealous that Isora’s mother is dead, nor that Isora's fat, foul-mouthed grandmother has her on a diet, so that she is constantly sticking her fingers down her throat. Besides, she would do anything for Isora: gorge herself on cakes when her friend wants to watch, follow her to the bathroom when she takes a shit, log into chat rooms to swap dirty instant messages with strangers. But increasingly, our narrator finds it hard to keep up with Isora, who seems to be growing up at full tilt without her—and as her submissiveness veers into a painful sexual awakening, desire grows indistinguishable from intimate violence. Braiding prose poetry with bachata lyrics and the gritty humor of Canary dialect, Dogs of Summer is a story of exquisite yearning, a brutal picture of girlhood and a love song written for the vital community it portrays.

From Venezuelan reporter Paula Ramón comes a powerful memoir about one woman’s complicated relationship with her family as her beloved homeland collapses into ruin. In the span of a generation, oil-rich Venezuela spiraled into a dire state of economic collapse. Reporter Paula Ramón experienced the crisis firsthand as her middle-class family saw their quality of life deteriorate. Public services no longer functioned. Money lost its value. Her mother couldn’t afford to buy food, which was increasingly scarce. The once-prosperous country fell into ruin. Like many others, Ramón’s family struggled to survive each day in their beloved city, Maracaibo—until, one by one, they each made the unbearable choice to leave the home they love. In the end, it was Ramón’s mother, a widow, who stayed behind, loyal to the only home she’d ever known. In this heartbreaking mix of lived experience, family chronicle, and journalistic essay, Paula Ramón explores the anguish of her own relationships set against the staggering collapse of a country. Motherland is a uniquely human account about the ties that bind—and the fragile concept of home.

"Wiener has rescued an intimate story from the family archive, a story that is also the infamous history of our continent, with her trademark intelligence and irreverent humor. Her prose, sober and forward, is fresh air; her view allows us to be testimonies of Latin America's cycles of plundering and looting."--Valeria Luiselli, author of The Lost Children Archive and Tell Me How It Ends An award-winning Peruvian journalist and writer delivers her stunning English breakthrough, blending fact and fiction in an autobiographical novel that faces the legacy of colonialism through one woman's family ties to both the colonized and colonizer. Alone in a museum in Paris, Gabriela Wiener finds herself confronted by her complicated family heritage. Visiting an exhibition of pre-Columbian artifacts, she peers at countless sculptures of Indigenous faces each nearly identical to her own and recognizes herself in them - but the man responsible for pillaging them was her own great-great-grandfather, Austrian colonial explorer Charles Wiener. Wiener's "grand" contribution to history: the near rediscovery of Machu Picchu, nearly 4,000 plundered artifacts, a book about Peru, and a bastard child. In the wake of her father's death, Gabriela begins to unpack the legacy that is her birthright. From the brutal racism she encounters in her ancestor Charles's book to her father's infidelity, she traces a cycle of abandonment, jealousy and colonial violence, in turn reframing her own personal struggles with desire, love, and race. As she explores the history of two continents, her investigation brings her closer and closer to the more intimate realm where both colonizer and colonized ultimately converge- the body- and her own desire to free it. Guided by a penetrating eye and fearsome wit, Undiscovered embarks the reader on a quest to pick up the pieces of something shattered long ago in the hopes of making it whole once again. Probing wounds both personal and historical, Undiscovered is a culminating labor for our age, an earnest attempt to decolonize one's own desire. Translated by Julia Sanches

Shortlisted for the 2022 Queen Sofia Spanish Institute Translation Prize Shortlisted for the Premio Valle-Inclan prize for its translation Through war and its aftermaths, a woman fights to keep her daughters safe. Like peasants through the ages, she desperately slashes and burns in order to make a place for her children to return to. A country girl sees her village sacked and her beloved father disappeared. She is taken to the mountains to join the guerrillas, who force her to give up the baby she conceives. Surviving the rebellion, and now a woman, she sets out to find her daughter, travelling across the Atlantic with meagre resources. She returns to a community in which civilians, the militia and the ex-guerrilla fighters have to live together in a society riddled with distrust, fear and hypocrisy. Hernandez's narrators have the level gaze of ordinary women reckoning with extraordinary hardship. Denouncing the ruthless machismo of combat with quiet intelligence, Slash and Burn creates a suspenseful, slow-burning revelation of rural life in the aftermath of political trauma.

NAMED A "FALL 2020 MUST-READ" AND ONE OF THE "BEST BOOKS OF FALL 2020" BY TIME, VULTURE, THE BOSTON GLOBE, COSMOPOLITAN, WIRED, TOR AND MORE Electrifying and provocative, visceral and profound, a powerful literary debut novel about a young woman whose compulsion to eat earth gives her visions of murdered and missing people-an imaginative synthesis of mystery and magical realism that explores the dark tragedies of ordinary lives. Set in an unnamed slum in contemporary Argentina, Eartheater is the story of a young woman who finds herself drawn to eating the earth-a compulsion that gives her visions of broken and lost lives. With her first taste of dirt, she learns the horrifying truth of her mother's death. Disturbed by what she witnesses, the woman keeps her visions to herself. But when Eartheater begins an unlikely relationship with a withdrawn police officer, word of her ability begins to spread, and soon desperate members of her community beg for her help, anxious to uncover the truth about their own loved ones. Surreal and haunting, spare yet complex, Eartheater is a dark, emotionally resonant tale told from a feminist perspective that brilliantly explores the stories of those left behind-the women enduring the pain of uncertainty, whose lives have been shaped by violence and loss. Translated from the Spanish by Julia Sanches

From an emerging talent comes an exquisite collection of stories exploring the complexity of love between women, each a delicate piece in a mosaic transcending the boundaries of literary romance. Amora dares explore the way women love each other—the atrophy and healing of the female spirit in response to sexual desire and identity. These thirty-three short stories and poems, crafted with a deliberate delicacy, each capture the candid, private moments of women in love. Together, these stories and the women who inhabit them reveal an illuminating portrait of the sacred female romance, with all its nuances, complexities, burdens, and triumphs revealed. Violence, sickness, chaos, tenderness, beauty, and freedom adorn these pages in a mosaic of unforgettable moments, including a lesbian granddaughter discovering unexpected commonalities with her grandmother, a teenager’s tryst with her friend after disenchanting sex with a boy, and an old couple’s dreamy Sunday-morning ritual. Sweeping nearly every major Brazilian literary prize in 2016—including the Prêmio Jabuti and Prêmio Açorianos de Literatura—Amora has propelled Natalia Borges Polesso to the forefront of the international literary world.

Translated by Julia Sanches. 'A rich and prophetic world of women and low, grey clouds that merge with the sea. Pure poetry' Pilar Quintana 'Andrea Abreu is a lively meteorite in the landscape of Hispanic Literature' Fernanda Melchor 'I am overwhelmed. What a marvellous book, what a miracle' Sara Mesa It is June and Shit is sad. She knows she will not get to leave her neighbourhood that summer, and the beach is far, far away. And that clouds like the bottom of a donkey's belly will hover all summer over her town, high among the volcanoes of northern Tenerife. But Shit - our nine-year-old narrator - has a best friend, Isora. Shit likes everything about Isora. The colour of her arms and her hair and her eyes. Her handwriting and the way she wrote the letter g with a huge tail. The way she called her shit because poop was a beautiful thing like the mist round the pines. But she envies her too. Envies her grits and gut. The way she talks to grown ups. The fact that she had got her period and had pubes on her minky. As the summer goes on, Shit finds it increasingly hard to keep up with Isora - one year older and growing up at full tilt without her. When Shit's submissiveness veers into obsession and a painful sexual awakening, desire becomes indistinguishable from intimate violence. Braiding prose poetry with bachata lyrics and the gritty humour of Canary dialect, Dogs of Summer is a brutal picture of girlhood in the 90s and a story, told with exquisite yearning, of a friendship that simmers into erotic desire over the course of one hot summer.

"[A] firecracker of a debut . . . Abreu's novel, in Julia Sanches's sparkling translation, is a revelation, perfectly capturing a festering summer of meltdowns and shrinking horizons." -The New York Times My Brilliant Friend meets Blue is the Warmest Color in this lyrical debut novel set in a working-class neighborhood of the Canary Islands-a story about two girls coming of age in the early aughts and a friendship that simmers into erotic desire over the course of one hot summer. High near the volcano of northern Tenerife, an endless ceiling of cloud cover traps the working class in an abject, oppressive heat. Far away from the island's posh resorts, two girls dream of hitching a ride down to the beach and escaping their horizonless town. It's summer, 2005, and our ten-year-old narrator is consumed by thoughts of her best friend Isora. Isora is rude and bossy, but she's also vivacious and brave; grownups prefer her, and boys do, too. That's why sometimes she gets jealous of Isora, who already has hair on her vagina and soft, round breasts. But she's definitely not jealous that Isora's mother is dead, nor that Isora's fat, foul-mouthed grandmother has her on a diet, so that she is constantly sticking her fingers down her throat. Besides, she would do anything for Isora: gorge herself on cakes when her friend wants to watch, follow her to the bathroom when she takes a shit, log into chat rooms to swap dirty instant messages with strangers. But increasingly, our narrator finds it hard to keep up with Isora, who seems to be growing up at full tilt without her-and as her submissiveness veers into a painful sexual awakening, desire grows indistinguishable from intimate violence. Braiding prose poetry with bachata lyrics and the gritty humor of Canary dialect, Dogs of Summer is a story of exquisite yearning, a brutal picture of girlhood and a love song written for the vital community it portrays.

Translated by Julia Sanches. 'Andrea Abreu is a lively meteorite in the landscape of Hispanic Literature' Fernanda Melchor 'I am overwhelmed. What a marvellous book, what a miracle' Sara Mesa It is June and our ten-year-old heroine is sad. She knows she will not get to leave her neighbourhood that summer, and the beach is far, far away. And that clouds like the bottom of a donkey's belly will hover all summer over her town, high among the volcanoes of northern Tenerife. But she has a best friend, Isora. And she likes everything about Isora. The colour of her arms and her hair and her eyes. Her handwriting and the way she writes the letter g with a huge tail. The way she calls her Shit because poop is a beautiful thing like the mist round the pines. But she envies her too. Envies her grits and gut. The way she talks to grown-ups. The fact that she has got her period and pubes on her minky. As the summer goes on, she finds it increasingly hard to keep up with Isora - growing up at full tilt without her. When the narrator's submissiveness veers into obsession, desire becomes indistinguishable from intimate violence. Braiding prose poetry with bachata lyrics and the gritty humour of Canary dialect, Dogs of Summer is a brutal picture of girlhood in the nineties and a story of a friendship that simmers into erotic desire over the course of one hot summer.

"This book is fearless and luminous and full of grace; it travels to the edge of death and finds life there. Its attention to the particulars of love - between the ones who will go and the ones they will leave - is something close to sublime."--Leslie Jamison, author of "The Empathy Exams"A nurse sleeps at the bedside of his dying patients; a wife deceives her husband by never telling him he has cancer; a bedridden man has to be hidden from his demented and amorous eighty-year-old wife. In her poignant and genre-busting debut, Susana Moreira Marques confronts us with our own mortality and inspires us to think about what is important.Accompanying a palliative care team, Moreira Marques travels to Tras-os-Montes, a forgotten corner of northern Portugal, a rural area abandoned by the young. Crossing great distances where eagles circle over the roads, she visits villages where rural ways of life are disappearing. She listens to families facing death and gives us their stories in their words as well as through her own meditations.Brilliantly blending the immediacy of oral history with the sensibility of philosophical reportage, Moreira Marques's book speaks about death in a fresh way.Susana Moreira Marques is a writer and journalist. She was born in Oporto in 1976 and now lives in Lisbon, where she writes for "Publico" and "Jornal de Negocios." Between 2005 and 2010 Moreira Marques lived in London, working at the BBC World Service while also serving as a correspondent for Portuguese newspaper "Publico." Her journalism has won several prizes, including the Premio AMI--Jornalismo Contra a Indiferenca and the 2012 UNESCO "Human Rights and Integration" Journalism Award (Portugal).Julia Sanches's translations have appeared in "Suelta," "The Washington Review," "Asymptote," "Two Lines," and "Revista Machado," amongst others. She currently lives in New York City.

Manual basico sobre la aplicacion de propuestas nutricionales usando el indice y la carga glucemica en deportistas y personas con patologias asociadas al metabolismo de los carbohidratos. Esta guia resume ampliamente los diferentes estudios cientificos existentes sobre el tema.

Manual basico sobre el indice y la carga glucemica. Informacion y revision de las ultimas publicaciones cientificas internacionales. Definicion de los conceptos basicos sobre indice glucemico y patologias asociadas. Introduccion de un segundo libro mas clinico sobre su aplicacion en el ejercicio fisico y la salud.