Welcome to Kabul: one family, countless secrets. When Herra, a Russian-Tadjik woman, falls in love with Nadir, an Afghan, she has no idea about the life that awaits her in post-Taliban Afghanistan, nor about the family she is about to join. A grandfather who is a feminist, an adopted young boy who astounds with his intellect, and Freshta, who will do anything to run away from her abusive husband. Like the other women in the family, Herra wears a burqa and hides in a closet when guests arrive. But when she starts a new job with an American woman, Heidi, she soon realizes how little understanding Westnerners have of the way women live in Afghanistan, and still less that not everybody is waiting to be saved. Freshta is a stunning debut about conceptions of human faith in a war-stricken country. It is a deeply moving story that will make you laugh and cry at the same time, a universal tale of husbands and wives, lovers and friends, who seek happiness and acceptance against the backdrop of the unexpected events playing around them.

Traditional African narrative forms combined with European modernism.   The stories comprising The Healer, Marek Vadas’s first collection, which was originally published in 2006, are steeped in the culture, rituals, and traditions of Africa, blurring the boundaries between dream and reality and peopled with characters whose gender, shape, skin color or even memories may change at a stroke. Nevertheless, Vadas refuses to exoticize this world, and many of the stories, told in pared-down language, blend mythical elements with realistic depictions of harsh living conditions, economic deprivation, and colonial oppression. The narratives unfold from the perspective of their protagonists—children (often orphaned), and men struggling to make ends meet and trying in vain to resist the allure of strong women endowed with magic powers. As a Slovak writer focusing on the African continent, Vadas is a rare voice that helps to build bridges between very different cultures, and now his writing is introduced to the global anglophone readership.  

Andric and his girlfriend Laura have been seeing each other for a long time now but it isn't clear what each sees in the other. Self-absorbed, delusional or just a regular couple? 'Big Love is primarily a critique of contemporary society, in which the triumph of liberal democracy has increased rather than diminished the Kafkaesque aspects of life.' - Charles Sabatos.

Blanka takes a summer job at a centre for people with physical disabilities in the French city of Marseille, where her encounter with their severe conditions ends badly. A deeply unsettling, visceral tale of a young woman unravelling, evolving from carer to cared for. A novel about our own inability to escape 'our own private cages', imprisoned by fear, anxiety and mistrust, no less than indifference to others. The author: IVANA DOBRAKOVOVA (1982) graduated from Bratislava's Comenius University with a degree in English and French (translation and interpretation). She is based in Turin where she works as a freelance translator from French and Italian into Slovak, currently working on Elena Ferrante's Neapolitan novels. She debuted in 2009 with her short story collection Prva smrt v rodine (The First Death in the Family), followed by the novel Bellevue (2010). Her most recent collection of short stories Toxo appeared in 2013. She has won several literary competitions, including Poviedka 2008, and all three of her books have been shortlisted for the Anasoft Litera prize. In 2019, she was awarded the EU Prize for Literature.

Though Into the Spotlight is drawn from the work of writers from one of Europe's smallest countries, this source reveals itself to be something like a magic lamp out of which comes a multitude of subjects, themes, and styles well out of proportion to its size. Like the best writers, this anthology brilliantly balances the specific and the universal. There are stories that could have taken place anywhere-of love and hate, beauty and ugliness, illness and music-stories distinctly and intriguingly Slovak-of a devout Slovak's imprisonment in the Russian Gulag, the rough and tumble world of the country's Roma-stories from other countries and continents, and stories that seem to come from other worlds entirely-of real or imaginary doubles and surreal nocturnal circuses. -Michael Stein, Literalab, editor at BOD V

Balla is often described as "the Slovak Kafka" for his depictions of the absurd and the mundane. In the Name of the Father features a nameless narrator reflecting on his life, looking for someone else to blame for his failed relationship with his parents and two sons, his serial adultery, the breakup of his marriage and his wife's descent into madness. Against the backdrop of their stiflingly grey provincial lives, he completely fails to act against "the thing" growing in the cellar of the house he built with his brother. The book won numerous awards in Slovakia and in this edition is accompanied by three additional short stories, which share its unique dark humour, satire and truth.

Alfonz Trnovsky, a genial and respected general practitioner in Breany, a small (fictitious) town in western Slovakia, spent his whole life pretending to be radiantly happy and contented, while the reality was quite different. He turned a deaf ear to his conscience as the 20th century hurtled by: four political regimes, the Holocaust, the political trials of the 1950s, the secret police before and after the 1968 Soviet-led invasion of Czechoslovakia...and the women he loved. But whose are the bones his son accidentally stumbles on buried in the garden? As he sets out to unravel this mystery, the son discovers other skeletons in his father's cupboard. His quest includes a detour to the Prado in Madrid, where the father's favourite Goya paintings, the Black Series, are now exhibited after being removed from the walls of its original location, known as the Casa del Sordo (House of the Deaf Man).