A wise, heartfelt and powerful new novel from Julian Barnes - a book that is a balm for our times with an extraordinary woman at its heart.

We'd like to introduce you to Elizabeth Finch. We invite you to take her course in Culture and Civilisation. She will change the way you see the world.

Elizabeth Finch was a teacher, a thinker, an inspiration - always rigorous, always thoughtful. With measured empathy, she guided her students to develop meaningful ideas and to discover their centres of seriousness.

As Neil, a former student, unpacks Elizabeth's notebooks, and remembers her uniquely inquisitive mind, her passion for reason resonates through the years. Her ideas unlock the philosophies of the past, and explore key events that show us how to make sense of our lives today. And underpinning them all is the story of J - Julian the Apostate, her historical soulmate and fellow challenger to the institutional and monotheistic thinking that has always threatened to divide us.

This is more than a novel. It's a loving tribute to philosophy, a careful evaluation of history, an invitation to think for ourselves. It's a moment to reflect and to gently explore our own theories and assumptions. It is truly a balm for our times.

The Sunday Times Bestseller from the Winner of the Booker Prize She will change the way you see the world . . . 'I'll remember Elizabeth Finch when most other characters I've met this year have faded' The Times Elizabeth Finch was a teacher, a thinker, an inspiration. Neil is just one of many who fell under her spell during his time in her class. Tasked with unpacking her notebooks after her death, Neil encounters once again Elizabeth's astonishing ideas on the past and on how to make sense of the present. But Elizabeth was much more than a scholar. Her secrets are waiting to be revealed . . . and will change Neil's view of the world forever. 'Enthralling . . . A connoisseur and master of irony himself, [Barnes] fills this book with instances of its exhilarating power' Sunday Times 'A lyrical, thoughtful and intriguing exploration of love, grief and the collective myths of history' Booklist

*SHORTLISTED FOR THE COSTA BOOK AWARDS 2020* 'A bravura performance, highly entertaining' Evening Standard The Booker Prize-winning author of The Sense of an Ending takes us on a rich, witty tour of Belle Epoque Paris, via the life story of the pioneering surgeon Samuel Pozzi. In the summer of 1885, three Frenchmen arrived in London for a few days' shopping. One was a Prince, one was a Count, and the third was a commoner, who four years earlier had been the subject of one of John Singer Sargent's greatest portraits. The commoner was Samuel Pozzi, society doctor, pioneer gynaecologist and free-thinker - a scientific man with a famously complicated private life. Pozzi's life played out against the backdrop of the Parisian Belle Epoque. The beautiful age of glamour and pleasure more often showed its ugly side: hysterical, narcissistic, decadent and violent, with more parallels to our own age than we might imagine. **SHORTLISTED FOR THE DUFF COOPER PRIZE 2019**

'A masterpiece... I would urge you to read - and re-read ' Daily Telegraph **Winner of the Man Booker Prize for Fiction 2011** Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they all swore to stay friends for life. Now Tony is retired. He's had a career and a single marriage, a calm divorce. He's certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises, as a lawyer's letter is about to prove. Now a major film

Amours de Voyage (1849) is a novel in verse and is arranged in five cantos, or chapters, as a sequence of letters. It is about a group of English travellers in Italy: Claude, and the Trevellyn family, are caught up in the 1849 political turmoil. The poem mixes the political ('Sweet it may be, and decorous, perhaps, for the country to die; but,/On the whole, we conclude the Romans won't do it, and I sha'n't') and the personal ('After all, do I know that I really cared so about her?/Do whatever I will, I cannot call up her image'). The political is important - hence the Persephone edition reproduces nine London Illustrated News drawings of the battlefront - but the personal dilemmas are the crucial ones. Claude, about to declare himself, retreats, then regrets his failure to speak. It is this retreat, his scruples and fastidiousness, that, like a conventional novel, is the core of Amours de Voyage. The poem thus contributed something important to the modern sensibility; it is a portrait of an anti-hero; it is about love and marriage (the difficulties of); and it is about Italy. Clough wrote to his mother: 'St Peter's disappoints me: the stone of which it is made is a poor plastery material; and indeed, Rome in general might be called a rubbishy place - The weather has not been very brilliant.' As Julian Barnes points out in his new Persephone Preface: 'If you want a one-word introduction to the tone, sensibility and modernity of Arthur Hugh Clough, you have it in that single, italicised (by him, not me) word: rubbishy.' Clough was unimpressed by Rome and so is his hero, Claude, 'a very unGrand Tourist'. 'What his friend Arnold perceived to be the weaknesses of Clough's poetry,' continues Julian Barnes, 'are precisely what over time have come to seem its strengths - a prosey colloquiality which at times verges on awkwardness, a preference for honesty and sarcasm over suavity and tact, a direct criticism of modern life, a naming of things as themselves. It is absolutely contemporary...It is also a highly contemplative and argumentative poem, about history, civilisation and the individual's duty to act. And it is, as the title tells us, a love story - or, this being Clough, a sort of modern, near-miss, almost-but-not-quite love story ( I am in love you say; I do not think so, exactlyA") with mismatching, misunderstanding, tortuous self- searching, and a mad, hopeful, hopeless pursuit leading us to a kind of ending.'

**THE SUNDAY TIMES BESTSELLER** Would you rather love the more, and suffer the more; or love the less, and suffer the less? That is, I think, finally, the only real question. First love has lifelong consequences, but Paul doesn't know anything about that at nineteen. At nineteen, he's proud of the fact his relationship flies in the face of social convention. As he grows older, the demands placed on Paul by love become far greater than he could possibly have foreseen. Tender and wise, The Only Story is a deeply moving novel by one of fiction's greatest mappers of the human heart.

'BARNES'S MASTERPIECE' - OBSERVER In May 1937 a man in his early thirties waits by the lift of a Leningrad apartment block. He waits all through the night, expecting to be taken away to the Big House. Any celebrity he has known in the previous decade is no use to him now. And few who are taken to the Big House ever return. 'Stunning' Sunday Times 'A profound meditation on power and the relationship of art and power... It is a masterpiece of sympathetic understanding... I don't think Barnes has written a finer, more truthful or more profound book' Scotsman 'A tour de force by a master novelist at the top of his game' Daily Express

Geoffrey Braithwaite is a retired doctor haunted by an obsession with the great French literary genius, Gustave Flaubert. As Geoffrey investigates the mystery of the stuffed parrot Flaubert borrowed from the Museum of Rouen to help research one of his novels, we learn an enormous amount about the writer's work, family, lovers, thought processes, health and obsessions. But we also gradually come to learn some important and shocking details about Geoffrey himself.

'As a mayor, I am responsible for the upkeep of rural roads; as poet, I prefer to see them neglected.' Jules Renard was a French literary figure of the late nineteenth century. Not a Parisian but a committed countryman, he was elected mayor in 1904 of the tiny village of Citry-le-Mines in a remote part of northern Burgundy. He had the soul of a rustic bourgeois but the ambition of a metropolitan, and his wife's money allowed him to move in elevated circles, though he seemed an awkward customer, a badger, and looked like one. He wrote fiction, journalism and drama, very successfully, but the Journal is Renard's masterpiece, the least categorizable work of the French fin de siecle. The Journal constitutes a profusion of entries, without stitching or pattern: mordant reflections on style, literature and theatre; portraits of family, friends and the Parisian literary scene; quasi-ethnographical observations on village life and notations of the natural world which are unlike anything except themselves. Samuel Beckett spoke of Renard in the same breath as Proust and Celine, wrote of the Journal that 'for me it is as inexhaustible as Boswell ' and believed his style was learnt from despair. Gide said the Journal was 'not a river but a distillery'. Sartre wrote that 'He invented the literature of silence'. But above all it is a moving and splintery piece of self-scrutiny. Julian Barnes has admired the Journal for many years and has made this new selection from the twelve hundred page Pleiade edition. Theo Cuffe's translation will help bring this fierce judge of human foibles to a new generation of readers.

**THE SUNDAY TIMES BESTSELLER** Would you rather love the more, and suffer the more; or love the less, and suffer the less? That is, I think, finally, the only real question. First love has lifelong consequences, but Paul doesn't know anything about that at nineteen. At nineteen, he's proud of the fact his relationship flies in the face of social convention. As he grows older, the demands placed on Paul by love become far greater than he could possibly have foreseen. Tender and wise, The Only Story is a deeply moving novel by one of Britain's greatest mappers of the human heart.

The first authorised selected collection of the twentieth-century's most influential short story writer. SELECTED AND INTRODUCED BY JULIAN BARNES Winner of the Pulitzer Prize and the National Book Award, John Cheever - variously referred to as 'Ovid in Ossining' and the 'Chekhov of the suburbs' - forever altered the landscape of contemporary literature. In a career that spanned nearly fifty years, his short stories, often published in the New Yorker, gave voice to the repressed desires and smouldering disappointments of 1950s America as it teetered on the edge of spiritual awakening and sexual liberation in the ensuing Sixties. Up until now, John Cheever's stories have only been available in Collected Stories, but with Julian Barnes' selection we have the first fully authorised introduction to Cheever's work. Satirical, fantastical, sad and transcendent, these are stories that speak directly to the heart of human experience, and remain a testament to the wit and vision of one of the most important and influential short story writers of the twentieth century.

Alphonse Daudet was a highly popular nineteenth-century French novelist, whose work radiated humour and good cheer. Few knew that for his entire adult life he suffered from syphilis, a disease both unmentionable and incurable at the time. What even fewer realised was that he kept an intimate notebook in which he recorded the development and terrifying effects of the disease. Describing a life in pain, and the sometimes alarming treatments he underwent, Daudet's journal is unique for its comic zest, lucid self-examination and stoicism. Translated by the Booker Prize-winning writer Julian Barnes.

Ford Madox Ford's great masterpiece exploring love and identity during the First World War, in a Penguin Classics edition with an introduction by Julian Barnes. A masterly novel of destruction and regeneration, Parade's End follows the story of aristocrat Christopher Tietjens as his world is shattered by the First World War. Tracing the psychological damage inflicted by battle, the collapse of England's secure Edwardian values - embodied in Christopher's wife, the beautiful, cruel socialite Sylvia - and the beginning of a new age, epitomized by the suffragette Valentine Wannop, Parade's End is an elegy for both the war dead and the passing of a way of life. 'The finest English novel about the Great War' Malcolm Bradbury 'The best novel by a British writer ... It is also the finest novel about the First World War. It is also the finest novel about the nature of British society' Anthony Burgess 'There are not many English novels which deserve to be called great: Parade's End is one of them' W.H. Auden 'The English prose masterpiece of the time' William Carlos Williams

The Man Booker Prize-winning author of The Sense of an Ending takes us on a rich, witty tour of Belle Epoque Paris, via the life story of the pioneering surgeon Samuel Pozzi. In the summer of 1885, three Frenchmen arrived in London for a few days' shopping. One was a Prince, one was a Count, and the third was a commoner with an Italian name, who four years earlier had been the subject of one of John Singer Sargent's greatest portraits. The three men's lives play out against the backdrop of the Belle Epoque in Paris. The beautiful age of glamour and pleasure more often showed its ugly side: hysterical, narcissistic, decadent and violent, a time of rampant prejudice and blood-and-soil nativism, with more parallels to our own age than we might imagine. Our guide through this world is Samuel Pozzi, society doctor, pioneer gynaecologist and free-thinker, a rational and scientific man with a famously complicated private life. Witty, surprising and deeply researched, The Man in the Red Coat illuminates the fruitful and longstanding exchange of ideas between Britain and France, and makes a compelling case for keeping that exchange alive.

You put together two things that have not been put together before. And the world is changed... In Levels of Life Julian Barnes gives us Nadar, the pioneer balloonist and aerial photographer; he gives us Colonel Fred Burnaby, reluctant adorer of the extravagant Sarah Bernhardt; then, finally, he gives us the story of his own grief, unflinchingly observed. This is a book of intense honesty and insight; it is at once a celebration of love and a profound examination of sorrow. **ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY**

When it comes to death, is there ever a best case scenario? In this disarmingly witty book, Julian Barnes confronts our unending obsession with the end. He reflects on what it means to miss God, whether death can be good for our careers and why we eventually turn into our parents. Barnes is the perfect guide to the weirdness of the only thing that binds us all. Selected from the book Nothing to be Frightened Of by Julian Barnes VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS. A series of short books by the world's greatest writers on the experiences that make us human Also in the Vintage Minis series: Calm by Tim Parks Drinking by John Cheever Babies by Anne Enright Psychedelics by Aldous Huxley

NATIONAL BESTSELLER
A "NEW YORK TIMES" BEST BOOK OF THE YEAR
A memoir on mortality as only Julian Barnes can write it, one that touches on faith and science and family as well as a rich array of exemplary figures who over the centuries have confronted the same questions he now poses about the most basic fact of life: its inevitable extinction. If the fear of death is "the most rational thing in the world," how does one contend with it? An atheist at twenty and an agnostic at sixty, Barnes looks into the various arguments for, against, and "with" God, and at his own bloodline, which has become, following his parents' death, another realm of mystery.
Deadly serious, masterfully playful, and surprisingly hilarious, "Nothing to Be Frightened Of "is a riveting display of how this supremely gifted writer goes about his business and a highly personal tour of the human condition and what might follow the final diagnosis.

Winner of the 2011 Man Booker Prize
One of "The Atlantic"'s Best Books I Read This Year
A novel so compelling that it begs to be read in a single setting, "The Sense of an Ending" has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning new chapter in Julian Barnes's oeuvre.
This intense novel follows Tony Webster, a middle-aged man, as he contends with a past he never thought much about--until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. Tony thought he left this all behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.

A new edition of the Booker Prize winner Penelope Fitzgerald's best-loved novel of romance in post-war Italy, with a new introduction by Julian Barnes. The Ridolfis are a Florentine family of long lineage and little money. It is 1955, and the family, like its decrepit villa and farm, has seen better days. Only eighteen-year-old Chiara shows anything like vitality. Chiara has set her heart on Salvatore, a young and brilliant doctor who resolved long ago to be emotionally dependent on no one. Faced with this, she calls on her English girlfriend Barney to help her make the impossible match...