Madame de Pompadour's famous quip, "Apres nous, le deluge," serves as fitting inspiration for this lively discussion of postwar French intellectual and cultural life. Over the past thirty years, North American and European scholarship has been significantly transformed by the absorption of poststructuralist and postmodernist theories from French thinkers. But Julian Bourg's seamlessly edited volume proves that, historically speaking, French intellecutal and cultural life since World War Two has involved much more than a few infamous figures and concepts. Motivated by a desire to narrate and contextualize the deluge of "French theory," After the Deluge showcases recent work by today's brightest scholars of French intellectual history that historicizes key debates, figures, and turning points in the postwar era of French thought. Relying on primary and archival sources, contributors examine, among other themes: left-wing critiques of the Left, the internationalizing of thought, the institutional and affective conditions of cultural life, and the religious imagination. They revive neglected debates and figures, and they explore the larger impact of political quarrels. In an afterword, preeminent French historian Francois Dosse heralds the arrival of a new generation, a historiographical sensibility that brings fresh, original perspectives and a passion for French history to the contemporary French intellectual arena. After the Deluge adds significant depth and breadth to our understanding of postwar French intellectual and cultural history.

Madame de Pompadour's famous quip, 'Apr_s nous, le deluge,' serves as fitting inspiration for this lively discussion of postwar French intellectual and cultural life. Over the past thirty years, North American and European scholarship has been significantly transformed by the absorption of poststructuralist and postmodernist theories from French thinkers. But Julian Bourg's seamlessly edited volume proves that, historically speaking, French intellecutal and cultural life since World War Two has involved much more than a few infamous figures and concepts. Motivated by a desire to narrate and contextualize the deluge of 'French theory,' After the Deluge showcases recent work by today's brightest scholars of French intellectual history that historicizes key debates, figures, and turning points in the postwar era of French thought. Relying on primary and archival sources, contributors examine, among other themes: left-wing critiques of the Left, the internationalizing of thought, the institutional and affective conditions of cultural life, and the religious imagination. They revive neglected debates and figures, and they explore the larger impact of political quarrels. In an afterword, preeminent French historian Fran_ois Dosse heralds the arrival of a new generation, a historiographical sensibility that brings fresh, original perspectives and a passion for French history to the contemporary French intellectual arena. After the Deluge adds significant depth and breadth to our understanding of postwar French intellectual and cultural history.

From the mid-1960s to the early 1970s, revolutions in theory, politics, and cultural experimentation swept around the world. These changes had as great a transformative impact on the right as on the left. A touchstone for activists, artists, and theorists of all stripes, the year 1968 has taken on new significance for the present moment, which bears certain uncanny resemblances to that time. The Long 1968 explores the wide-ranging impact of the year and its aftermath in politics, theory, the arts, and international relations and its uses today."

"Complications: Communism and the Dilemmas of Democracy" ties together the central concerns of the work of Claude Lefort over the past half-century. A pivotal figure in French thought, Lefort studied under Maurice Merleau-Ponty, cofounded with Cornelius Castoriadis the influential journal "Socialisme ou Barbarie," and famously engaged in a heated debate with Jean-Paul Sartre over the Soviet Union and Communist parties in the West. He has influenced generations of political thinkers and throughout his career has offered invaluable leftist, non-communist critiques of both liberalism and Communism.

It is the prevailing belief that the death of communism was a victory for liberal democracy. In "Complications," however, Lefort challenges this interpretation and provides new ways of understanding the rise and fall of the Soviet Union and the Communist phenomenon. Lefort engages the work of prominent historians Martin Malia and FranAois Furet and shows how their emphasis on "illusion" and ideology led to their failure to understand the logic and workings of the Communist Party, and its impact on Soviet society, and the reasons why so many in the West had Communist sympathies. He also maintains that those who regard the end of Communism as the triumph of markets and "freedom" restrict the scope of democratic thought and the possibility of greater social equality.

Lefort contends that Communism must be seen as part of a larger history of modernity and believes that the diagnosis of its death is dangerous to the future of democracy. In the tradition of Hannah Arendt and Raymond Aron, Lefort complicates the pieties of historical understanding and offers a new approach to thinking abouttotalitarianism and a more vital democracy.

From the mid-1960s to the early 1970s, revolutions in theory, politics, and cultural experimentation swept around the world. These changes had as great a transformative impact on the right as on the left. A touchstone for activists, artists, and theorists of all stripes, the year 1968 has taken on new significance for the present moment, which bears certain uncanny resemblances to that time. The Long 1968 explores the wide-ranging impact of the year and its aftermath in politics, theory, the arts, and international relations and its uses today."