"The dynamism of the images and the inventive sequencing make this not just a book of great photographs, but a great photography book full of energy and verve." "... a fitting tribute to [Shapiro's] legacy" - B&W Photography Famed photojournalist Steve Schapiro and his son Theophilus Donoghue have collaborated on seventy thirty, a photo project that is 70% Schapiro, 30% Donoghue. Seventy thirty depicts the various faces and expressions of humanity, from metropolitans to migrants, unseen homeless to conspicuous celebrities, such as Alec Guinness, Allen Ginsberg, Muhammad Ali, Robert De Niro, Rene Magritte, Janis Joplin, Andy Warhol, and the Velvet Underground. Schapiro photographs early New York skateboarders while Donoghue documents current Colombian breakdancers. Father and son both capture philosophically poignant moments that rouse reflection. Schapiro includes his classic photo "Man on Iceberg," which was the opening double-page spread of a Life story on existentialism. In a similar fashion, Donoghue contributes his contemplative "Hindsight Intersection," which was recently featured in ARTSY's 20 21 Artists in Support of Human Rights Watch benefit auction. Shooting in monochrome with an occasional dash of colour, Schapiro and Donoghue portray the proud and lofty as well as the humble and humorous. Alternately profound and playful, Schapiro and Donoghue's photographs capture a vast range of human emotion and experience. Like his father, Donoghue is equally concerned with social justice issues. For this project, Schapiro has selected images from the 60s civil rights movement and, with Donoghue, provided photos from today's Black Lives Matter protests and environmental rallies. Apart from numerous stateside locations, their project includes images from India, Italy, Nicaragua, Panama, Costa Rica, Colombia, and Ecuador. Together father and son provide a touching overview of humanity throughout the world from the 1950s to present day.

The direct action social protest movement of the 1950s and 1960s resulted in sit-ins, marches, and other showdowns with armed police officers and National Guardsmen. Trained in Dr. Martin Luther King Jr.'s methods of nonviolence, young black men and women took to the streets to fight for their civil rights and sparked a social revolution. Thousands of acts of courage were undertaken in the pursuit of freedomNacts that were often photographed, leaving behind a disquieting visual record of this violent and tumultuous period in American history. Road to Freedom: Photographs of the Civil Rights Movement, 1956-1968 is the most significant exhibition of civil rights photographs presented in an art museum in more than twenty years. These images were taken by many photographers-photojournalists, artists, movement photographers, and amateurs alike-all of whom seem to have had a keen understanding of the significance of their subject. This publication presents a narrative of some of the key moments of the civil rights movement, including the Freedom Rides of 1961, the Birmingham hosings of 1963, and the Selma to Montgomery March of 1965. These are the unforgettable images that helped to change the nation, increasing the momentum of the nonviolent movement by dramatically raising awareness of injustice and the struggle for equality. Julian Cox is curator of photography at the High Museum of Art, Atlanta. Charles Johnson's most recent fiction publication is Dr. King's Refrigerator and Other Bedtime Stories. He is the S. Wilson and Grace M. Pollock Professor of Writing at the University of Washington. John Lewis is a member of the U.S. House of Representatives and was a leader in the American civil rights movement."

The first comprehensive overview of an influential American photographer and filmmaker whose work is known for its intimacy and social engagement Coming of age in the 1960s, the photographer Danny Lyon (b. 1942) distinguished himself with work that emphasized intimate social engagement. In 1962 Lyon traveled to the segregated South to photograph the civil rights movement. Subsequent projects on biker culture, the demolition and redevelopment of lower Manhattan, and the Texas prison system, and more recently on the Occupy movement and the vanishing culture in China's booming Shanxi Province, share Lyon's signature immersive approach and his commitment to social and political issues that concern those on the margins of society. Lyon's photography is paralleled by his work as a filmmaker and a writer. Danny Lyon: Message to the Future is the first in-depth examination of this leading figure in American photography and film, and the first publication to present his influential bodies of work in all media in their full context. Lead essayists Julian Cox and Elisabeth Sussman provide an account of Lyon's five-decade career. Alexander Nemerov writes about Lyon's work in Knoxville, Tennessee; Ed Halter assesses the artist's films; Danica Willard Sachs evaluates his photomontages; and Julian Cox interviews Alan Rinzler about his role in publishing Lyon's earliest works. With extensive back matter and illustrations, this publication will be the most comprehensive account of this influential artist's work. Published in association with the Fine Arts Museums of San Francisco Exhibition Schedule: Whitney Museum of American Art (06/17/16-09/25/16) de Young, Fine Arts Museums of San Francisco (11/05/16-03/12/17) Fotomuseum Winterthur (05/20/17-08/27/17) C/O Berlin Foundation (09/15/17-12/10/17)

Systems development is the process of creating and maintaining information systems, including hardware, software, data, procedures and people. It combines technical expertise with business knowledge and management skill. This practical book provides a comprehensive introduction to the topic and can also be used as a handy reference guide. It discusses key elements of systems development and is the only textbook that supports the BCS Certificate in Systems Development.

Controversy and Hope commemorates the civil rights legacy of James Karales (1930-2002), a professional photojournalist who documented the 1965 Selma to Montgomery March for Voting Rights with a dedication and vision that led the New York Times to deem his work "a pictorial anthem of the civil rights movement."
Equipped with ambition and a B.F.A. in photography from Ohio University in 1955, Karales headed to New York and found work as a darkroom assistant to master photographer W. Eugene Smith. Karales's earliest photo-essays had already come to the attention of Edward Steichen, curator of photography at the Museum of Modern Art in New York, which acquired two of Karales's photographs from his series on the Greek American community of Canton, Ohio. Another early photo-essay, on the integrated mining community of Rendville, Ohio, was featured in Karales's first solo exhibition, held in 1958 at Helen Gee's Limelight gallery in Greenwich Village. From 1960 to 1971, Karales worked as a staff photographer for Look magazine, traveling the world during a time of dynamic social change and recording the harsh realities he witnessed at home and abroad.
By the time Karales documented the fifty-four-mile voting-rights march from Selma to Montgomery, Alabama, in 1965 he had already developed a strong relationship with its most prominent leader, Dr. Martin Luther King Jr., and had been granted unprecedented access to the King family. That connection translated into a powerful empathy in the photographs that still resonates for viewers today.
The Village Voice described Karales's civil rights work as bearing "the weight of history and the grace of art." Controversy and Hope presents many of Karales's images from the era, including some photographs published here for the first time. Julian Cox, with the assistance of Rebekah Jacob and Monica Karales, has selected a bold representation of Karales's photographs, augmenting his visual legacy with biographical information and personal recollections. Civil rights leader Andrew Young, who appears in some of Karales's photographs, has provided a foreword to the volume.