Mihai Olos (1940-2015) was one of the most prominent Romanian artists of the 1970s. Being interested in various media - painting, sculpture, happenings, Land Art, and even literature - he developed a coherent conceptual system of modular morphologic structures (knots), ultimately leading him to his utopian project, the “universal city� of Olospolis. This monograph is published as a follow-up to the exhibition The Ephemerist. A Mihai Olos Retrospective, organised by the National Museum of Contemporary Art - MNAC Bucharest in 2016. The publication compiles a representative selection of artworks, photographs from the artist’s archive, which are being published for the first time, and essays on the oeuvre and life of Mihai Olos.

Mihai Olos (1940-2015) was one of the most prominent Romanian artists of the 1970s. Being interested in various media - painting, sculpture, happenings, Land Art, and even literature - he developed a coherent conceptual system of modular morphologic structures (knots), ultimately leading him to his utopian project, the “universal city� of Olospolis. This monograph is published as a follow-up to the exhibition The Ephemerist. A Mihai Olos Retrospective, organised by the National Museum of Contemporary Art - MNAC Bucharest in 2016. The publication compiles a representative selection of artworks, photographs from the artist’s archive, which are being published for the first time, and essays on the oeuvre and life of Mihai Olos.

Inverted Baroque, Mirrored Landscapes Oberschwaben (Upper Swabia), between the Black Forest, Lake Constance and the Allgäu, offers a richness of Baroque architecture and picturesque rolling landscapes. Axel Hütte’s images are not intended as portrayals of a cultural landscape and its history. They are photographic images, but not necessarily photographically realistic images. They are, collectively, titled Reflexio. Hütte works with the inversion of the colour spectrum, the reflection of the pictorial space. The photographer’s interventions in the realistic image are a radical transformation of what the eye initially registered, they contradict experience; negate customary perception. Instead, they are an autonomous aesthetic construct and reveal a different side of reality. The two themes in these works—“Baroque� and “landscape�—thus become equivalent tools for thoroughly investigating pictorial realities.