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111 Places in Liverpool That You Shouldn't Miss (Paperback): Peter De Figueiredo, Julian Treuherz 111 Places in Liverpool That You Shouldn't Miss (Paperback)
Peter De Figueiredo, Julian Treuherz
R333 Discovery Miles 3 330 Ships in 12 - 17 working days

Liverpool's unique history as an international port and a cultural melting pot has given it a character all its own. The city has produced music that conquered the world and is home to more historic buildings than any other British metropolis outside London. It features two magnificent cathedrals and many world famous museums. But beyond its renowned exterior, is an eclectic assortment of places hidden and unknown. This deliciously offbeat guidebook will lead you to a different Liverpool: down tunnels, up skyscrapers, and into secret bars, speciality shops, and disused factories. You will see Balenciaga trainers and vintage planes, rolling bridges and disappearing statues, Liver birds and celebrity suitcases, home-baked cakes and cast-iron churches. Stroll under the palms in a magical glasshouse, explore a 1950s kitchen or a museum of false teeth. Relax in a hip tea bar with over 50 varieties of tea (loose leaf naturally). Marvel at the world's most expensive book or largest brick building (27 million bricks!). Go underground to explore a network of mysterious tunnels or a perfectly preserved World War II bunker. Drink in a prison cell, picnic in a graveyard, or stay in the hotel where Winston Churchill and Bob Dylan were guests. Think you know Liverpool? Think again! Whether you're a long-time local, a first-time tourist, or a repeat visitor, prepare to be charmed and intrigued by 111 eccentric and unusual spots you'd never expect to find in the city best known for football and the Fab Four.

Art and Architecture of Sicily (Hardcover): Julian Treuherz Art and Architecture of Sicily (Hardcover)
Julian Treuherz
R1,084 Discovery Miles 10 840 Ships in 12 - 17 working days

Art and Architecture of Sicily is the first book to cover the rich artistic heritage of Sicily from prehistory up to the late 20th century. Sicily’s strategic position in the centre of the Mediterranean led to settlement or conquest by a succession of different peoples – Phoenicians, Greeks, Romans, Byzantines, Muslims, Normans, Germans, French, Spanish – each one leaving its traces on Sicilian culture. The book provides a chronological survey, each section opening with a brief historical overview which is followed with an authoritative and engaging account of the development of the period’s art and architecture. The leading architects, artists and stylistic currents are all discussed and outstanding individual buildings and works of art are analysed, some famous, others which may be unfamiliar to readers. While architecture is the principal starting point for the understanding of each period, paintings and sculpture are treated in some detail; archaeology, urban development, patronage and decorative arts are also covered. The development of art and architecture in Sicily not interpreted as a story of artistic conquests, but as one of acculturation and creative transformation. The author instead reveals that successive layering of different cultures, and the way each one interacted with its predecessors produced art and architecture quite distinct from anywhere else in Europe. He thus challenges the commonly held view that Sicilian art and architecture is provincial and derivative, merely imitating the art of others.

The Railway - Art in the Age of Steam (Hardcover, Hardcover): Ian Kennedy, Julian Treuherz The Railway - Art in the Age of Steam (Hardcover, Hardcover)
Ian Kennedy, Julian Treuherz; Contributions by Matthew Beaumont, Michael Freeman
R1,223 Discovery Miles 12 230 Ships in 12 - 17 working days

A fascinating account of how the railway influenced more than a century of art in Europe and America Steam locomotives gripped the imagination when they first appeared in 19th-century Europe and America. Aboard these great machines, passengers traveled at faster speeds than ever before while watching the scenery transform itself and take on new forms. Common notions of time and space were forever changed. Through vivid illustrations and engaging texts, The Railway: Art in the Age of Steam captures both the fear and excitement of early train travel as it probes the artistic response to steam locomotion within its social setting. Featuring paintings, photography, prints, and posters, the book includes numerous masterpieces by 19th- and 20th-century artists, including J. M. W. Turner, Claude Monet, Camille Pissarro, Charles Sheeler, and Edward Hopper. With its wide variety of themes-landscape painting, the conquest of the West, Impressionism, issues of social class, Modernism, the aesthetics of the machine, and environmental concerns-this work promises an exhilarating journey for both train and art enthusiasts and for anyone interested in one of the industrial age's defining achievements. Published in association with The Nelson-Atkins Museum of Art, Kansas City, and Walker Art Gallery, National Museums Liverpool Exhibition Schedule: Walker Art Gallery, National Museums Liverpool (April 18 - August 10, 2008) The Nelson-Atkins Museum of Art, Kansas City (September 13, 2008 - January 18, 2009)

Victorian Painting (Paperback): Julian Treuherz Victorian Painting (Paperback)
Julian Treuherz
R698 R620 Discovery Miles 6 200 Save R78 (11%) Ships in 10 - 15 working days

The personalities and careers of Victorian artists, and their social and intellectual context, are explored in this account, which aims to reveal how they blended foreign influences with the native British tradition. The range of artistic production in the Victorian age included history painting; topographical landscapes of the Continent and the Middle East; Landseer's royal portraits and heroic animal pictures; Pre-Raphaelite painting with its combined naturalism and symbolism; Leighton's classical mythologies; and Frith's popular depictions of the leisured middle classes. Amid this great variety of styles and emphasis, influential critics such as Ruskin dictated that art should be morally uplifting, an orthodoxy challenged by Whistler, Sickert, Steer and their fellows among the "London Impressionists".

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