This critical introduction to consumption and its geographies provides an engaged summary of the consumption literature and demonstrates that consumption is intimately related to the production of space in everyday life.

In Geographies of Consumption Juliana Mansvelt provides readers with a detailed explanation of political-economic and social-cultural perspectives on consumption at different scales. She opens with overview chapters on the history and conceptualisation of consumption and moves on to thematic chapters on consumption spaces; the body and identity; commodity chains; globalization commercial cultures.

The text is illustrated throughout with comparative case study-material and features boxes and annotated notes for further reading.

A review of consumption from a spatial perspective, this critical analysis of the key debates is the first synoptic overview in the geographic literature. Geographies of Consumption will be widely used in modules in economic and social geography, and should be the core text for those with a focus on consumption

This volume draws together three connected strands of research dealing with landscapes, lifecourses and mobilities, and will be of interest to social and cultural geographers and those in allied social science fields, particularly those with interests in the circulation of people and policy at a number of scales and locations. Landscapes might be considered to be a very mainstream geographical theme, though we treat them in an adventurous way by concentrating on infrastructure and ideology, art and resistance, as well as through a more mainstream exploration of multifunctional landscapes. Attention to diverse aspects of the lifecourse allows us to understand the social, spatial and structural complexities which characterise social relationships from birth to death. Mobilities, likewise, provide an opportunity to draw on some concepts from contemporary social and cultural geography relating to the movement of people and ideas over time and across space. Although much of the substantive content has a New Zealand and Australian orientation, it is presented in a way that engages with broader international literatures.