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This book explores the transmedial nature of the storyworlds
created by and/or affiliated with television auteur, writer, and
filmmaker, Joss Whedon. As such, the book addresses the ways in
which Whedon's storyworlds, or 'verses, employ transmedia, both
intrinsically as texts and extrinsically as these texts are
consumed and, in some cases, reworked, by audiences. This
collection walks readers through fan and scholar-fan engagement,
intrinsic textual transmediality, and Whedon's lasting influence on
televisual and transmedia texts. In closing, the editors argue for
the need to continue research into how the Whedonverse(s) lend
themselves to transmedial study, engage audiences in ways that take
advantage of multiple media, and encourage textual internalization
of these engagements within audiences.
This book explores the transmedial nature of the storyworlds
created by and/or affiliated with television auteur, writer, and
filmmaker, Joss Whedon. As such, the book addresses the ways in
which Whedon's storyworlds, or 'verses, employ transmedia, both
intrinsically as texts and extrinsically as these texts are
consumed and, in some cases, reworked, by audiences. This
collection walks readers through fan and scholar-fan engagement,
intrinsic textual transmediality, and Whedon's lasting influence on
televisual and transmedia texts. In closing, the editors argue for
the need to continue research into how the Whedonverse(s) lend
themselves to transmedial study, engage audiences in ways that take
advantage of multiple media, and encourage textual internalization
of these engagements within audiences.
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