Running from 1990 to 1999, the annual OutWrite conference played a pivotal role in shaping LGBTQ literary culture in the United States and its emerging canon. OutWrite provided a space where literary lions who had made their reputations before the gay liberation movement—like Edward Albee, John Rechy, and Samuel R. Delany—could mingle, network, and flirt with a new generation of emerging queer writers like Tony Kushner, Alison Bechdel, and Sarah Schulman.    This collection gives readers a taste of this fabulous moment in LGBTQ literary history with twenty-seven of the most memorable speeches from the OutWrite conference, including both keynote addresses and panel presentations. These talks are drawn from a diverse array of contributors, including Allen Ginsberg, Judy Grahn, Essex Hemphill, Patrick Califia, Dorothy Allison, Allan Gurganus, Chrystos, John Preston, Linda Villarosa, Edmund White, and many more.    OutWrite offers readers a front-row seat to the passionate debates, nascent identity politics, and provocative ideas that helped animate queer intellectual and literary culture in the 1990s. Covering everything from racial representation to sexual politics, the still-relevant topics in these talks are sure to strike a chord with today’s readers.

Award-winning women scholars from nontraditional backgrounds have often negotiated an academic track that leads through figurative--and sometimes literal--minefields. Their life stories offer inspiration, but also describe heartrending struggles and daunting obstacles. Reshaping Women's History presents autobiographical essays by eighteen accomplished scholar-activists who persevered through poverty or abuse, medical malpractice or family disownment, civil war or genocide. As they illuminate their own unique circumstances, the authors also address issues all-too-familiar to women in the academy: financial instability, the need for mentors, explaining gaps in resumes caused by outside events, and coping with gendered family demands, biases, and expectations. Eye-opening and candid, Reshaping Women's History shows how adversity, and the triumph over it, enriches scholarship and spurs extraordinary efforts to affect social change. Contributors: Frances L. Buss, Nupur Chaudhuri, Lisa DiCaprio, Julie R. Enszer, Catherine Fosl, Midori Green, La Shonda Mims, Stephanie Moore, Grey Osterud, Barbara Ransby, Linda Reese, Annette Rodriguez, Linda Rupert, Kathleen Sheldon, Donna Sinclair, Rickie Solinger, Pamela Stewart, Waaseyaa'sin Christine Sy, and Ann Marie Wilson.

"Great essayists give gifts of reflection, contemplation, and surprising revelations. Julie Enszer delivers essays like cool drinks of water, sipping on community building, home-making, coming out, sex, politics and change from 1994 to 2012. With a Midwestern lesbian point of view, Julie shows us who are, who we can be, and where we are going. Drink up her words and be refreshed for the journeys to freedom, liberation and social justice." Sue Hyde Author, Come Out & Win

Poetry. LGBT Studies. "If we ever forgot that sisterhood is powerful, Julie R. Enszer's poetry reminds us--with frank wit, grief, compassion, and a clear sense of the joy and burden of love. Enszer is a poet of the body, of family, of 'the sighs and bellows of the heart, ' of music, of travel, of breast cancer, of the plague of AIDS, of black stockings worn to funerals. As the elegist of her lost sister, Enszer writes, 'She should be telling this story. / She was more descriptive than I.' As celebrant of the revolution that opened our society to the pleasures and realities of queerness, she writes of 'the look of defiance in our eyes' and remembers, 'Once we were the match / Once we were the flames.' SISTERHOOD gives off a good heat."--Alicia Ostriker

Award-winning women scholars from nontraditional backgrounds have often negotiated an academic track that leads through figurative--and sometimes literal--minefields. Their life stories offer inspiration, but also describe heartrending struggles and daunting obstacles. Reshaping Women's History presents autobiographical essays by eighteen accomplished scholar-activists who persevered through poverty or abuse, medical malpractice or family disownment, civil war or genocide. As they illuminate their own unique circumstances, the authors also address issues all-too-familiar to women in the academy: financial instability, the need for mentors, explaining gaps in resumes caused by outside events, and coping with gendered family demands, biases, and expectations. Eye-opening and candid, Reshaping Women's History shows how adversity, and the triumph over it, enriches scholarship and spurs extraordinary efforts to affect social change. Contributors: Frances L. Buss, Nupur Chaudhuri, Lisa DiCaprio, Julie R. Enszer, Catherine Fosl, Midori Green, La Shonda Mims, Stephanie Moore, Grey Osterud, Barbara Ransby, Linda Reese, Annette Rodriguez, Linda Rupert, Kathleen Sheldon, Donna Sinclair, Rickie Solinger, Pamela Stewart, Waaseyaa'sin Christine Sy, and Ann Marie Wilson.

Alicia Ostriker's artistic and intellectual productions as a poet, critic, and essayist over the past 50 years are protean and have been profoundly influential to generations of readers, writers, and critics. Her poetry, literary criticism, all her writings are both feminist and human in their fierce engagements with the material and metaphysical world. Ostriker as a poet is concerned with questions of social justice, equality, religion, and how to live in a world marked by both beauty and tragedy.Everywoman Her Own Theology: On the Poetry of Alicia Suskin Ostriker engages Ostriker's poetry from throughout her career, including her first volume Songs, her award-winning collection The Imaginary Lover, and her more recent work, No Heaven, The Volcano Sequence, The Old Woman, the Tulip, and the Dog, and Waiting for the Light. Like her literary criticism and essays, Ostriker's poetry explores themes of feminism, Jewish life, family, and social justice. Everywoman Her Own Theology includes work from poets and literary critics to illuminate Ostriker's poems and her collections of poetry. With insightful new essays by Jenny Factor, Diana Hume George, Jill Hammer, Richard Tayson, Jacqueline Osherow, Tony Hoagland, Eric Selinger, Wesley McNair, Toi Derricotte, Afaa Michael Weaver, Eleanor Wilner and others, Everywoman Her Own Theology opens new pathways for critical engagements of Ostriker's poetic work.

Representing Rural Women highlights the complexity and diversity of representations of rural women in the U.S. and Canada from the nineteenth to twenty-first centuries. The 15 chapters in this collection offer fresh perspectives on representations of rural women in literature, popular culture, and print, digital, and social media. They explore a wide range of time periods, geographic spaces, and rural women's experiences, including Mormon pioneer women, rural lesbians in the 1970s, Canadian rural women's organizations, and rural trans youth. In their stories, these women and girls navigate the complex realities of rural life, create spaces for self-expression, develop networks to communicate their experiences, and challenge misconceptions and stereotypes of rural womanhood. The chapters in this collection consider the ways that rural geography allows freedoms as well as imposes constraints on women's lives, and explore how cultural representations of rural womanhood both reflect and shape women's experiences.

Representing Rural Women seeks to highlight the complexity and diversity of representations of rural women in the U.S. and Canada from the nineteenth to twenty-first centuries. The 15 chapters in the collection offer fresh perspectives on representations of rural women in literature, popular culture, and print, digital, and social media. They explore a wide range of time periods, geographic spaces, and rural women's experiences, including Mormon pioneer women, rural lesbians in the 1970s, Canadian rural women's organizations, and rural trans youth. In their stories, these women and girls navigate multiple settings and address the complex realities of rural life, create spaces for self-expression, develop networks to communicate their experiences, and seek to challenge misconceptions and stereotypes of rural womanhood. The chapters in this collection consider the ways that rural geography may allow freedoms as well as impose constraints on women's lives, and ultimately how cultural representations of rural womanhood both reflect and shape women's experiences.