Modern Art: A Critical Introduction traces the historical and contemporary contexts for understanding modern art movements, and the theories which influenced and attempted to explain them. This approach forgoes the chronological march of art movements and isms in favour of looking at the ways in which art has been understood. It investigates the main developments in art interpretation from the same period, from Kant to post-structuralism, and draws examples from a wide range of art genres including painting, sculpture, photography, installation and performance art. The book includes detailed discussions of visual art practices both inside and outside the museum. This new edition has been restructured to make the key themes as accessible as possible and updated to include many more recent examples of art practice . An expanded glossary and margin notes also provide definitions of the range of terms used within theoretical discussion and critical reference. Individual chapters explore key themes of the modern era, such as the relationship between artists and galleries, the politics of representation, the changing nature of self-expression, the public monument, nature and the urban,

* It helps supervisors to understand the context in which doctoral students learn, and to better support them * Looks at the pros and cons of doctoral networks * Considers the ways that online networks support PhD students and how these can be implemented within supervision * Gives both supervisors and doctoral students an overview of the popular online networks and how these function.

* It helps supervisors to understand the context in which doctoral students learn, and to better support them * Looks at the pros and cons of doctoral networks * Considers the ways that online networks support PhD students and how these can be implemented within supervision * Gives both supervisors and doctoral students an overview of the popular online networks and how these function.

Making American Art presents a thematic, interdisciplinary examination of art in the United States from the seventeenth century to the present day. The themes and issues explored in Making American Art pull together documentary material, art works and contemporary theory to enliven what can often be a complex and geographically overwhelming history. The abiding and connective theme of the book is an extended and multidimensional examination of the perennial and vexing question: what is American about American art? In attempting an answer, the book draws upon topics that are not always present in conventional art-historical accounts - the education of the artist, the mechanisms for promoting and institutionalising art work, the facilities for reproducing and disseminating American art, and the organisation of artistic activities. In considering the quest for an authentic expression of Americanism in the visual arts this book incorporates areas that normally fall outside the remit of high art, such as the conditions under which American art was produced. Chapter topics include: education and the American artist art into reproduction touring America the art of American landscape accommodating American art writing about American art. Making American Art includes a detailed and discursive account of the reception of American art and artists outside the United States.

Modern Art: A Critical Introduction traces the historical and contemporary contexts for understanding modern art movements, and the theories which influenced and attempted to explain them. This approach forgoes the chronological march of art movements and isms in favour of looking at the ways in which art has been understood. It investigates the main developments in art interpretation from the same period, from Kant to post-structuralism, and draws examples from a wide range of art genres including painting, sculpture, photography, installation and performance art. The book includes detailed discussions of visual art practices both inside and outside the museum. This new edition has been restructured to make the key themes as accessible as possible and updated to include many more recent examples of art practice . An expanded glossary and margin notes also provide definitions of the range of terms used within theoretical discussion and critical reference. Individual chapters explore key themes of the modern era, such as the relationship between artists and galleries, the politics of representation, the changing nature of self-expression, the public monument, nature and the urban,

A PDF version of this book is available for free in open access via the OAPEN Library platform (www. oapen. org).
2009 was the bicentenary of the birth of the English writer, translator, critic and amateur artist Elizabeth Rigby, Lady Eastlake (1809-1893). Bringing together a comprehensive collection of her surviving correspondence, the Letters of Elizabeth Rigby, Lady Eastlake reveals significant new material about this extraordinary figure in Victorian society. The scope of Lady Eastlake's writing is wide and interdisciplinary, which recommends her as a significant figure in Victorian culture, giving rise to revelations about the ways in which different cultural activities were linked. Lady Eastlake lived for extended periods of time abroad in Germany and Estonia, and wrote an early work about her impressions of the Baltic, her subsequent writing took the form of reviews for the periodical press, including reviews of Jane Eyre, Vanity Fair, Ruskin, Coleridge, and Madame de Stael. She also wrote on women's subjects, including articles on the education of women. However, the great proportions of her publications are art-related reviews: she wrote one of earliest critical texts on photography and produced several essays on artists. The lively correspondence of Lady Eastlake not only contributes to a more holistic understanding of nineteenth-century culture, it also shows how a well connected woman could play an important role in the Victorian art world.

DANCER OFF HER FEET is an incredible true story that stands as an irrefutable witness to God's power to heal people both physically and spiritually. It has inspired and encouraged many thousands of people since its first publication in 1991. This edition contains a foreword written twelve years on, which brings Julie's story up to date and details the highs and lows she has since experienced.For three years, former ballet dancer Julie Sheldon was stricken with the neurological disease Dystonia, and her life hung in the balance. Crippled, enduring fierce muscle spasms, she was in intensive care when Canon Jim Glennon prayed for her. 'A corner was turned after that visit in June 1989, and by July I was out of hospital. In August I was out of the wheelchair and off crutches for good, and in September off all drugs. All the time there was this conviction of total healing, not just of the body but of the mind and spirit as well.'The news hit press headlines and amazed doctors: 'Julie has made a miraculous recovery,' said a professor of neurology. Julie herself would say, along with family and friends, that God has done a great deal more even than that.

As prominent members of the Victorian cultural and artistic world, Sir Charles and Lady Elizabeth Eastlake, along with their nephew Charles Locke Eastlake, enjoyed the friendship and support of influential figures including Prince Albert, Sir Thomas Lawrence, J. M. W. Turner, and Sir Robert Peel. This fascinating original biography brings the unique personality of each of the Eastlakes into sharp focus while also exploring their important contributions during the early days of the National Gallery. Charles Eastlake, an artist and connoisseur, was chosen to be not only the President of the Royal Academy from 1850, but also the National Gallery's first Director in 1855. With his capable wife, a literary critic and art historian in her own right, he traveled throughout Europe acquiring significant paintings for the Gallery and implementing important changes to their display and description. Nephew Charles, an architect and popularizer of the Arts and Crafts style, was Keeper at the National Gallery from 1878 to 1898. Art for the Nation tells the remarkable story of the Eastlake family's devotion to art and to the National Gallery during its crucial formative years. Published by National Gallery Company / Distributed by Yale University Press Exhibition Schedule: National Gallery, London (07/27/11-10/30/11)

Alpha course speaker Julie Sheldon reflects on a gift that we seldom welcome: the gift of tears. We often try to fight them back, yet they can bring cleansing, healing and release. Julie tells many inspirational real life stories and relates them to biblical examples and teaching.

The catalogue accompanies the exhibition, From Renaissance to Regent Street, at the Williamson Art Gallery & Museum in Birkenhead. The Williamson holds the world's largest collection of work from the Della Robbia Pottery, founded in 1894 by Harold Rathbone. Inspired by his experiences in Italy and by his contact with the work of the Tuscan sculptor, Luca Della Robbia, Rathbone developed a type of pottery that was unique to his factory. Employing local craftsmen and women and using local materials, the Della Robbia Pottery issued a distinctive set of ceramic products that included presentation vases, architectural panels and other household items in the final years of the nineteenth century. This work considers the different models of approaching creativity, aesthetics and critical value at the Della Robbia Pottery in the following ways: it examines the impact of Anglo-Italian cultural exchanges at the end of the nineteenth century upon the formation of the Della Robbia Pottery; it discusses the impact of art tourism and cosmopolitan experience upon Rathbone's manufacturing and commercial life; it reveals some of the influences upon Rathbone's distinctive approach to the design and manufacture of the pottery; and it considers the place of the Pottery within wider Arts and Crafts' artistic schemes that held a commitment to social responsibility.

Put your local coffee bar to the test with Coffee Basics!

With thousands of coffee bars and restaurants serving an endless variety of blends, roasts, and brews, ordering a specialty coffee drink has become as daunting a task as selecting a fine wine. How can you distinguish between great coffee and great hype? Read Coffee Basics.

Kevin Knox and Julie Sheldon Huffaker have filled this handy reference with hundreds of industry truths and trade secrets. You'll learn the fundamentals of coffee buying, brewing, and tasting; and develop an aficionado's ability to see beyond the expensive trappings of today's coffee explosion. You'll discover:

• The basic coffee facts: its origin, history, and many varieties
• Step-by-step methods for selecting, roasting, blending, and flavoring coffee "to taste"
• A coffee taster's glossary
• Simple charts showing grind progression, relative grinding times, and regional characteristics
• The scoop on decaffeinated, organic, and espresso beans
• Specialty coffee recipes
• Lists of the best sources for beans and professional equipment

Whether you make coffee at home or at a fine restaurant, Coffee Basics offers a bottomless cup of brewing knowledge and drinking pleasure.

An A-to-Z guide to making it in your own specialty coffee business!

Expert tips, tricks, and a gold mine of crucial how-to information you just can't find anywhere else—learn how to:

• Get started in business for as little as $15,000
• Secure the optimum location
• Get the financing that best suits your goals
• Buy, use, and maintain equipment
• Find and deal with suppliers
• Market your espresso business with little or no capital
• Brew delicious, high-quality coffee drinks that keep customers coming back for more
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Espresso! also arms you with sample business forms, leases, and contracts; worksheets and checklists for planning, opening, and running day-to-day operations; sample menus; coffee drink recipes; inventory lists; plans and layouts; and dozens of other valuable, time-saving tools of the trade that no espresso entrepreneur should be without.

Making American Art presents a thematic, interdisciplinary examination of art in the United States from the seventeenth century to the present day. The themes and issues explored in Making American Art pull together documentary material, art works and contemporary theory to enliven what can often be a complex and geographically overwhelming history. The abiding and connective theme of the book is an extended and multidimensional examination of the perennial and vexing question: what is American about American art? In attempting an answer, the book draws upon topics that are not always present in conventional art-historical accounts - the education of the artist, the mechanisms for promoting and institutionalising art work, the facilities for reproducing and disseminating American art, and the organisation of artistic activities. In considering the quest for an authentic expression of Americanism in the visual arts this book incorporates areas that normally fall outside the remit of high art, such as the conditions under which American art was produced. Chapter topics include: education and the American artist art into reproduction touring America the art of American landscape accommodating American art writing about American art. Making American Art includes a detailed and discursive account of the reception of American art and artists outside the United States.