The official history of British Vogue, telling the magazine's story and how it has reflected the changing face of Britain from the first issue in 1916 right up to the present day.

British Vogue has always been far more than just a fashion magazine. For more than a century it has defined the tastes and style of successive generations, playing a leading role in the continuing story of Britain's national identity. From wartime austerity to the swinging sixties, it is a chronicle of arts, politics, health, travel and much more in addition to fashion. Now, for the very first time, the fascinating history of British Vogue is told in full.

Beautifully illustrated with images from the Vogue photographic collections, the book draws on hitherto unseen archives and behind-the-scenes interviews with Vogue insiders including stylist Grace Coddington, editor Alexandra Shulman and fashion editor Lucinda Chambers. This is the story of a legend and the individuals who created (and curated) it, told against the backdrop of an extraordinary century of change, upheaval and beauty.

'Julie Summers has an amazing instinct for unearthing good stories and telling quotes.' Craig Brown, The Mail On Sunday 'This is an enjoyable book, peppered with examples of under-reported wartime heroism.' Robert Leigh-Pemberton, The Daily Telegraph 'It's hard to believe that there are still untold stories about Britain and World War II, but Julie Summers has unearthed a fascinating one that she tells with great verve and style. All in all, Uninvited Guests is a sheer delight.' Lynne Olson, author of Citizens of London and Last Hope Island A remarkable narrative set against the dark days of World War Two, from one of the country's foremost social historians. Our Uninvited Guests perfectly captures the spirit of upheaval at the beginning of the Second World War when thousands of houses were requisitioned by the government to provide accommodation for the armed forces, secret services and government offices as well as vulnerable children, the sick and the elderly, all of whom needed to be housed safely beyond the reach of Hitler's Luftwaffe. Julie Summers gives the reader a behind-the-scenes glimpse of life in some of Britain's greatest country houses that were occupied by people who would otherwise never have set foot in such opulent surroundings.Blenheim Palace was colonised by schoolboys who slept in the Long Library; Polish special agents trained in the grounds of Audley End House, learning to forge and lie their way into occupied Europe in the old nursery. Brocket Hall, former home of Queen Victoria's favourite Lord Melbourne, was used as a maternity home for women from the East End of London, and the Rothschilds' magnificent French chateau-inspired Waddesdon Manor housed a hundred children under five. The Northern Highlands, where the fierce warriors of Scotland's past developed their unconventional military skills, played host to the most extreme form of warfare, training agents in the fine arts of sabotage, subterfuge and assassination. The juxtaposition of splendour and opulence with the everyday activities of people whose needs were at odds with their new surroundings is at the heart of this book. This thought-provoking and evocative narrative captures a crucial period in the social history of Britain. Praise for Julie Summers: 'Superb...highly recommended' Who Do You Think You Are Magazine 'A remarkable collection of stories...a rich and moving book' Mail on Sunday 'Summers is a good and knowledgeable writer...powerful, emotional stuff' Independent 'A poignant, lingering account' BBC History Magazine 'A revelation - full of information, reminiscences, humour and social history. Reading it not only gave me great pleasure but also made me proud to be a member of such a long lasting, valuable and vital organisation' Helen Carey OBE, former chairman of the National Federation of Women's Institutes

In September 1939, just three weeks after the outbreak of war, Gladys Mason wrote briefly in her diary about events in Europe: 'Hitler watched German siege of Warsaw. City in flames.' And, she continued, 'Had my wedding dress fitted. Lovely.' For Gladys Mason, and for thousands of women throughout the long years of the war, fashion was not simply a distraction, but a necessity - and one they weren't going to give up easily. In the face of bombings, conscription, rationing and ludicrous bureaucracy, they maintained a sense of elegance and style with determination and often astonishing ingenuity. From the young woman who avoided the dreaded 'forces bloomers' by making knickers from military-issue silk maps, to Vogue's indomitable editor Audrey Withers, who balanced lobbying government on behalf of her readers with driving lorries for the war effort, Julie Summers weaves together stories from ordinary lives and high society to provide a unique picture of life during the Second World War. As a nation went into uniform and women took on traditional male roles, clothing and beauty began to reflect changing social attitudes. For the first time, fashion was influenced not only by Hollywood and high society but by the demands of industrial production and the pressing need to 'make-do-and-mend'. Beautifully illustrated and full of gorgeous detail, Fashion on the Ration lifts the veil on a fascinating era in British fashion.

The Second World War was the WI's finest hour. The whole of its previous history - two decades of educating, entertaining and supporting women and campaigning on women's issues - culminated in the enormous collective responsibility felt by the members to 'do their bit' for Britain. With all the vigour, energy and enthusiasm at their disposal, a third of a million country women set out to make their lives and the lives of those around them more bearable in what they described as 'a period of insanity'. Jambusterstells the story of the minute and idiosyncratic details of everyday life during the Second World War. Making jam, making do and mending, gathering rosehips, keeping pigs and rabbits, housing evacuees, setting up canteens for the troops, knitting, singing and campaigning for a better Britain after the war: all these activities played a crucial role in war time.

'Magnificent ... Dressed for War works on many levels: as an evocation of an uncommon time; as a celebration of an uncommon woman; as pure, unalloyed fun.' Lucy Davies, Daily Telegraph Dressed For War: The Story of Audrey Withers, Vogue editor extraordinaire from the Blitz to the Swinging Sixties is the untold story of our most iconic fashion magazine in its most formative years, in the Second World War. It was an era when wartime exigencies gave its editor, Audrey Withers, the chance to forge an identity for it that went far beyond stylish clothes. In doing so, she set herself against the style and preoccupations of Vogue's mothership in New York, and her often sticky relationship with its formidable editor, Edna Woolman Chase, became a strong dynamic in the Vogue story. But Vogue had a good war, with great writers and top-flight photographers including Lee Miller and Cecil Beaton - who loathed each other - sending images and reports from Europe and much further afield - detailing the plight of the countries and people living amid war-torn Europe. Audrey Withers' deft handling of her star contributors and the importance she placed on reflecting people's lives at home give this slice of literary history a real edge. With official and personal correspondence researched from the magazine's archives in London and in New York, Dressed For War tells the marvellous story of the titanic struggle between the personalities that shaped the magazine for the latter half of the twentieth century and beyond.

On 1 September 1939 Operation Pied Piper bgan to place the children of Britain's industrial cities beyond the reach of the Luftwaffe. 1.5 million children, pregnant women and schoolteachers were evacuated in 3 days. A further 2 million children were evacuated privately; the largest mass evacuation of children in British history. Some children went abroad, others were sent to institutions, but the majority were billeted with foster families. Some were away for weeks or months, others for years. Homecoming was not always easy and a few described it as more difficult than going away in the first place. In When the Children Came Home Julie Summers tells us what happened when these children returned to their families. She looks at the different waves of British evacuation during WWII and explores how they coped both in the immediate aftermath of the war, and in later life. For some it was a wonderful experience that enriched their whole lives, for others it cast a long shadow, for a few it changed things for ever. Using interviews, written accounts and memoirs, When the Children Came Homeweaves together a collection of personal stories to create a warm and compelling portrait of wartime Britain from the children's perspective.

From 1945, more than four million British servicemen were demobbed and sent home after the most destructive war in history. Damaged by fighting, imprisonment or simply separation from their loved ones, these men returned to a Britain that had changed in their absence.

In Stranger in the House, Julie Summers tells the women's story, interviewing over a hundred women who were on the receiving end of demobilisation: the mothers, wives, sisters, who had to deal with an injured, emotionally-damaged relative; those who assumed their fiances had died only to find them reappearing after they had married another; women who had illegitimate children following a wartime affair as well as those whose steadfast optimism was rewarded with a delightful reunion.

Many of the tales are moving, some are desperately sad, others are full of humour but all provide a fascinating account of how war altered ordinary women's lives forever.

Written by Toosey's granddaughter, this remarkable portrait of a forgotten British hero and leader is essential reading for anyone interested in the Second World War. 'Truly uplifting ... It makes you proud to be British.' The Guardian Alec Guinness won a Best Actor Oscar for his portrayal of the dogmatic but brittle commanding officer in David Lean's film The Bridge on the River Kwai. While a brilliant performance, it owed more to fiction than fact, as the man who actually commanded the POWs ordered to build the infamous bridges -- there were in fact two: one wooden, one concrete -- was cut from very different cloth. Lieutenant Colonel Philip Toosey was the senior officer among the 2,000-odd Allied servicemen incarcerated in Tamarkan prison camp, and as such had to comply with the Japanese orders to help construct their Thailand-Burma railway. With malnutrition, disease and brutality their constant companions, it was a near-impossible task for soldiers who had already endured terrible privations -- and one which they knew would be in the service of their enemy. But under Toosey's careful direction, a subtle balancing act between compliance and subversion, the Allied inmates not only survived but regained some sense of self-respect. Re-creating the story of this remarkable leader with tremendous skill and narrative flair, and drawing on many original interviews with Second World War POWs from the Asian theatre, The Colonel of Tamarkan is a riveting blend of biography and history.

In 1917 a remarkable organisation came into being. Its brief was vastly ambitious: to commemorate the 1,100,00 men of the British Empire who lost their lives in the First World War. The Imperial War Graves Commission was the creation of one man, Sir Fabian Ware, whose energy and determination brought together some of the greatest designers and architects of the early twentieth century. This book looks at the history of the war graves for British and Commonwealth servicemen and women, and examines how modern remembrance has been shaped by the work of Ware and his contemporaries after the First World War.