In September 1939, just three weeks after the outbreak of war, Gladys Mason wrote briefly in her diary about events in Europe: 'Hitler watched German siege of Warsaw. City in flames.' And, she continued, 'Had my wedding dress fitted. Lovely.' For Gladys Mason, and for thousands of women throughout the long years of the war, fashion was not simply a distraction, but a necessity - and one they weren't going to give up easily. In the face of bombings, conscription, rationing and ludicrous bureaucracy, they maintained a sense of elegance and style with determination and often astonishing ingenuity. From the young woman who avoided the dreaded 'forces bloomers' by making knickers from military-issue silk maps, to Vogue's indomitable editor Audrey Withers, who balanced lobbying government on behalf of her readers with driving lorries for the war effort, Julie Summers weaves together stories from ordinary lives and high society to provide a unique picture of life during the Second World War. As a nation went into uniform and women took on traditional male roles, clothing and beauty began to reflect changing social attitudes. For the first time, fashion was influenced not only by Hollywood and high society but by the demands of industrial production and the pressing need to 'make-do-and-mend'. Beautifully illustrated and full of gorgeous detail, Fashion on the Ration lifts the veil on a fascinating era in British fashion.

On 1 September 1939 Operation Pied Piper bgan to place the children of Britain's industrial cities beyond the reach of the Luftwaffe. 1.5 million children, pregnant women and schoolteachers were evacuated in 3 days. A further 2 million children were evacuated privately; the largest mass evacuation of children in British history. Some children went abroad, others were sent to institutions, but the majority were billeted with foster families. Some were away for weeks or months, others for years. Homecoming was not always easy and a few described it as more difficult than going away in the first place. In When the Children Came Home Julie Summers tells us what happened when these children returned to their families. She looks at the different waves of British evacuation during WWII and explores how they coped both in the immediate aftermath of the war, and in later life. For some it was a wonderful experience that enriched their whole lives, for others it cast a long shadow, for a few it changed things for ever. Using interviews, written accounts and memoirs, When the Children Came Homeweaves together a collection of personal stories to create a warm and compelling portrait of wartime Britain from the children's perspective.

The Second World War was the WI's finest hour. The whole of its previous history - two decades of educating, entertaining and supporting women and campaigning on women's issues - culminated in the enormous collective responsibility felt by the members to 'do their bit' for Britain. With all the vigour, energy and enthusiasm at their disposal, a third of a million country women set out to make their lives and the lives of those around them more bearable in what they described as 'a period of insanity'. Jambusterstells the story of the minute and idiosyncratic details of everyday life during the Second World War. Making jam, making do and mending, gathering rosehips, keeping pigs and rabbits, housing evacuees, setting up canteens for the troops, knitting, singing and campaigning for a better Britain after the war: all these activities played a crucial role in war time.

From 1945, more than four million British servicemen were demobbed and sent home after the most destructive war in history. Damaged by fighting, imprisonment or simply separation from their loved ones, these men returned to a Britain that had changed in their absence.

In Stranger in the House, Julie Summers tells the women's story, interviewing over a hundred women who were on the receiving end of demobilisation: the mothers, wives, sisters, who had to deal with an injured, emotionally-damaged relative; those who assumed their fiances had died only to find them reappearing after they had married another; women who had illegitimate children following a wartime affair as well as those whose steadfast optimism was rewarded with a delightful reunion.

Many of the tales are moving, some are desperately sad, others are full of humour but all provide a fascinating account of how war altered ordinary women's lives forever.

'Magnificent ... Dressed for War works on many levels: as an evocation of an uncommon time; as a celebration of an uncommon woman; as pure, unalloyed fun.' Lucy Davies, Daily Telegraph Dressed For War: The Story of Audrey Withers, Vogue editor extraordinaire from the Blitz to the Swinging Sixties is the untold story of our most iconic fashion magazine in its most formative years, in the Second World War. It was an era when wartime exigencies gave its editor, Audrey Withers, the chance to forge an identity for it that went far beyond stylish clothes. In doing so, she set herself against the style and preoccupations of Vogue's mothership in New York, and her often sticky relationship with its formidable editor, Edna Woolman Chase, became a strong dynamic in the Vogue story. But Vogue had a good war, with great writers and top-flight photographers including Lee Miller and Cecil Beaton - who loathed each other - sending images and reports from Europe and much further afield - detailing the plight of the countries and people living amid war-torn Europe. Audrey Withers' deft handling of her star contributors and the importance she placed on reflecting people's lives at home give this slice of literary history a real edge. With official and personal correspondence researched from the magazine's archives in London and in New York, Dressed For War tells the marvellous story of the titanic struggle between the personalities that shaped the magazine for the latter half of the twentieth century and beyond.

Written by Toosey's granddaughter, this remarkable portrait of a forgotten British hero and leader is essential reading for anyone interested in the Second World War. 'Truly uplifting ... It makes you proud to be British.' The Guardian Alec Guinness won a Best Actor Oscar for his portrayal of the dogmatic but brittle commanding officer in David Lean's film The Bridge on the River Kwai. While a brilliant performance, it owed more to fiction than fact, as the man who actually commanded the POWs ordered to build the infamous bridges -- there were in fact two: one wooden, one concrete -- was cut from very different cloth. Lieutenant Colonel Philip Toosey was the senior officer among the 2,000-odd Allied servicemen incarcerated in Tamarkan prison camp, and as such had to comply with the Japanese orders to help construct their Thailand-Burma railway. With malnutrition, disease and brutality their constant companions, it was a near-impossible task for soldiers who had already endured terrible privations -- and one which they knew would be in the service of their enemy. But under Toosey's careful direction, a subtle balancing act between compliance and subversion, the Allied inmates not only survived but regained some sense of self-respect. Re-creating the story of this remarkable leader with tremendous skill and narrative flair, and drawing on many original interviews with Second World War POWs from the Asian theatre, The Colonel of Tamarkan is a riveting blend of biography and history.

In 1917 a remarkable organisation came into being. Its brief was vastly ambitious: to commemorate the 1,100,00 men of the British Empire who lost their lives in the First World War. The Imperial War Graves Commission was the creation of one man, Sir Fabian Ware, whose energy and determination brought together some of the greatest designers and architects of the early twentieth century. This book looks at the history of the war graves for British and Commonwealth servicemen and women, and examines how modern remembrance has been shaped by the work of Ware and his contemporaries after the First World War.