Behind enemy lines is an examination of gender relations in wartime using the Special Operations Executive as a case study. Drawing on personal testimonies, in particular oral history and autobiography, as well as official records and film, it explores the extraordinary experiences of male and female agents who were recruited and trained by a British organisation and infiltrated into Nazi-Occupied France to encourage sabotage and subversion during the Second World War. With its original interpretation of a wealth of primary sources, it examines how these ordinary, law-abiding civilians were transformed into para-military secret agents, equipped with silent killing techniques and trained in unarmed combat. This fascinating, timely and engaging book is concerned with the ways in which the SOE veterans reconstruct their wartime experiences of recruitment, training, clandestine work and for some, their captivity, focusing specifically upon the significance of gender and their attempts to pass as French civilians. This examination of the agents of an officially-sponsored insurgent organisation makes a major contribution to British socio-cultural history, war studies and gender studies and will appeal to both the general reader, as well as to those in the academic community. -- .

This edited collection focuses on the negotiation of national, geographic and cultural identities during the Second World War among the constituent countries of the United Kingdom. Adopting a four nations approach, it contributes to our understanding of how pluralistic identities within the multinational state of Britain informed the functioning of Britishness during the conflict. In particular, it explores the ways in which Wales, Scotland and England related to the overarching concept of Britishness and analyses the relationships between Britain and the island of Ireland. This volume addresses wartime Britain as both a site of cultural contestation and of shared experience, exploring what "fighting for Britain" meant for those who served in the British armed forces as well as for those who did not fight in active combatant roles.

Men in reserve focuses on working class civilian men who, as a result of working in reserved occupations, were exempt from enlistment in the armed forces. It uses fifty six newly conducted oral history interviews as well as autobiographies, visual sources and existing archived interviews to explore how this group articulated their wartime experiences and how they positioned themselves in relation to the hegemonic discourse of military masculinity. It considers the range of masculine identities circulating amongst civilian male workers during the war and investigates the extent to which reserved workers draw upon these identities when recalling their wartime selves. It argues that the Second World War was capable of challenging civilian masculinities, positioning the civilian man below that of the 'soldier hero' while, simultaneously, reinforcing them by bolstering the capacity to provide and to earn high wages, frequently in risky and dangerous work, all which were key markers of masculinity. -- .

This edited collection brings together cutting-edge research on British masculinities and male culture, considering the myriad ways British men experienced, understood and remembered their exploits during the Second World War, as active combatants, prisoners and as civilian workers. It examines male identities, roles and representations in the armed forces, with particular focus on the RAF, army, volunteers for dangerous duties and prisoners of war, and on the home front, with case studies of reserved occupations and Bletchley Park, and examines the ways such roles have been remembered in post-war years in memoirs, film and memorials. As such this analysis of previously underexplored male experiences makes a major contribution to the historiography of Britain in the Second World War, as well as to socio-cultural history, cultural studies and gender studies.

Women of war is an examination of gender modernity using the world's longest established women's military organisation, the First Aid Nursing Yeomanry. These New Women's adoption of martial uniform and military-style training, their inhabiting of public space, their deployment of innovative new technologies such as the motor car, the illustrated press, advertisements and cinematic film and their proactive involvement in the First World War illustrate why the Corps and its socially elite members are a particularly revealing case study of gender modernity. Bringing into dialogue both public and personal representations, it makes a major contribution to the social and cultural history of Britain in the early twentieth century and will appeal to undergraduates, postgraduates and scholars working in the fields of military history, animal studies, trans studies, dress history, sociology of the professions, nursing history and transport history. -- .

Behind enemy lines is an examination of gender relations in wartime using the Special Operations Executive as a case study. Drawing on personal testimonies, in particular oral history and autobiography, as well as official records and film, it explores the extraordinary experiences of male and female agents who were recruited and trained by a British organisation and infiltrated into Nazi-Occupied France to encourage sabotage and subversion during the Second World War. With its original interpretation of a wealth of primary sources, it examines how these ordinary, law-abiding civilians were transformed into para-military secret agents, equipped with silent killing techniques and trained in unarmed combat. This fascinating, timely and engaging book is concerned with the ways in which the SOE veterans reconstruct their wartime experiences of recruitment, training, clandestine work and for some, their captivity, focusing specifically upon the significance of gender and their attempts to pass as French civilians. This examination of the agents of an officially-sponsored insurgent organisation makes a major contribution to British socio-cultural history, war studies and gender studies and will appeal to both the general reader, as well as to those in the academic community. -- .

This book skilfully brings together cutting-edge historical research by leading and emerging researchers in the field to investigate the utilisation of British humour both during the Second World War and its legacy in British popular culture. Linsey Robb and Juliette Pattinson lead a cast of esteemed academics and early career scholars to address a wide variety of situations in which humour was generated and a diverse range of groups for whom it was important. By addressing the overarching topic of humour from a breadth of different perspectives (naval, intelligence, Conscientious Objectors, medical artists) and by adopting an original interpretative framework of home front sites (including the Channel Islands), this books opens up the possibility for a more variegated, richer analysis of Britain during the Second World War. By using the lens of humour to scrutinize the social and cultural history of Britain during the Second World War, it promises to add critical nuance to our understanding of the functioning of British wartime society. The result is a rich addition to existing literature of use to students and scholars studying the cultural history of war.

Few historical events have resonated as much in modern British culture as the Second World War. It has left a rich legacy in a range of media that continue to attract a wide audience: film, TV and radio, photography and the visual arts, journalism and propaganda, architecture, museums, music and literature. The enduring presence of the war in the public world is echoed in its ongoing centrality in many personal and family memories, with stories of the Second World War being recounted through the generations. This collection brings together recent historical work on the cultural memory of the war, examining its presence in family stories, in popular and material culture and in acts of commemoration in Britain between 1945 and the present.

Few historical events have resonated as much in modern British culture as the Second World War. It has left a rich legacy in a range of media that continue to attract a wide audience: film, TV and radio, photography and the visual arts, journalism and propaganda, architecture, museums, music and literature. The enduring presence of the war in the public world is echoed in its ongoing centrality in many personal and family memories, with stories of the Second World War being recounted through the generations. This collection brings together recent historical work on the cultural memory of the war, examining its presence in family stories, in popular and material culture and in acts of commemoration in Britain between 1945 and the present.