The first major exhibition catalogue to focus on Jacques Louis David's drawings and their crucial role in his iconic history paintings made before, during, and after the French Revolution "A superb survey . . . a first-rate catalog . . . [a] cornucopia of masterworks."-Colin B. Bailey, New York Review of Books Jacques Louis David's (1748-1825) paintings are among the most iconic in the history of Western art, but comparatively little is known about the artist's nearly 2,000 drawings-from quick chalk sketches scribbled in notebooks to exquisite ink compositions enlivened with oil paint-that formed the basis of beloved masterpieces such as The Oath of the Horatii and The Death of Socrates. Jacques Louis David: Radical Draftsman is the first major publication to focus on the often years-long process of trial and experimentation that progressed from initial idea to finished canvas. Including several recently discovered drawings published here for the first time, this book provides a new perspective on the celebrated master. Essays by international experts on the artist explore how David's preparatory works on paper reveal the development of his creative process, while also bearing witness to the tumultuous years before, during, and after the French Revolution. As both a participant and an observer, David helped establish the new French society while documenting the drama, violence, and triumphs of modern history-in-the-making. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (February 17-May 15, 2022)

One of the most imaginative and fascinating artists of eighteenth-century France, Edme Bouchardon (1698-1762) was instrumental in the transition from Rococo to Neoclassicism and in the artistic rediscovery of classical antiquity. Much celebrated in his time, Bouchardon created some of the most iconic images of the age of Louis XV. His oeuvre demonstrates a remarkable variety of themes (from copies after the antique to subjects of history and mythology, portraiture, anatomical studies, ornament, fountains and tombs), media (drawings, sculptures, medals, prints), and techniques (chalk, plaster, wax, terracotta, marble, bronze). This lavishly illustrated publication represents an unprecedented and thorough survey on this major and unique artist from the Age of Enlightenment, offering in-depth scholarship based on unpublished material detailing the subtle relationship between, as well as the relative autonomy of, the artist's two careers as a sculptor and a draftsman.