Completing Juliette Wells’ groundbreaking trio of books on Austen’s readers, this latest volume revolutionizes our understanding of how Austen came to be viewed as the world’s greatest novelist. Wells shows that Austen’s global reputation was established not by British scholars, as is commonly believed, but by visionary American writers and collectors, working largely outside academia. Drawing on extensive research, Wells weaves together colorful, compelling case studies of men and women who, from the 1880s to the 1980s, helped readers appreciate Austen’s novels, persuasively advocated for her place in the literary canon, and preserved artifacts vital to her legacy. Engagingly written and extensively illustrated, A New Jane Austen will inform and delight scholars and Austen fans alike.

The first bookto investigate Jane Austen's popular significance today, Everybody's Jane considers why Austen matters to amateur readers, how they make use of hernovels, what they gain from visiting places associated with her, and why theycreate works of fiction and nonfiction inspired by her novels and life.The voices of everyday readers emerge fromboth published and unpublished sources, including interviews conducted with literary tourists and archival research into thefounding of the Jane Austen Society of North America and the exceptional Austencollection of Alberta Hirshheimer Burke of Baltimore.Additional topics include new Austenportraits; portrayals of Austen, and of Austen fans, in film and fiction; andhybrid works that infuse Austen's writings with horror, erotica, or explicitChristianity.Everybody's Jane will appeal to all those who care about Austen and will change how we think about theimportance of literature and reading today.

Reading Austen in America presents a colorful, compelling account of how an appreciative audience for Austen's novels originated and developed in America, and how American readers contributed to the rise of Austen's international fame. Drawing on a range of sources that have never before come to light, Juliette Wells solves the long-standing bibliographical mystery of how and why the first Austen novel printed in America-the 1816 Philadelphia Emma-came to be. She reveals the responses of this book's varied readers and creates an extended portrait of one: Christian, Countess of Dalhousie, a Scotswoman living in British North America. Through original archival research, Wells establishes the significance to reception history of two transatlantic friendships: the first between ardent Austen enthusiasts in Boston and members of Austen's family in the nineteenth century, and the second between an Austen collector in Baltimore and an aspiring bibliographer in England in the twentieth.

Although previous scholarship has acknowledged the importance of the visual arts to the Brontes, relatively little attention has been paid to the influence of music, theatre, and material culture on the siblings' lives and literature. This interdisciplinary collection presents new research on the Brontes' relationship to the wider world of the arts, including their relationship to the visual arts. The contributors examine the siblings' artistic ambitions, productions, and literary representations of creative work in both amateur and professional realms. Also considered are re-envisionings of the Brontes' works, with an emphasis on those created in the artistic media the siblings themselves knew or practiced. With essays by scholars who represent the fields of literary studies, music, art, theatre studies, and material culture, the volume brings together the strongest current research and suggests areas for future work on the Brontes and their cultural contexts.

The first of its kind, this collection brings together writers from diverse academic and nonacademic worlds to explore how Austen's readers experience and process her novels' erotic power. Are Jane Austen's novels sexy? For many Austen lovers, the answer is a resounding "Yes!" From the moment Colin Firth stripped down to his breeches and shirt in the 1995 BBC Pride and Prejudice, screen adaptations inspired by Austen's novels have banked on their ability to depict sexual tension and romantic desire. Meanwhile, the success of spin-offs, sequels, and elaborations confirms that Austen's novels have become a potent aphrodisiac for everyday readers. Clearly, the fourteen million viewers who watched Firth's unveiling were onto something: Austen's novels turn people on. Jane Austen, Sex, and Romance: Engaging with Desire in the Novels and Beyond brings together a range of voices-from literary scholars to video game designers-to explore how different types of readers experience the realm of desire and the erotic in all things Austen. In this timely collection, writers, critics, journalists, and authors of internet content weigh in on sex and romance in Austen's works and in the conversations and creations the novels inspire-from sequels to critical analyses to online role-playing games. Contributors examine what is at stake for each set of Austen enthusiasts when Eros is added to the equation, in so doing building on the long tradition of Austen criticism and enriching our appreciation of the novels.

Although previous scholarship has acknowledged the importance of the visual arts to the Brontes, relatively little attention has been paid to the influence of music, theatre, and material culture on the siblings' lives and literature. This interdisciplinary collection presents new research on the Brontes' relationship to the wider world of the arts, including their relationship to the visual arts. The contributors examine the siblings' artistic ambitions, productions, and literary representations of creative work in both amateur and professional realms. Also considered are re-envisionings of the Brontes' works, with an emphasis on those created in the artistic media the siblings themselves knew or practiced. With essays by scholars who represent the fields of literary studies, music, art, theatre studies, and material culture, the volume brings together the strongest current research and suggests areas for future work on the Brontes and their cultural contexts.

Completing Juliette Wells’ groundbreaking trio of books on Austen’s readers, this latest volume revolutionizes our understanding of how Austen came to be viewed as the world’s greatest novelist. Wells shows that Austen’s global reputation was established not by British scholars, as is commonly believed, but by visionary American writers and collectors, working largely outside academia. Drawing on extensive research, Wells weaves together colorful, compelling case studies of men and women who, from the 1880s to the 1980s, helped readers appreciate Austen’s novels, persuasively advocated for her place in the literary canon, and preserved artifacts vital to her legacy. Engagingly written and extensively illustrated, A New Jane Austen will inform and delight scholars and Austen fans alike.

The first book to investigate Jane Austen's popular significance today, Everybody's Jane considers why Austen matters to amateur readers, how they make use of her novels, what they gain from visiting places associated with her, and why they create works of fiction and nonfiction inspired by her novels and life. The voices of everyday readers emerge from both published and unpublished sources, including interviews conducted with literary tourists and archival research into the founding of the Jane Austen Society of North America and the exceptional Austen collection of Alberta Hirshheimer Burke of Baltimore. Additional topics include new Austen portraits; portrayals of Austen, and of Austen fans, in film and fiction; and hybrid works that infuse Austen's writings with horror, erotica, or explicit Christianity. Everybody's Jane will appeal to all those who care about Austen and will change how we think about the importance of literature and reading today.

Reading Austen in America presents a colorful, compelling account of how an appreciative audience for Austen's novels originated and developed in America, and how American readers contributed to the rise of Austen's international fame. Drawing on a range of sources that have never before come to light, Juliette Wells solves the long-standing bibliographical mystery of how and why the first Austen novel printed in America-the 1816 Philadelphia Emma-came to be. She reveals the responses of this book's varied readers and creates an extended portrait of one: Christian, Countess of Dalhousie, a Scotswoman living in British North America. Through original archival research, Wells establishes the significance to reception history of two transatlantic friendships: the first between ardent Austen enthusiasts in Boston and members of Austen's family in the nineteenth century, and the second between an Austen collector in Baltimore and an aspiring bibliographer in England in the twentieth.