Mark Twain, the American comic genius who portrayed, named, and in part exemplified America's "Gilded Age," comes alive in Justin Kaplan's extraordinary biography. With brilliant immediacy, Mr. Clemens and Mark Twain brings to life a towering literary figure whose dual persona symbolized the emerging American conflict between down-to-earth morality and freewheeling ambition. As Mark Twain, he was the Mississippi riverboat pilot, the satirist with a fiery hatred of pretension, and the author of such classics as Tom Sawyer andHuckleberry Finn. As Mr. Clemens, he was the star who married an heiress, built a palatial estate, threw away fortunes on harebrained financial schemes, and lived the extravagant life that Mark Twain despised. Kaplan effectively portrays the triumphant-tragic man whose achievements and failures, laughter and anger, reflect a crucial generation in our past as well as his own dark, divided, and remarkably contemporary spirit. Mr. Clemens and Mark Twain brilliantly conveys this towering literary figure who was himself a symbol of the peculiarly American conflict between moral scrutiny and the drive to succeed. Mr. Clemens lived the Gilded Life that Mark Twain despised. The merging and fragmenting of these and other identities, as the biography unfolds, results in a magnificent projection of the whole man; the great comic spirit; and the exuberant, tragic human being, who, his friend William Dean Howells said, was "sole, incomparable, the Lincoln of our literature."

'You know about transmigration of souls; do you know about transposition of epochs - and bodies?' So Hank Morgan, mechanic and factory supervisor from Hartford, Connecticut, introduces his strange history, which begins when he wakes up to find himself in sixth-century England. And so Mark Twain introduces us to the results - satiric, satanic, anguished and anarchic - of an imaginary confrontation between the new, nineteenth-century America and Olde England. Rich comedy and extravagant romance permeate the narrative, but these are undercut by a darkness and a depth of seriousness which give the work an ambivalence - the product of Twain's own divided attitude. A benign fantasy becomes an apocalyptic vision of terrifying violence and destruction. A Connecticut Yankee at King Arthur's Court is a superbly entertaining novel. It is also a profoundly disturbing one.

In this extraordinary volume of selections from Aristotle-culled from the monumental Oxford translation by authorities including W.D. Ross, Benjamin Jowett, and Ingram Bywater-editor Justin D. Kaplan has included the most widely read, studied, and quoted works of the great philosopher. Informative notes give the reader a convenient and concise review of each work, illuminating the main ideas. Thoughtfully assembled, The Pocket Aristotle is the essential guide to the man who has often been called the world's most important thinker.

Whitman's genius, passions, poetry, and androgynous sensibility entwined to create an exuberant life amid the turbulent American mid-nineteenth century. In vivid detail, Kaplan examines the mysterious selves of the enigmatic man who celebrated the freedom and dignity of the individual and sang the praises of democracy and the brotherhood of man.

As delightful and playful as it is profound and serious, The Language of Names is an absolute original -- a fascinating book that reveals us to ourselves, that demonstrates the endless variety of ways in which names shape our daily lives. Drawing on social and literary history, psychology and anthropology, anecdotes, and life stories, biographer Justin Kaplan and novelist Anne Bernays have written a fascinating account of names and naming in contemporary society that touches on class structure, ethnic and religious practices, manners, and everyday life.

Graceful, eloquent, and richly informed, The Language of Names explores and illuminates our favorite subject -- ourselves.

Novelist Anne Bernays and biographer Justin Kaplan -- both native New Yorkers -- came of age in the 1950s, when the pent-up energies of the Depression years and World War II were at flood tide. Written in two separate voices, Back Then is thecandid, anecdotal account of these two children of privilege -- one from New York's East Side, the other from the West Side -- pursuing careers in publishing and eventually leaving to write their own books.

Infused with intelligence and charm, Back Then is an elegant reflection on the transformative years in the lives of two young people and New York City. Marked by their youthful passions, this double memoir marries the authors' distinct literary styles with a riveting narrative that captures the density and texture of private, social, and working life in the 1950s.