The "f**k" count is just over sixty. The images are screenshots. The metal is mostly nu. And the grant money's gone. From the author of The Malevolent Volume and National Book Award-winning Indecency comes a gory new mutation in the shape of nonfiction and criticism. In 2019, Justin Phillip Reed's romantic maiden voyage through the waters of American poetry and its communities ran aground in the barrens of Pittsburgh, Pennsylvania, when he found himself with two years of writing time on the horizon and no social context to keep him afloat. In anxiety and estrangement soon deepened by global pandemic, popular fascism, virtual being, intestinal distress, and the obscenity of his own privilege as a university pet, he retreated to the comforts of horror films with no intent but diversion. What happened instead was this reckless, unprecious, in-process reckoning. Backdropped by sprawling cemeteries, soundtracked by too much Type O Negative, and totally hung up on cameras, With Bloom Upon Them and Also with Blood is a chase and a trip where lyric essays, ekphrastic poetry, and lectures grapple with alienation, professional disillusionment, perversion, and internal contradiction under racial capitalism through playful and critical encounters with horror cinema and cultural iconography.

Winner of the 2018 National Book Award in Poetry Indecency is boldly and carefully executed and perfectly ragged. In these poems, Justin Phillip Reed experiments with language to explore inequity and injustice and to critique and lament the culture of white supremacy and the dominant social order. Political and personal, tender, daring, and insightful--the author unpacks his intimacies, weaponizing poetry to take on masculinity, sexuality, exploitation, and the prison industrial complex and unmask all the failures of the structures into which society sorts us.

Subverting celebrated classics of poetry and mythology and examining horrors from contemporary film and cultural fact, National Book Award winner Justin Phillip Reed engages darkness as an aesthetic to conjure the revenant animus that lurks beneath the exploited civilities of marginalized people. In these poems, Reed finds agency in the other-than-human identities assigned to those assaulted by savageries of the state. In doing so, he summons a retaliatory, counterviolent Black spirit to revolt and to inhabit the revolting.

This fascinating book explores the tensions behind the greatest era in BBC radio broadcasting ? the Home Service. Despite evacuation, air-raids and the closure of the fledgling TV service, the BBC rose magnificently to the challenge of informing, entertaining and inspiring a nation at war.

The war years were to transform religious broadcasting beyond recognition. Under the persistent and innovative James Welch, the BBC began to invent new formats and take large risks in trying to communicate Christian truth to a generation whose faith was on the rack of war. Out of this came the broadcast talks of CS Lewis and the first ever dramatic portrayal of Christ in Dorothy L Sayers? Man Born to be King.

The response to C S Lewis? first broadcast was so overwhelming that a second programme had to be arranged to answer listeners? questions. Lewis? hugely popular BBC talks were published as Mere Christianity and have been a classic ever since, selling over 11 million copies worldwide.

As a layman, Lewis? critics initially claimed that he was not qualified to talk on Christian matters. For Lewis this was all part of the challenge of reaching a new audience. But his initial enthusiasm for broadcasting waned as it began to interfere with his work at Oxford, and he turned down many of the BBC?s invitations to appear on the radio, including a chance to be on The Brains Trust, the Any Questions of its day.

This is a chapter in Lewis? life which has received very little attention from biographers and commentators, who have focussed on his achievements as a writer and academic. Yet C S Lewis? work on the radio made him a household name.

Much of anaesthetic practice is underpinned by physics, yet many struggle when studying the subject. This book has been written with the aim of helping those who have long since parted company with physics. This new edition has been comprehensively updated, but the content remains aligned with the FRCA syllabus, making Physics in Anaesthesia ideal for trainee anaesthetists, as well as for operating department practitioners and anaesthetic nurses. In addition, clinical science and engineering students will appreciate the linking of theory and practice. Physics in Anaesthesia gives a complete and structured overview: Explanations start from first principles Simple everyday examples are used to illustrate core concepts Clinical examples highlight the applications of physics in anaesthesia Worked examples and helpful diagrams develop understanding Completely revised MCQs/SBAs now available online with hints and tips, plus answers

This fully illustrated guide to modern acupuncture technique explores the foundational skills of the craft from a primarily energetic perspective, showing how perfecting these skills can have a profound effect on the practice of Chinese Medicine. The goal is for the clinician to be able to fully grasp what they are doing on the channels and the tissues with each of the classic manipulation techniques in a way that has hitherto been unexplored in technique textbooks, which tend to focus on the simple mechanics of technique. Organised around the structure of an actual patient encounter, the book begins with the basics of needle selection, moving through patient and practitioner position, to insertion, and then on to the various mechanical actions taken on an inserted needle, ending with the withdrawal of the needle. The skills discussed and described in this book can help expand any acupuncturist's practice through their application. Further advice and information is provided through supplementary online video demonstrations.