His Accidentally Pregnant Princess by Jennifer Faye The CEO, his housekeeper...and her double confession! In this Princesses of Rydiania story, when CEO Antoine meets a stranger in need, he offers her work and refuge as his temporary housekeeper. Their mutual attraction is intensely distracting, but Antoine knows he should resist a woman who's lost her memory. When they give in to their undeniable desire Antoine is faced with shocking consequences... Because Cecelia is actually a princess-and now she's accidentally pregnant! Fiji Escape with Her Boss by Justine Lewis From Fijian fling...to for ever? Single mum Lucy is nervous to be accompanying new boss Marcus on a work trip to Fiji. Having sacrificed so much for her son, she's determined to seize this career-defining moment-if she can keep her growing attraction to Marcus under control! Marcus has protected himself since a tragic accident tore his family apart. His desire for Lucy is undeniable, but can he offer her little family everything they truly deserve...?

Notable events, surprising nuggets and entertaining coincidences from music history – the perfect companion for any fan of popular music

Originally published in 1991, this introduction to studying the television audience discusses developments in semiology and cultural studies and their contribution to our understanding of the power of television. How, in the most precise and intricate sense, does television influence the way we think about the world? What ideological role does it play in contemporary culture? Does TV control us or do we control it? This insightful book assesses the progress in responding to these questions and offers some answers of its own. In the 1980s, with the emergence of semiology and cultural studies in particular, there were a number of significant theoretical developments in our understanding of television's power of which this book provides an overview while also incorporating traditional approaches. It suggests that television influences us ambiguously and unpredictably, depending upon who we are and how we think. Ambiguity does not blunt television's power, it simply diversifies it into a very modern kind of omnipotence. Employing two major qualitative audience studies, this impressive study illustrates its argument with findings that are both unexpected and disturbing.

BENEDICT CUMBERBATCH has played detective and monster, barrister and scientist, politician and painter, comic and spy. Still only in his thirties, he has become one of Britain's foremost acting talents, excelling in theatre, television, radio and cinema. With a string of starring and supporting roles, he has portrayed contemporary icons, historical figures and fictional favourites, from Stephen Hawking, to William Pitt the Younger, to Frankenstein. He has become a radio comedy staple too, as the bungling airline pilot Captain Martin Crieff, in Radio 4's Cabin Pressure. But inevitably, he is still best known for his idiosyncratic and boldly 21st century incarnation of Sherlock Holmes in the BBC TV series, Sherlock. In this book, Justin Lewis traces Benedict Cumberbatch's career to date, from his early promise in Harrow School plays, through his first supporting roles in film, theatre and TV, to national and international acclaim. He examines his considerable contributions not only to Sherlock, but also to Sir Tom Stoppard's adaptation of Parade's End on television, and to feature films such as Tinker, Tailor, Soldier, Spy, Star Trek Into Darkness and War Horse.

First published in 1990, this investigative overview of the politics of arts' and cultural funding examines the question of public support for the arts. Looking at both popular commercial forms of culture, including radio, pop music and cinema, and the more traditional highbrow arts such as drama and opera, Art, Culture and Enterprise was the first book of its kind to deal systematically with the politics of contemporary culture. Drawing examples from specific British venues, Justin Lewis shows how innovative projects work in practice, and considers arts marketing and the promotion of culture as an economic strategy. A particularly relevant title in the context of the debate surrounding Arts Council funding, this reissue will prove valuable for artists, administrators and students of media and cultural studies, alongside those with a general interest in the future of public art and culture.

Television Studies: The Key Concepts is the definitive reference guide to an area of rapidly expanding academic interest. Among those aspects of television studies covered in this comprehensive and up-to-date guide are:

• theoretical perspectives which have shaped the study of television - Marxism; semiology; feminism
• concepts which have shaped the study of television - narrative; representation; bias
• television genres - soap opera; news; science fiction
• methods used for understanding television - content analysis; audience research
• relevant social, economic and political phenomena - ownership; social policy.

Originally published in 1991, this introduction to studying the television audience discusses developments in semiology and cultural studies and their contribution to our understanding of the power of television. How, in the most precise and intricate sense, does television influence the way we think about the world? What ideological role does it play in contemporary culture? Does TV control us or do we control it? This insightful book assesses the progress in responding to these questions and offers some answers of its own. In the 1980s, with the emergence of semiology and cultural studies in particular, there were a number of significant theoretical developments in our understanding of television's power of which this book provides an overview while also incorporating traditional approaches. It suggests that television influences us ambiguously and unpredictably, depending upon who we are and how we think. Ambiguity does not blunt television's power, it simply diversifies it into a very modern kind of omnipotence. Employing two major qualitative audience studies, this impressive study illustrates its argument with findings that are both unexpected and disturbing.

First published in 1990, this investigative overview of the politics of arts' and cultural funding examines the question of public support for the arts. Looking at both popular commercial forms of culture, including radio, pop music and cinema, and the more traditional highbrow arts such as drama and opera, Art, Culture and Enterprise was the first book of its kind to deal systematically with the politics of contemporary culture. Drawing examples from specific British venues, Justin Lewis shows how innovative projects work in practice, and considers arts marketing and the promotion of culture as an economic strategy. A particularly relevant title in the context of the debate surrounding Arts Council funding, this reissue will prove valuable for artists, administrators and students of media and cultural studies, alongside those with a general interest in the future of public art and culture.

Television Studies: The Key Concepts is the definitive reference guide to an area of rapidly expanding academic interest. Among those aspects of television studies covered in this comprehensive and up-to-date guide are:

• theoretical perspectives which have shaped the study of television - Marxism; semiology; feminism
• concepts which have shaped the study of television - narrative; representation; bias
• television genres - soap opera; news; science fiction
• methods used for understanding television - content analysis; audience research
• relevant social, economic and political phenomena - ownership; social policy.

Is polling a process that brings "science" into the study of society? Or are polls crude instruments that tell us little about the way people actually think? The role of public opinion polls in government and mass media has gained increasing importance with each new election or poll taken.

Here Lewis presents a new look at an old tradition, the first study of opinion polls using an interdisciplinary approach combining cultural studies, sociology, political science, and mass communication. Rather than dismissing polls, he considers them to be a significant form of representation in contemporary culture; he explores how the media report on polls and, in turn, how publicized results influence the way people respond to polls. Lewis argues that the media tend to exclude the more progressive side of popular opinion from public debate. While the media's influence is limited, it works strategically to maintain the power of pro-corporate political elites.

Climate Change and the Media brings together an international group of scholars to discuss one of the most important issues in human history: climate change. Since public understanding of the issue relies heavily on media coverage, the media plays a pivotal role in the way we address it. This edited collection - the first scholarly work to examine the relationship between climate change and the media - examines the changing nature of media coverage around the world, from the USA, the UK, and Europe, to China, Australasia, and the developing world. Chapters consider the impact of public relations and fictional programming, the relationship between public understanding and media coverage, and the impact of the media industries themselves on climate change. At a time when governments must take action to alleviate the catastrophic risk that climate change poses, this collection expertly details the pivotal role the media plays in this most fundamental of issues.

ENEDICT CUMBERBATCH has played detective and monster, barrister and scientist, politician and painter, comic and spy. Still only in his thirties, he has become one of Britain's foremost acting talents, excelling in theatre, television, radio and cinema. With a string of starring and supporting roles, he has portrayed contemporary icons, historical figures and fictional favourites, from Stephen Hawking, to William Pitt the Younger, to Frankenstein. He has become a radio comedy staple too, as the bungling airline pilot Captain Martin Crieff, in Radio 4's Cabin Pressure. But inevitably, he is still best known for his idiosyncratic and boldly 21st century incarnation of Sherlock Holmes in the BBC TV series, Sherlock. In this book, Justin Lewis traces Benedict Cumberbatch's career to date, from his early promise in Harrow School plays, through his first supporting roles in film, theatre and TV, to national and international acclaim. He examines his considerable contributions not only to Sherlock, but also to Sir Tom Stoppard's adaptation of Parade's End on television, and to feature films such as Tinker, Tailor, Soldier, Spy, Star Trek Into Darkness and War Horse.

THE EVOLUTION OF SERVICE

Serving others is what we do, yet when we fail to serve ourselves, we fail to create the lives we were meant to lead. What makes a great leader? Why do some professionals progress and inspire the best out of their contemporaries while others struggle to be professional? The principles of leadership have not changed over time. What has changed is how we lead. The demands of our world force us to get more out of every member on our team. To serve and lead at the highest level we must instigate both individual and collective leadership to have a compounding effect on our community.

A regular in the charts and in the gossip columns, Olly is regarded by many as a possible successor to icons like Robbie Williams and Will Young. But not content with his triumphs as a singer, he has also become a TV fixture. After becoming the co-host of The Xtra Factor, he graduated to his own series, Olly: Life on Murs, in 2012. Olly Murs: The Biography follows his journey from suburbia to stardom and beyond. It explores how a seemingly ordinary and grounded Essex boy was determined to follow his dream - and strong and shrewd enough to survive the heady world of entertainment. Along the way, we see how his promising first career as a semi-pro footballer was halted and we discover how he deals with the pros and cons of a celebrity lifestyle.

It is now more than a quarter of a century since the Intergovernmental Panel on Climate Change published their first comprehensive report on the dangers posed by anthropogenic global warming. Over the last twenty-five years the weight of evidence about the causes and consequences of climate change has become compelling. The solutions are fairly simple-we must switch to more sustainable and efficient forms of energy production. And yet they remain elusive-globally we produce significantly more greenhouse gases now than we did back in 1990. The sad truth is that this inaction has made climate change inevitable-the only question that remains is whether we can prevent it spiraling out of control. How do we explain this colossal global failure? The problem is political rather than scientific: we know the risks and we know how to address them, but we lack the political will to do so. The media are pivotal in this equation: they have the power to set the public and the political agenda. Climate Change and the Media, Volume 2 gathers contributions from a range of international scholars to explore the media's role in our understanding of the problem and our willingness to take action. Combined, these chapters explain how and why media coverage has, to date, fallen short in communicating both the science and the politics of climate change. They also offer guidance about how the media might shift from being the problem to becoming part of the solution.

Climate Change and the Media brings together an international group of scholars to discuss one of the most important issues in human history: climate change. Since public understanding of the issue relies heavily on media coverage, the media plays a pivotal role in the way we address it. This edited collection - the first scholarly work to examine the relationship between climate change and the media - examines the changing nature of media coverage around the world, from the USA, the UK, and Europe, to China, Australasia, and the developing world. Chapters consider the impact of public relations and fictional programming, the relationship between public understanding and media coverage, and the impact of the media industries themselves on climate change. At a time when governments must take action to alleviate the catastrophic risk that climate change poses, this collection expertly details the pivotal role the media plays in this most fundamental of issues.

It is now more than a quarter of a century since the Intergovernmental Panel on Climate Change published their first comprehensive report on the dangers posed by anthropogenic global warming. Over the last twenty-five years the weight of evidence about the causes and consequences of climate change has become compelling. The solutions are fairly simple-we must switch to more sustainable and efficient forms of energy production. And yet they remain elusive-globally we produce significantly more greenhouse gases now than we did back in 1990. The sad truth is that this inaction has made climate change inevitable-the only question that remains is whether we can prevent it spiraling out of control. How do we explain this colossal global failure? The problem is political rather than scientific: we know the risks and we know how to address them, but we lack the political will to do so. The media are pivotal in this equation: they have the power to set the public and the political agenda. Climate Change and the Media, Volume 2 gathers contributions from a range of international scholars to explore the media's role in our understanding of the problem and our willingness to take action. Combined, these chapters explain how and why media coverage has, to date, fallen short in communicating both the science and the politics of climate change. They also offer guidance about how the media might shift from being the problem to becoming part of the solution.

Priestly ministry in the Church of England needs a radical rethink...George Herbert died in 1633. His legacy continues. His poems are read and sung, and his parish ministry remains the model for the Church of England's understanding of how and where and why its priests should minister. But there is a problem. The memory of Herbert celebrated by the Church is an inaccurate one, and, in its inaccuracy, is unfair on Herbert himself and his successors in the ordained ministry. This is a book of the long view. It sets out to assess realistically the context of Herbert's life and to explore the difficulties of parish life today. By examining the status and role of parish clergy since Herbert's time and today, it draws on the work of historians, social anthropologists, psychologists and theologians, and presents their ideas in a readable and passionate style. It argues that the future strength of parochial ministry will be found in a recovery of historic, renewed understandings of priestly ministry, and concludes by outlining more sustainable patterns of practice for the future.In a climate of uncertainty for the future of the church, it will be an encouragement for priest and people, and welcomed by both. >