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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
The bite and wit of two of antiquity's best satirists are captured
here in a new Loeb Classical Library edition, a vivid and vigorous
translation facing the Latin text.
Persius (34-62 CE) and Juvenal (writing maybe 60 years later)
were heirs to the style of Latin verse satire developed by Lucilius
and Horace, a tradition mined in Susanna Braund's introduction and
notes. Her notes also give guidance to the literary and historical
allusions that pepper Persius's and Juvenal's satirical
poems--which were clearly aimed at a sophisticated urban audience.
Both poets adopt the mask of an angry man, and sharp criticism of
the society in which they live is combined with flashes of sardonic
humor in their satires. Whether targeting common and uncommon
vices, the foolishness of prayers, the abuse of power by emperors
and the Roman elite, the folly and depravity of Roman wives, or
decadence, materialism, and corruption, their tone is generally one
of righteous indignation.
Juvenal and Persius are seminal as well as stellar figures in
the history of satirical writing. Juvenal especially had a lasting
influence on English writers of the Renaissance and succeeding
centuries.
This book contains cutting edge theoretical papers by top
authors in the field, who also conduct original field work and
bring new data to light. It contains articles that apply the most
recent theoretical tools to the area of ergativity, and explore
issues that emerge. The articles are written by linguists with
expertise in bringing original data to bear on complex theoretical
issues. The overall theme of the volume is the formal expression of
the range and limits of ergativity. The main sections are on the
nature of ergative and absolutive case, the antipassive, split
ergativity, and ergativity in languages not generally considered to
be ergative. Languages investigated are Basque, Chukchi, Georgian,
Halkomelem Salish, Hindi, Inuktitut, Kirundi, Malagasy, Niuean,
NuumiipuutA-mt, Russian, Tongan, and Warlpiri.
This book contains cutting edge theoretical papers by top authors
in the field, who also conduct original field work and bring new
data to light. It contains articles that apply the most recent
theoretical tools to the area of ergativity, and explore issues
that emerge. The articles are written by linguists with expertise
in bringing original data to bear on complex theoretical issues.
The overall theme of the volume is the formal expression of the
range and limits of ergativity. The main sections are on the nature
of ergative and absolutive case, the antipassive, split ergativity,
and ergativity in languages not generally considered to be
ergative. Languages investigated are Basque, Chukchi, Georgian,
Halkomelem Salish, Hindi, Inuktitut, Kirundi, Malagasy, Niuean,
Nuumiipuutimt, Russian, Tongan, and Warlpiri."
Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit
alteste, traditionsreichste und umfangreichste Editionsreihe
griechischer und lateinischer Literatur von der Antike bis zur
Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben
werden durch eine lateinische oder englische Praefatio erganzt. Die
wissenschaftliche Betreuung der Reihe obliegt einem Team
anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore
di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle
(University of Cambridge) Donald J. Mastronarde (University of
California, Berkeley) Franco Montanari (Universita di Genova)
Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen)
Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael
D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard
University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke
wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der
Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als
eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als
eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen
moechten, der noch nicht als Print-on-Demand angeboten wird,
schreiben Sie uns an: [email protected] Samtliche in
der Bibliotheca Teubneriana erschienenen Editionen lateinischer
Texte sind in der Datenbank BTL Online elektronisch verfugbar.
"You can run and leave a place behind, but you can't leave behind
what is running inside of you." A woman and a man, nearly destroyed
by extreme violence, hatred and despair, follow a rare and
unexpected path, and discover extreme forgiveness, love and hope.
Three fisherman pull a near lifeless woman from the sea; having
suffered unimaginable loss, Patricia's life is empty and her only
motivation to go on is to bring the one responsible to justice.
Always on the verge of running, a man hides from his guilt in
Kigali, terrified of his anonymity being compromised and his past
uncovered. Shining a light on the remarkable, untold stories of
reconciliation in Rwanda since the genocide in 1994, Kill the Devil
is a love story between a survivor and a perpetrator of genocide in
a lesson for our times and for all time...
Light from a Nearby Window introduces a new generation of poets
who have become a driving force in Mexican literature today.
Until quite recently, contemporary Mexican poetry has been
little-known and virtually unavailable to English-speaking readers.
This bilingual anthology includes twenty-one poets--twelve men and
nine women--all of who have received national and international
recognition. In poems about sexuality and spirituality, politics
and marginalization, history and tradition, urban and rural life,
they write about the unique experience of being Mexican at the end
of the millennium.
Juvenal Acosta was born in Mexico City in 1961. He studied
economics in Mexico City, and philosophy in Michoacan, where he
lived, miraculously, as a poet. He is the author of the
award-winning Diciendo unas palabras negras and Paper of Live
Flesh. He lives in Berkeley, California.
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