Despite a recent surge of critical interest in the Shakespeare Tercentenary, a great deal has been forgotten about this key moment in the history of the place of Shakespeare in national and global culture - much more than has been remembered. This book offers new archival discoveries about, and new interpretations of, the Tercentenary celebrations in Britain, Australia and New Zealand and reflects on the long legacy of those celebrations. This collection gathers together five scholars from Britain, Australia and New Zealand to reflect on the modes of commemoration of Shakespeare across the hemispheres in and after the Tercentenary year, 1916. It was at this moment of remembering in 1916 that 'global Shakespeare' first emerged in recognizable form. Each contributor performs their own 'antipodal' reading, assessing in parallel events across two hemispheres, geographically opposite but politically and culturally connected in the wake of empire.

This collection uncovers connections and coincidences that challenge the old stories of pioneering performers who crossed the Atlantic and Pacific oceans from the mid-nineteenth to the mid-twentieth century. It investigates songlines, drama, opera, music theatre, dance, and circus-removing traditional boundaries that separate studies of performance, and celebrating difference and transformation in style, intention, and delivery. Well known, or obscure, travelling performers faced dangers at sea and hazardous journeys across land. Their tracks, made in pursuit of fortune and fame, intersected with those made by earlier storytellers in search for food. Touring Performance and Global Exchange takes a fresh look at such tracks-the material remains-demonstrating that moving performance does far more than transfer repertoires and people; it transforms them. Touring performance has too often beenconceived in diasporic terms, as a fixed product radiating out from a cultural centre. This collection maps different patterns-ones that comprise reversed flows, cross currents, and continually proliferating centres of meaning in complex networks of global exchange. This collection will be of great interest to scholars and students in theatre, music, drama studies, and cultural history.

Shakespeare's plays are permeable to the contexts in which they are performed, taking on and speaking to local concerns. Early modern audiences would have experienced the humor and resonance of local identification with his plays. The same is true in present day Australia, where the content of that local identification with Shakespeare's plays is uniquely Australian. Ours As We Play It documents the use of Shakespeare's works to explore contemporary issues. The book takes a close look at several contemporary Australian productions of three of Shakespeare's best-loved plays: exploring masculinity and madness in Hamlet, the role of landscape and the multiple roles of Rosalind in As You Like It, and hierarchies of gender and social order re-imagined in relation to Australian understandings of power in A Midsummer Night's Dream.

Called one of the best magazines in America by Nan Talese and "the roots" in "Esquire's" garden of contemporary literature, and named one of "Writer's Digest's" "Nineteen Magazines That Matter," "Prairie Schooner"--one of the oldest and most prestigious literary journals in the country--celebrates seventy-five years of continuous publication. This powerful anthology collects some of the best personal essays from the poets, novelists and critics who have appeared in the journal's pages.

Readers will explore a kaleidoscope of memories and experiences, including the power of a planting season, the catharsis that fishing holds for an adolescent boy, the literary fallout from a cousin's death, the lessons learned in the parlor of a Puerto Rican grandmother, the impact of discovering an identical twin's homosexuality, and the revelations of a homecoming.

Despite a recent surge of critical interest in the Shakespeare Tercentenary, a great deal has been forgotten about this key moment in the history of the place of Shakespeare in national and global culture - much more than has been remembered. This book offers new archival discoveries about, and new interpretations of, the Tercentenary celebrations in Britain, Australia and New Zealand and reflects on the long legacy of those celebrations. This collection gathers together five scholars from Britain, Australia and New Zealand to reflect on the modes of commemoration of Shakespeare across the hemispheres in and after the Tercentenary year, 1916. It was at this moment of remembering in 1916 that 'global Shakespeare' first emerged in recognizable form. Each contributor performs their own 'antipodal' reading, assessing in parallel events across two hemispheres, geographically opposite but politically and culturally connected in the wake of empire.