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Step across the threshold of a haunted hotel in California's
renowned Gold Country and encounter phantom figures of yesteryear.
Wispy apparitions of gentleman guests in Victorian coats and ladies
in fashionable flapper gowns glide through the walls, while
unexplained sobs and choking gasps disturb the night. There's Stan,
the Cary House's eternal desk clerk, and bachelor ghost Lyle, who
tidies the Groveland Hotel. Flo tosses pots and pans in the
National's kitchen, while the once-scorned spirit of Isabella ties
the Sierra Nevada House's curtains in knots. From suicidal gamblers
to murdered miners, the Mother Lode's one-time boomtowns are
crowded with characters of centuries past. Book your stay with
author Nancy Williams as she explores the history and haunts of the
Gold Country's iconic hotels.
Double bill of futuristic horror films. In 'The Purge' (2013),
Ethan Hawke stars as the head of a family forced to fight for their
lives. With crime in America spiralling out of control and prison
populations soaring, the government of the day implements a drastic
new initiative to address the problem. For a 12-hour period once a
year, all crime, including murder, is legal, as the police and
other emergency services stand down for the night, allowing the
population to regulate itself. 'The Purge' is deemed a success due
to plummeting crime levels and record low unemployment figures. But
after placing their upmarket home under its yearly lockdown, James
and Mary Sandin (Hawke and Lena Headey) and their family find
themselves under siege from a crazed group of masked killers when
their teenage son (Max Burkholder) offers shelter to the mob's
terrified prey. In 'The Purge: Anarchy' (2014), following on from
events in the previous film, a year has passed and the time for
society to purge itself of all murderous and violent urges has come
back around. Desperate to get home to their children before 'The
Purge' commences, a young couple (Zach Gilford and Kiele Sanchez)
find themselves stranded when their car breaks down, leaving them
at the mercy of a mob of masked attackers. Meanwhile, a man (Frank
Grillo) looking to avenge the murder of his son becomes the
reluctant protector of a mother and daughter (Carmen Ejogo and Zoe
Soul) on the run. Can they all survive the night?
When Michael K. Williams died on 6 September 2021, he left behind a
career as one of the most electrifying actors of his generation.
From his star turn as Omar Little in The Wire to Chalky White in
Boardwalk Empire to Emmy-nominated roles in HBO's The Night Of and
Lovecraft Country, Williams inhabited a slew of indelible roles
that he portrayed with a rawness and vulnerability that leapt off
the screen. Beyond the nominations and acclaim, Williams played
characters who connected, whose humanity couldn't be denied, whose
stories were too often left out of the main narrative. At the time
of his death, Williams had nearly finished a memoir that tells the
story of his past while looking to the future, a book that merges
his life and his life's work. Mike, as his friends knew him, was so
much more than an actor. In Scenes from My Life, he traces his life
in whole, from his childhood in East Flatbush and his early years
as a dancer to his battles with addiction and the bar fight that
left his face with his distinguishing scar. He was a committed
Brooklyn resident and activist who dedicated his life to working
with social justice organisations and his community, especially in
helping at-risk youth find their voice and carve out their future.
Williams worked to keep the spotlight on those he fought for and
with, whom he believed in with his whole heart. Imbued with
poignance and raw honesty, Scenes from My Life is the story of a
performer who gave his all to everything he did-in his own voice,
in his own words, as only he could.
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I Like Me (Hardcover)
Verdie K Williams; Illustrated by Taranggana
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R588
Discovery Miles 5 880
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Ships in 12 - 17 working days
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The New York Times Bestseller ONE OF THE BEST BOOKS OF THE YEAR:
The New York Times, NPR, The Root A moving, unflinching memoir of
hard-won success, struggles with addiction, and a lifelong mission
to give back. When Michael K. Williams died on 6 September 2021, he
left behind a career as one of the most electrifying actors of his
generation. From his star turn as Omar Little in The Wire to Chalky
White in Boardwalk Empire to Emmy-nominated roles in HBO’s The
Night Of and Lovecraft Country, Williams inhabited a slew of
indelible roles that he portrayed with a rawness and vulnerability
that leapt off the screen. Beyond the nominations and acclaim,
Williams played characters who connected, whose humanity couldn’t
be denied, whose stories were too often left out of the main
narrative. At the time of his death, Williams had nearly finished a
memoir that tells the story of his past while looking to the
future, a book that merges his life and his life’s work. Mike, as
his friends knew him, was so much more than an actor. In Scenes
from My Life, he traces his life in whole, from his childhood in
East Flatbush and his early years as a dancer to his battles with
addiction and the bar fight that left his face with his
distinguishing scar. He was a committed Brooklyn resident and
activist who dedicated his life to working with social justice
organisations and his community, especially in helping at-risk
youth find their voice and carve out their future. Williams worked
to keep the spotlight on those he fought for and with, whom he
believed in with his whole heart. Imbued with poignance and raw
honesty, Scenes from My Life is the story of a performer who gave
his all to everything he did – in his own voice, in his own
words, as only he could. 'Immensely inspiring and candid' -
Publishers Weekly 'Soul-baring' - The Washington Post 'A gripping,
revelatory memoir' - NPR 'William's cool rasp leaps off every page,
his story told in the direct yet impassioned language that defined
his greatest characters' - Vulture
Using as their starting point a 1976 Newsweek cover story on the
emerging politicization of evangelical Christians, contributors to
this collection engage the scholarly literature on evangelicalism
from a variety of angles to offer new answers to persisting
questions about the movement. The standard historical narrative
describes the period between the 1925 Scopes Trial and the early
1970s as a silent one for evangelicals, and when they did re-engage
in the political arena, it was over abortion. Randall J. Stephens
and Randall Balmer challenge that narrative. Stephens moves the
starting point earlier in the twentieth century, and Balmer
concludes that race, not abortion, initially motivated activists.
In his examination of the relationship between African Americans
and evangelicalism, Dan Wells uses the Newsweek story's sidebar on
black activist and born-again Christian Eldridge Cleaver to
illuminate the former Black Panther's uneasy association with white
evangelicals. Daniel K. Williams, Allison Vander Broek, and J.
Brooks Flippen explore the tie between evangelicals and the
anti-abortion movement as well as the political ramifications of
their anti-abortion stance. The election of 1976 helped to
politicize abortion, which both encouraged a realignment of
alliances and altered evangelicals' expectations for candidates,
developments that continue into the twenty-first century. Also in
1976, Foy Valentine, leader of the Southern Baptist Christian Life
Commission, endeavored to distinguish the South's brand of
Protestant Christianity from the evangelicalism described by
Newsweek. Nevertheless, Southern Baptists quickly became associated
with the evangelicalism of the Religious Right and the South's
shift to the Republican Party. Jeff Frederick discusses
evangelicals' politicization from the 1970s into the twenty-first
century, suggesting that southern religiosity has suffered as
southern evangelicals surrendered their authenticity and adopted a
moral relativism that they criticized in others. R. Ward Holder and
Hannah Dick examine political evangelicalism in the wake of Donald
Trump's election. Holder lays bare the compromises that many
Southern Baptists had to make to justify their support for Trump,
who did not share their religious or moral values. Hannah Dick
focuses on media coverage of Trump's 2016 campaign and contends
that major news outlets misunderstood the relationship between
Trump and evangelicals, and between evangelicals and politics in
general. The result, she suggests, was that the media severely
miscalculated Trump's chances of winning the election.
You are not alone if you are one of the staggering numbers of
grandparents who are raising their grandchildren Are you confused
by the generational gaps, challenging communications, and tough
questions like, "Why are my parents so old? Why is my father in
jail? Why doesn't my mother show up to visit when she
promised?"
This book evaluates the history, the present and the future of
water markets on 5 continents, beginning with the institutional
underpinnings of water markets and factors influencing transaction
costs. The book examines markets in seven countries and three
different U.S. states, ranging from village-level water markets in
Oman to basin wide formal water markets in Australia's
Murray-Darling River basin.
Introductory chapters on the background of water markets and on
transaction costs and policy design are followed by chapter length
discussion of water markets as an adaptive response to climate
change and of supply reliability in a changing climate. Case
studies describe a variety of facets of the design and function of
markets around the world: California, Chile, Spain, Oman,
Australia, Canada, India and China.
In analyzing these real-world examples of markets, the
contributors explore water rights and trading of rights between
agricultural and urban sectors and the principles and function of
option markets. They discuss different sized approaches, from large
scale, ministry-level administration of markets to informal
arrangements among farmers in the same village, or groups of
villages which allocate water without large investment in
management and infrastructure. Discussion includes questions of why
water market practices have not expanded more rapidly in arid
places.
The book discusses mechanisms for resolving conflicts between
water rights holders as well as between water right holders and
third parties impacted by water trades and whether or not public
ownership of water rights or use rights should trump private
ownership and under what condition. Also covered are new and
expanding categories of water use, beyond human consumption,
agriculture and industry to new technologies ranging from
extracting natural gas from shale to producing biofuels.
The book concludes with suggestions for future water markets and
offers a realistic picture of how they might change water use and
distribution practices going forward.
This volume offers a new perspective on American conservatism in
the 1960s and the way in which the changes of the decade shaped the
development of American politics for the next half-century.
Historians have increasingly begun to view the sixties as a decade
of conservatism, and a spate of landmark books in the field have
traced the careers of Barry Goldwater, Richard Nixon, Ronald
Reagan, and George Wallace. Much, however, is still unknown about
the growth of the conservative movement during this decade. In
their effort to chronicle the national politicians and
organizations that led the movement, previous histories of
conservatism neglected to examine lesser-known developments--local
perspectives, the role of religion, transnational dimensions--that
help to give clues to conservatism's enduring influence in American
politics. The contributions here provide a synthesis of
cutting-edge scholarship that addresses those overlooked
developments and offers new insights into the way that the 1960s
shaped the trajectory and contributed to the political power of
postwar conservatism.
When the Christian Right burst onto the scene in the late 1970s,
many political observers were shocked. But, God's Own Party
demonstrates, they shouldn't have been. The Christian Right goes
back much farther than most journalists, political scientists, and
historians realize. Relying on extensive archival and primary
source research, Daniel K. Williams presents the first
comprehensive history of the Christian Right, uncovering how
evangelicals came to see the Republican Party as the vehicle
through which they could reclaim America as a Christian nation. The
conventional wisdom has been that the Christian Right arose in
response to Roe v. Wade and the liberal government policies of the
1970s. Williams shows that the movement's roots run much deeper,
dating to the 1920s, when fundamentalists launched a campaign to
restore the influence of conservative Protestantism on American
society. He describes how evangelicals linked this program to a
political agenda-resulting in initiatives against evolution and
Catholic political power, as well as the national crusade against
communism. Williams chronicles Billy Graham's alliance with the
Eisenhower White House, Richard Nixon's manipulation of the
evangelical vote, and the political activities of Jerry Falwell,
Pat Robertson, and others, culminating in the presidency of George
W. Bush. Though the Christian Right has frequently been declared
dead, Williams shows, it has come back stronger every time. Today,
no Republican presidential candidate can hope to win the party's
nomination without its support. A fascinating and much-needed
account of a key force in American politics, God's Own Party is the
only full-scale analysis of the electoral shifts, cultural changes,
and political activists at the movement's core-showing how the
Christian Right redefined politics as we know it.
The first account of the secret police in Eastern Europe after 1989, this book uses a wide range of sources, including archives, to identify what has and has not changed since the end of Communism. After explaining the structure and workings of two of the area's most feared services, Czechoslovakia's StB and Romania's Securitate, the authors detail the creation of new security intelligence institutions, the development of contacts with the West, and forms of democratic control.
Embodying Democracy analyzes the politics of electoral reform in eight postcommunist states including Poland, Hungary, the Czech Republic, Slovakia, Romania, Bulgaria, Russia, and Ukraine. By exploring the multiple factors that shaped the design of electoral institutions during the first ten years of postcommunist transition, it accounts for an important element of the postcommunist reform process and illuminates general features of institutional design in post-transition states.
Markets for Water: Potential and Performance dispels many of the
myths surrounding water markets and gives readers a comprehensive
picture of the way that markets have developed in different parts
of the world. It is possible, for example, for a water market to
fail, and for the transaction costs in water markets to be
excessive. Too often water trading is banned because the water
resources have been developed with public funds and the water
agencies do not want to lose control over water. There is also a
concern that poor farmers or households will be disadvantaged by
water trading. These concerns about public resources and the poor
are not very different from those that have been voiced in the past
about land sales. The problem is that in many cases the poor
already have limited access to resources, but this limit is not due
to water trading. In fact, water trading is likely to expand the
access to water for many small-scale farmers. Markets for Water:
Potential and Performance provides an analytical framework for
water market establishment. It develops the necessary conditions
for water markets and illustrates how they can improve both water
management and economic efficiency. Finally, the book gives readers
an up-to-date picture of what we have learned about water markets
in a wide range of countries, from the US to Chile and India.
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