I know that change is difficult but it is possible. I keep thinking that I will do something tomorrow and then tomorrow comes and I can't remember what it was I said that I was going to do, so I end up doing something else. For example, this collection of thoughts is years in the making. There were days that I was just too afraid to write about what I was dealing with, so I would put it off for another day. Then at the end of the day I realize what I was supposed to be doing. So then one day becomes two just like that. It is similar to standing on the sideline waiting for your turn at jump rope. I would make all the movements to jump in but kept waiting for the best time to jump in. Does anyone else know what that feels like?

What I have learned about death is that every experience brought with it a new set of emotions in a different way. Sometimes it brought loneliness, other times it brought joy. Sometimes it brought sadness, other times it brought peace. Sometimes nothing came and that is when I hear the voice. The voice reminded me that for everything there is a season. A time to be born and a time to die. It is in this time of nothingness that I am finally able to accept the passing and have the ceremonial burial in my spirit.

Reflections What I Know to Be True will take you on a journey that you will want to share with your spouse, sisters and friends. Jema has a unique way of telling a story that will allow you to see yourself in it and to grow from it.

This undergraduate textbook examines environmental pollution ranging from our homes to the global environment. Completely updated and with over 50% new and rewritten material, this new edition assesses the international scope of pollution, including water, climate change, acidification, energy, solid and hazardous waste, persistent chemicals, and pesticides. The pollutants of current major concern are examined, including plastics and electronic waste. Both the impacts and the sources of pollution are addressed, as well as governmental, corporate, and personal responsibility for pollution. Pollution prevention is emphasized throughout, but students will come to see that prevention is not enough. The text moves on to examine a circular economy with closed-loop systems, where by-products are reused, wastes become raw materials, water is recycled, and energy is recovered from waste energy. Understanding Environmental Pollution engages students with the idea that humanity holds the tools to confronting the daunting pollution issues by considering a circular economy.

On the evening of May 31, 1921, and in the early morning hours of June 1, several thousand white citizens and authorities violently attacked the African American Greenwood District of Tulsa, Oklahoma. In the course of some twelve hours of mob violence, white Tulsans reduced one of the nation's most prosperous black communities to rubble and killed an estimated 300 people, mostly African Americans. This richly illustrated volume, featuring more than 175 photographs, along with oral testimonies, shines a new spotlight on the race massacre from the vantage point of its victims and survivors. Historian and Black Studies professor Karlos K. Hill presents a range of photographs taken before, during, and after the massacre, mostly by white photographers. Some of the images are published here for the first time. Comparing these photographs to those taken elsewhere in the United States of lynchings, the author makes a powerful case for terming the 1921 outbreak not a riot but a massacre. White civilians, in many cases assisted or condoned by local and state law enforcement, perpetuated a systematic and coordinated attack on Black Tulsans and their property. Despite all the violence and devastation, black Tulsans rebuilt the Greenwood District brick by brick. By the mid-twentieth century, Greenwood had reached a new zenith, with nearly 250 Black-owned and Black-operated businesses. Today the citizens of Greenwood, with support from the broader community, continue to work diligently to revive the neighborhood once known as 'Black Wall Street.' As a result, Hill asserts, the most important legacy of the Tulsa Race Massacre is the grit and resilience of the Black survivors of racist violence. The 1921 Tulsa Race Massacre: A Photographic History offers a perspective largely missing from other accounts. At once captivating and disturbing, it will embolden readers to confront the uncomfortable legacy of racial violence in U.S. history.

Vanguard follows their hit Frazetta: The Definitive Reference with Jeffrey Jones: The Definitive Reference. Legendary artist Frank Frazetta once called Hugo Award and World Fantasy Award winner Jones "the great living painter." Jones and Frazetta were the top two heroic fantasy book cover artists of the 1960's and '70's. As well as sci-fi and fantasy, Jones famously contributed to 1972-75 issues of National Lampoon with the innovative comics feature "Idyl," and was a member of The Studio in New York City with contemporaries, Barry Windsor-Smith, Bernie Wrightson, and Michael Wm, Kaluta. The Studio became the subject of a landmark book from Dragon's Dream in 1979. By the '80s Jones relocated to the Woodstock area to pursue Fine Art. This is not an art monograph or biography but is a profusely illustrated reference book, gathering together the most detailed information on every known, first-publication image by Jones from magazines, books, comics, postcards, and every other artifact one can imagine -- the absolute completists' guide to Jeffrey Jones

In 1921 Tulsa's Greenwood District, known then as the nation's 'Black Wall Street,' was one of the most prosperous African American communities in the United States. But on May 31 of that year, a white mob, inflamed by rumors that a young Black man had attempted to rape a white teenage girl, invaded Greenwood. By the end of the following day, thousands of homes and businesses lay in ashes, and perhaps as many as three hundred people were dead. Tulsa, 1921 shines new light into the shadows that have long been cast over this extraordinary instance of racial violence. With the clarity and descriptive power of a veteran journalist, author Randy Krehbiel digs deep into the events and their aftermath and investigates decades-old questions about the local culture at the root of what one writer has called a white-led pogrom. Krehbiel analyzes local newspaper accounts in an unprecedented effort to gain insight into the minds of contemporary Tulsans. In the process he considers how the Tulsa World, the Tulsa Tribune, and other publications contributed to the circumstances that led to the disaster and helped solidify enduring white justifications for it. Some historians have dismissed local newspapers as too biased to be of value for an honest account, but by contextualizing their reports, Krehbiel renders Tulsa's papers an invaluable resource, highlighting the influence of news media on our actions in the present and our memories of the past. The Tulsa Massacre was a result of racial animosity and mistrust within a culture of political and economic corruption. In its wake, Black Tulsans were denied redress and even the right to rebuild on their own property, yet they ultimately prevailed and even prospered despite systemic racism and the rise during the 1920s of the second Ku Klux Klan. As Krehbiel considers the context and consequences of the violence and devastation, he asks, Has the city - indeed, the nation - exorcised the prejudices that led to this tragedy?

Beyond the Rope is an interdisciplinary study that draws on narrative theory and cultural studies methodologies to trace African Americans' changing attitudes and relationships to lynching over the twentieth century. Whereas African Americans are typically framed as victims of white lynch mob violence in both scholarly and public discourses, Karlos K. Hill reveals that in the late nineteenth and early twentieth centuries African Americans lynched other African Americans in response to alleged criminality, and that twentieth-century black writers envisaged African American lynch victims as exemplars of heroic manhood. By illuminating the submerged histories of black vigilantism and consolidating narratives of lynching in African American literature that framed black victims of white lynch mob violence as heroic, Hill argues that rather than being static and one dimensional, African American attitudes towards lynching and the lynched black evolved in response to changing social and political contexts.

Beyond the Rope is an interdisciplinary study that draws on narrative theory and cultural studies methodologies to trace African Americans' changing attitudes and relationships to lynching over the twentieth century. Whereas African Americans are typically framed as victims of white lynch mob violence in both scholarly and public discourses, Karlos K. Hill reveals that in the late nineteenth and early twentieth centuries African Americans lynched other African Americans in response to alleged criminality, and that twentieth-century black writers envisaged African American lynch victims as exemplars of heroic manhood. By illuminating the submerged histories of black vigilantism and consolidating narratives of lynching in African American literature that framed black victims of white lynch mob violence as heroic, Hill argues that rather than being static and one dimensional, African American attitudes towards lynching and the lynched black evolved in response to changing social and political contexts.

This Festschrift brings together 28 invited papers surveying the state of the art in language testing. The papers, by key figures in the field of language testing, cover issues ranging from test construct definition to the design and applications of language tests, including their importance as a means of exploring larger issues in language teaching, language learning and language policy.The volume locates work in language assessment in a context of social, political and ethical issues at a time when testing is increasingly expected to be publicly accountable. It is thus particularly appropriate as a tribute to Alan Davies, whose work in this field since the 1960s has been marked by its conceptual strength and social responsiveness,seeking constantly to clarify and challengecurrent practice and new trends.

Between 1933 and 1945, artistic creativity within the German Reich was almost totally under the control of the National Socialist state. Many artists emigrated. But what about the ones who remained in Germany? Under what social and economic conditions did they focus on their art and what options for activity were open to them? For artists who did not conform to the system, the years of National Socialism were an era of standstill and isolation. This volume questions this blanket judgement through 15 artist personalities and shows how differently they dealt with ostracism, the lack of audience and the absence of exchange, what possibilities they had for selling and exhibiting their works and to what extent they adapted to the requirements of the Nazi regime. Some 150 paintings, sculptures, drawings and photographs reflect graphically the contradictions of this time.

Vanguard follows their hit Frazetta: The Definitive Reference with Jeffrey Jones: The Definitive Reference. Legendary artist Frank Frazetta once called Hugo Award and World Fantasy Award winner Jones "the great living painter." Jones and Frazetta were the top two heroic fantasy book cover artists of the 1960's and '70's. As well as sci-fi and fantasy, Jones famously contributed to 1972-75 issues of National Lampoon with the innovative comics feature "Idyl," and was a member of The Studio in New York City with contemporaries, Barry Windsor-Smith, Bernie Wrightson, and Michael Wm, Kaluta. The Studio became the subject of a landmark book from Dragon's Dream in 1979. By the '80s Jones relocated to the Woodstock area to pursue Fine Art. This is not an art monograph or biography but is a profusely illustrated reference book, gathering together the most detailed information on every known, first-publication image by Jones from magazines, books, comics, postcards, and every other artifact one can imagine -- the absolute completists' guide to Jeffrey Jones

This undergraduate textbook examines environmental pollution ranging from our homes to the global environment. Completely updated and with over 50% new and rewritten material, this new edition assesses the international scope of pollution, including water, climate change, acidification, energy, solid and hazardous waste, persistent chemicals, and pesticides. The pollutants of current major concern are examined, including plastics and electronic waste. Both the impacts and the sources of pollution are addressed, as well as governmental, corporate, and personal responsibility for pollution. Pollution prevention is emphasized throughout, but students will come to see that prevention is not enough. The text moves on to examine a circular economy with closed-loop systems, where by-products are reused, wastes become raw materials, water is recycled, and energy is recovered from waste energy. Understanding Environmental Pollution engages students with the idea that humanity holds the tools to confronting the daunting pollution issues by considering a circular economy.

On August 19, 1958, Clara Luper and thirteen Black youth walked into Katz Drug Store in Oklahoma City and sat down at the lunch counter. When they tried to order, they were denied service. As they sat in silence, refusing to leave, the surrounding white customers unleashed a torrent of threats and racial slurs. This first organized sit-in in Oklahoma—almost two years before the more famous sit-ins in Greensboro, North Carolina—sparked other demonstrations in Oklahoma and other states. Behold the Walls is Luper’s engrossing firsthand account of how the movement she helped launch ended legal racial segregation. First published in 1979, Behold the Walls now features a new introduction and 33 newly selected historical photos. Luper’s direct, unvarnished account captures the immediacy of the events she witnessed. As a Black woman, Luper refused to let either her race or her gender deter her from stepping forth as a leader. Born in 1923, Clara Luper taught history in Oklahoma public schools and led the NAACP Youth Council. The students who sat in at Katz Drug and other businesses belonged to that organization. Luper highlights the contributions of others, especially young people, in breaking down the walls of segregation in Oklahoma through numerous demonstrations, marches, and voter registration campaigns. This commemorative edition of Luper’s eye-opening autobiography, published near what would have been her 100th birthday, as well as the 65th anniversary of the sit-ins, offers invaluable insight into the history of protest in the early years of the civil rights movement. With racial inequality still at the forefront of national debate, Behold the Walls places Luper’s efforts in the larger national context of the struggle to resist injustice and inspire positive change.

As the flames of revolution scour the Tearmoon Empire, its ever-selfish princess, Mia Luna Tearmoon, meets her doom by way of public beheading...only to wake up in the past as her twelve-year-old self! It’s time to shape up, recruit some allies, and exploit her knowledge of the future to save her empire! Is she up to the task? No, not even slightly! But it’s her only choice if she hopes to spare herself from yet another gruesome end at the blade of the guillotine!

During Noah's lifetime the bad behavior of most of mankind had caused corruption. This corruption became so prevalent that God decided to implement His judgment via a flood covering the whole earth about 1,650 years after Adam was created. Noah built an ark according to God's instructions. Before the flood began, he and his family along with other creatures went on board. All of those in this ark were saved from the deluge of water. After the flood, God made the rainbow covenant with Noah and all of the other living creatures. This book includes verses translated from the Greek old covenant writing, sometimes referred to as the Septuagint. Additionally, some comparisons to the Hebrew text are provided.

Bare your blades, students of Saint-Noel! The biannual swordsmanship tournament has arrived, and the competition is as fierce as the stakes are high! Can Prince Abel prevail in a battle of wills against his chauvinistic brother? Can anyone stop Prince Sion’s meteoric rise through the ranks? When the day is finally won, who will emerge victorious as the academy’s finest swordsman? And most importantly, will Mia’s culinary genius secure Abel’s affection, or will Keithwood’s incessant nitpicking and idea-quashing ruin everything?