This volume centers on the study of the relations between literature and the environment and poses important questions to an evolving field: why has ecocriticism focused on narrow, more recent historical periods? What has prevented or discouraged critics from extending environmentally-conscious readings further into the past, and what is lost as a consequence? "Early Modern Ecostudies" engages directly with such issues and advances a new practice that borrows from the methodologies of current ecocriticism, interrogates its problematic assumptions, and extends its reach and significance. Dealing with a range of subjects, these essays apply ecocritical methods to traditional authors such as Shakespeare, Sidney, More, and Milton; canonical texts such Edward Taylor's poetry and the Florentine Codex; and documents from the literature of discovery, medicine, and natural history.

This volume fills an important gap in the analysis of early modern history and culture by reintroducing scholars to the significance of the horse. A more complete understanding of the role of horses and horsemanship is absolutely crucial to our understanding of the early modern world. Each essay in the collection provides a snapshot of how horse culture and the broader culture - that tapestry of images, objects, structures, sounds, gestures, texts, and ideas - articulate. Without knowledge of how the horse figured in all these aspects, no version of political, material, or intellectual culture in the period can be entirely accurate.

The essays in this volume interrogate the unique and often problematic relationship between early modern cultural studies and ecocriticism, providing theoretical insights and models for a future practice that successfully wed the two disciplines.