Western Broadcasting Over the Iron Curtain (1986) examines the development of broadcasting policy by Western democracies, levels of government control of policy, efforts by communist regimes to minimize the effects of western broadcasting, and Soviet and Eastern European audience opinions on such diverse subjects as the success or failure of socialism and the Korean airline disaster.

This book, first published in 1983, brings together leading world experts on film and radio propaganda in a study which deals with each of the major powers as well as several under occupation. By examining each nations’ propaganda content and comparing its various strands of output designed for different audiences, the historian is provided with an important source of a nation’s official self-image. Total war forced governments to formulate goals consistent with the received national ideology in order to support the war effort. To this extent, much of the domestic propaganda was directed towards stimulating the population to make sacrifices with promise of a new world if the peace were won.

This book, first published in 1988, provides a comparative approach for looking at the filmic witness of the final days of the Third Reich, and the opening of the period often referred to as Stunde Null (Zero Hour) – that moment when a new Germany emerged from catastrophic destruction. Brought together in this volume are articles by a group of international scholars each dealing with the message of German defeat as it was presented to the people of the Soviet Union, the United States, Great Britain, Poland, Switzerland and Germany itself. Not only are newsreels and immediate post-war documentaries dealt with but also the very important Welt im Film Newsreel which was used by the Americans and British for the political reeducation of Germany.

This book, first published in 1988, provides a comparative approach for looking at the filmic witness of the final days of the Third Reich, and the opening of the period often referred to as Stunde Null (Zero Hour) - that moment when a new Germany emerged from catastrophic destruction. Brought together in this volume are articles by a group of international scholars each dealing with the message of German defeat as it was presented to the people of the Soviet Union, the United States, Great Britain, Poland, Switzerland and Germany itself. Not only are newsreels and immediate post-war documentaries dealt with but also the very important Welt im Film Newsreel which was used by the Americans and British for the political reeducation of Germany.

This book, first published in 1983, brings together leading world experts on film and radio propaganda in a study which deals with each of the major powers as well as several under occupation. By examining each nations' propaganda content and comparing its various strands of output designed for different audiences, the historian is provided with an important source of a nation's official self-image. Total war forced governments to formulate goals consistent with the received national ideology in order to support the war effort. To this extent, much of the domestic propaganda was directed towards stimulating the population to make sacrifices with promise of a new world if the peace were won.

Bringing together the work of leading film historians, originally published in 1981, this book illustrates the breadth of methodological approaches adopted by the field and the variety of its interests. Dealing with a period from about 1924-1945, it considers feature films in particular, showing their potential as historical source material, and discussing how they provide a clearer understanding of the societies and intellectual trends they both reflected and affected. By using films as historical documents, the articles demonstrate how important new insights may be gained into the history of the Soviet Union, France, Germany, Great Britain and the United States. They provide both detailed in-depth studies and a general introduction on the problems of the type of documentation appropriate to the study of film history.

Bringing together the work of leading film historians, originally published in 1981, this book illustrates the breadth of methodological approaches adopted by the field and the variety of its interests. Dealing with a period from about 1924-1945, it considers feature films in particular, showing their potential as historical source material, and discussing how they provide a clearer understanding of the societies and intellectual trends they both reflected and affected. By using films as historical documents, the articles demonstrate how important new insights may be gained into the history of the Soviet Union, France, Germany, Great Britain and the United States. They provide both detailed in-depth studies and a general introduction on the problems of the type of documentation appropriate to the study of film history.

Compiled as a tool for re-educating the population of the three western zones of Occupation, this catalog lists 395 features, feature-length documentaries, and short films that were forbidden for public exhibition. The Zonal Film Archives originally held some 3200 feature titles and 2500 short titles. After viewing, those found to be harmless were returned to their owners, leaving the forbidden films documented in this catalog.

Each film entry gives credits (year, production, director, cast) together with an evaluation of the content. The films are listed in two sections: first, feature/feature-length documentaries and, second, shorts. They are further subdivided according to character and purpose (anti-American propaganda, or Nazi architectural propaganda, for example). There is a complete index of film titles and a list of all films produced in Germany between 1933 and 1945 by the Propaganda Ministry. An extensive introduction by noted historian K. R. M. Short places the work and a selection of related documents in full historical perspective. This catalog is a pivotal document for understanding the policies used to reconstruct and re-educate Germany between 1945 and 1951. As such it is invaluable to historians of Nazi and post-war Germany.