From the inception of slavery as a pillar of the Atlantic World economy, both Europeans and Africans feared their mass extermination by the other in a race war. In the United States, says Kay Wright Lewis, this ingrained dread nourished a preoccupation with slave rebellions and would later help fuel the Civil War, thwart the aims of Reconstruction, justify Jim Crow, and even inform civil rights movement strategy. And yet, says Lewis, the historiography of slavery is all but silent on extermination as a category of analysis. Moreover, little of the existing sparse scholarship interrogates the black perspective on extermination. A Curse upon the Nation addresses both of these issues. To explain how this belief in an impending race war shaped eighteenth- and nineteenth-century American politics, culture, and commerce, Lewis examines a wide range of texts including letters, newspapers, pamphlets, travel accounts, slave narratives, government documents, and abolitionist tracts. She foregrounds her readings in the long record of exterminatory warfare in Europe and its colonies, placing lopsided reprisals against African slave revolts or even rumors of revolts in a continuum with past brutal incursions against the Irish, Scots, Native Americans, and other groups out of favor with the empire. Lewis also shows how extermination became entwined with ideas about race and freedom from early in the process of enslavement, making survival an important form of resistance for African peoples in America. For African Americans, enslaved and free, the potential for one-sided violence was always present and deeply traumatic. This groundbreaking study reevaluates how extermination shaped black understanding of the Atlantic slave trade and the political, social, and economic worlds in which it thrived.

From the inception of slavery as a pillar of the Atlantic World economy, both Europeans and Africans feared their mass extermination by the other in a race war. In the United States, says Kay Wright Lewis, this ingrained dread nourished a preoccupation with slave rebellions and would later help fuel the Civil War, thwart the aims of Reconstruction, justify Jim Crow, and even inform civil rights movement strategy. And yet, says Lewis, the historiography of slavery is all but silent on extermination as a category of analysis. Moreover, little of the existing sparse scholarship interrogates the black perspective on extermination. A Curse upon the Nation addresses both of these issues. To explain how this belief in an impending race war shaped eighteenth- and nineteenth-century American politics, culture, and commerce, Lewis examines a wide range of texts including letters, newspapers, pamphlets, travel accounts, slave narratives, government documents, and abolitionist tracts. She foregrounds her readings in the long record of exterminatory warfare in Europe and its colonies, placing lopsided reprisals against African slave revolts-or even rumors of revolts-in a continuum with past brutal incursions against the Irish, Scots, Native Americans, and other groups out of favor with the empire. Lewis also shows how extermination became entwined with ideas about race and freedom from early in the process of enslavement, making survival an important form of resistance for African peoples in America. For African Americans, enslaved and free, the potential for one-sided violence was always present and deeply traumatic. This groundbreaking study reevaluates how extermination shaped black understanding of the Atlantic slave trade and the political, social, and economic worlds in which it thrived.

The town and actual island known as Pawleys doesn't have boardwalks or Beachy town trappings. It's slow, private and classy. The people live on island time, a little to the right of bohemian I imagine; relaxed, down to earth, and spiritual. Yes, with the tides, winds, sand, ocean smells and sounds, the soul is soothed. However, Pawleys Island can be a frightening place to visit because once you spend time here you can't get the romance of the Lowcountry out of your mind. I know this as a fact because it happened to me. After visiting some friends in Pawleys we bought a home and one year later lived here. Some say there are ghosts and spirits among us. Maybe one of these spirits cast a spell and won't let go. After moving here I wanted to know everything there was to know about the Lowcountry. I spent months exploring, learning the lore and falling in love. I took classes in art, and it became a passion. I would like to tell my experiences of Pawleys Island through my paintings.

In "Drifting Toward Love," journalist Kai Wright introduces us to Manny, Julius, Carlos, and their friends, young gay men of color desperately searching for life's basic necessities. With these vivid, intimate portraits, Wright reveals both their heroism and their mistakes, placing their stories into a larger social context.

This wide-ranging archive, capturing more than four centuries of African American history and culture in one essential volume, is at once poignant, painful, celebratory, and inspiring.
"The African American Experience" is a one-of-a-kind and absolutely riveting collection of more than 300 letters, speeches, articles, petitions, poems, songs, and works of fiction tracing the course of black history in America from the first slaves brought over in the 16th century to the events of the present day. All aspects of African American history and daily life are represented here, from the days of abolition and the Civil War to the Civil Rights movement and the current times. Organized chronologically, here are writings from the great political leaders including Frederick Douglass, Martin Luther King, Jr., Malcolm X, Jesse Jackson, and Barack Obama; literary giants including Langston Hughes, Gwendolyn Brooks, Toni Morrison, Alice Walker, James Baldwin, and bell hooks; scholars such as Cornel West and Henry Louis Gates, Jr.; artists including Miles Davis, Billie Holiday, Wynton Marsalis, Run-DMC, the Sugar Hill Gang, and Chuck Berry; athletes such as Muhammad Ali and Jackie Robinson; and many more.
A new introduction by Kai Wright provides overall context, and introductory material for each document delineates its significance and role in history. This edition features all new and updated material.