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Since the mid-1990s Taiwanese artists have been responsible for
shaping much of the international contemporary art scene, yet
studies on modern Taiwanese art published outside of Taiwan are
scarce. The nine essays collected here present different
perspectives on Taiwanese visual culture and landscape during the
Japanese colonial period (1895-1945), focusing variously on travel
writings, Western and Japanese/Oriental-style paintings,
architecture, aboriginal material culture, and crafts. Issues
addressed include the imagined Taiwan and the ""discovery"" of the
Taiwanese landscape, which developed into the imperial ideology of
nangoku (southern country); the problematic idea of ""local
color,"" which was imposed by Japanese, and its relation to the
""nativism"" that was embraced by Taiwanese; the gendered modernity
exemplified in the representation of Chinese/Taiwanese women; and
the development of Taiwanese artifacts and crafts from colonial to
postcolonial times, from their discovery, estheticization, and
industrialization to their commodification by both the colonizers
and the colonized.
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